Day One

DayOne_Medium
Sign in the hills with a footprint and the words “Start Day 1.”  Image Source: Medium Inc. (Click Image for more Info.)

Day One of Writing

So, there’s this new YouTube channel that I recently discovered called Film Courage and it has interviews with screenwriters, producers, and actors and is basically a channel dedicated to helping beginners break into the the movie and television industry. It features advice in the form of long-form interviews with these individuals, but it understands that most people don’t have an hour/hour and a half to watch the entirety of the interview and breaks them out into smaller, more manageable 10-15 “chunks” that talk about 1 or 2 specific elements of the craft.

I recently found one that was especially impactful called “Day One of Writing a New Screenplay.”  I’ve linked it below if you want to check it out, but basically the screenwriter tells how he gets started on new project and how he budgets his time to get the project done, and his advice for ending so that you’re ready to work on it the next day.

 

Walking the Walk

What I love about this video interview by Mark Sanderson is that he is super professional in his approach and much of his advice deals with both professionalism (i.e., sticking to a schedule) and working from an outline (still being creative even though he has a general idea of where he’s going.  I also liked the way he creates strategies to help him become and stay creative.

I started Project Independence on Wednesday night.  I tried to work on Project Paradise Thursday night and try to hopscotch between the two, but I’m probably not going to be able to do that (435 words on Project Independence and only 31 words for Project Paradise).  I’m probably just going to have to pick one “weekday” project that I work on through the week and one “weekend” project (right now, probably my Ship of Shadows graphic novel).  I’m going to try to work on 1 “script” page this weekend.  Again,  as I’m only shooting for 250 words a day, I need to figure out what it means if I blew through that goal for one project and didn’t even come close to meeting the goal for another.  Does it mean I’m more interested and ready to write one vs. other and should stick with the one I’m seemingly invested in until I finish?  Or is it that I was just enervated one day, where I was exhausted the next?  Not quite sure.

“Bottom Line is: ‘You Have to Write and Stick to a Schedule'”

I’m trying to take his advice and try to fit it into my life because the “daily schedule” is one I’m still trying to conquer.  I don’t know how many artists I’ve lost for my graphic novel projects (four (4) is my current count although it may be more) because I couldn’t produce work fast enough because I wasn’t able to keep to a daily writing schedule and let work and school interfere with writing.  I’m not really a fast writer–I only type about 35-40 words per minute, which is fairly good, but isn’t amazing, but I often slow down when writing because I’m trying to think of the words that I need to describe the action I see in my mind.

I’m not sure what I’ll try to write tonight, but whatever it is, at least I’ll put my behind in my seat and, as the man said, “write and stick to a schedule.”

Sidney




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