A “Big Dog” Barks

Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @3700 words (+0 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 168 words (5000 words by July 1).
Actual = Dead tired after that insane 15 hour day.  0 words written last night.  Hopefully, I can do better tonight.

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3) (somewhere in 850s in terms of page count–more than ¾th of the way through .)
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Game Mode On (What I’m Playing); Updated Weekly (Mondays)

  • Tom Clancy’s Ghost Recon Wildlands (Ubisoft Multi-platform): Open World, Third Person Tactical Shooter–About ¾th of the way through.  Special Ops/Military combat in a fictional Bolivia taken over by a Mexican drug cartel.

    Still working my way through–I’m trying to clear out a province a week, but because I’m catching up from E3 so I only got to clear about ½ of the province I’m currently working on.  I was planning on finishing that province today, but I have far too much to do today, so I’m not going to get to play it next week.
  • Until Dawn (Sony PS4 Exclusive): Third Person, Horror– branching storyline game that features a variety of choices that affect the outcome of the story using a system call the “Butterfly Effect.” I got further along, but now I have a decision to make: do I let the “creepy” best friend die, or do I let the character’s potential girlfriend die.  I decided to stop right there.

Creating a Character

Last week (at least, I think it was last week) I talked a little about the development of a new short story that I’m working on: Project Dog.  Well, I’ve had the plot (events) of the story in my head now for a while (over 2 years).  I’ve written a plot outline for the story (I’ve mapped out what happens from beginning to end), but when I started to write the story, I found that it fell apart after the first few paragraphs.  I created two characters: Etienne and Genevieve, who are Canadian (as the story ostensible takes place in Canada).  However, I’m not Canadian.  I’ve only known one Canadian in my life (from a Creative Writing class, no less), and I only knew him for the one semester, so already I was ignoring a cardinal rule of fiction: write what you know.  So I’m going back to basics and I’m working on a conception of a new set of characters based on characters/people who I do know.

James “Big Dog” Robinson

Just so you know, “James Robinson” is likely a placeholder name.  The nickname “Big Dog” is actually the only thing that is definite.  This character is definitely an African American male (or this universe’s version of it as America, Canada, Mexico, and Central America are no longer individual countries).  As the setting is the future, borders have shifted and James is a product of his world.  I’m working now on creating 1) his backstory–how did he get to the “Canada” environment from the “deep south” environment where he grew up (I think I have an answer for this) and 2) his inner and outer conflicts (I believe I have his outer conflict, but I’m looking for a realistic inner conflict for him).  He is a squad leader, the leader of the “Dog Pack,” a futuristic group (sorry for being so vague here, but I don’t want to give away the mystery of the story.”

Inner vs Outer Conflict

So, I’m sort of obsessing over this element of the character (even more than a simple description of character or completely knowing his history).  Dragonhawk is the ONLY story that I’ve ever had accepted on the first try.  It is ALSO the ONLY story I’ve ever done a true “character sketch” for (Description, History/Bio, Inner vs Outer Conflict).  Being reflective about my writing, I think I’m non being successful in completing stories because of 1) lack of character development (esp. early in the project at the planning stage) and 2) lack of going through the “drafting” process (essentially only doing one or two “drafts” before moving on to the editing/submission process–not dramatizing the story enough/using enough techniques.

Hopefully, this will allow me to be a better “writer” and a better “storyteller.”  Fingers crossed.  Have a great weekend.  🙂

Sidney




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