Reworking My Writing

Chart of the Writing Process: Prewriting, Drafting, Revising, Editing, Evaluating, Publishing.
Image Source: https://www.dailyinfographic.com/the-writing-process-infographic

If you take a gander at the “What I’m working On” section at the bottom of this post (and all of the following posts after this one, you’ll see a slight change. Previously, I had been doing a poor job of trying to list the many different projects that I was working on to give you an idea of where I was in my (many, perhaps too many) writing projects. However, due to the sporadic nature of me getting to work on my writing, I’ve found it difficult to keep up with the upkeep on keeping my writing projects current.

Brandon Sanderson Effect

I really liked the way Brandon Sanderson does his “updated projects.” Now, Brandon is one of my current favorite writers. I really like how he provides a “status bar” for his projects that “gamify” his progress on his projects. I’m not nearly that savvy in terms of graphics, so I don’t know how to gamify my writing in the same way. I tried to do it in the same way as Brandon’s site (just without the graphics), but its just not working. So I’m going to change the way I’m listing them at the bottom.

The Mythic Magazine Effect

Mythic Magazine, a market that I’ve submitted to frequently in the past two years (but haven’t yet had a sale to them yet). However, they have a submissions period of twice a year. So, what I’ve decided to do is to list the projects that I’m working on for that market and how close I’m to finishing it (especially in terms of deadline). I really only have enough time to work on two projects at a time (a shorter one and a longer one). The longer one will be listed as well, but it will be the one that I’ve been working on for a while. That one I’ll update quarterly, while the other two will be updated monthly (my preferred working time-frame).

I’ll also keep readers of the blog up-to-date on projects that have been accepted and where they are in the production process. I currently have one project, HawkeMoon, that I can sort of update everyone on so far.

Anyway, its getting late, so I’ll wrap it up now. Check out the new listing down below. I hope you like it!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = July 31, 2019
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = January 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019
  • HawkeMoon (upcoming) = Edits turned in to editor 5/31/19
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Weekly Round-Up (February 3rd-9th)

potpourri

Writing

  • 2nd Draft–Starlight, Starbright: “Exposition” — I worked on the beginning of the story and reworked it to add in more characterization, more character backstory, and to revise the introduction of the story so that it matches the changes that I made in the middle of the story in the 1st draft (I didn’t go back and revise it as I figured I would get bogged down and not finish the 1st draft which is what I wanted to do.
  • The market that I’m aiming this for is a yearly one and it stops taking submissions on February 28th. I already missed a different market that stopped taking submissions on Jan. 31st (& will have to wait until June for their next period), so I don’t want to miss this one and have to wait an entire year (along with it having a different theme, to boot).

Gaming

  • So, I finished the campaign for Star Wars Battlefront II published by EA. I bought it on sale (9.99) and I bought a digital copy. I played the first one (only because it was Star Wars) “day one,” and while it was fun, I really did miss having a campaign (I rarely played the first game, so it was money wasted). I decided that this time I would wait until the game went on sale before purchasing it. I thought the campaign was good–although Iden goes through a character change quite quickly about a third of the way through–and while I liked it, I did find it abrupt. I didn’t even bother with the multiplayer which is this game’s bread and butter because I didn’t like the “loot box” controversy–just let us play games EA, stop looking at you gaming customers as stupid sheep to be fleeced for your shareholders. Not cool.
  • Speaking of multiplayer, this week saw the release of Apex Legends, a first person shooter which mixes the best of Battle Royale games (like Player Unknown Battlegrounds (PUBg), “character shooters” (Overwatch) and cartoony action/combat (Fortnite). This game was released on Tuesday or Wednesday and it has taken the gaming world by storm. 10 million players have played it in approx. 72 hours. Whether it has staying power remains to be seen. Oh, I also one my first match today. It is a three-person team, and my contribution was healing, revives, and calling enemies, but even though I wasn’t the “star” on the team, my help was both necessary and critical to the win! 🙂

Miscellaneous

  • So, not much going on outside of work–for school and for my second job.
  • Oh, I got new contact lenses, but I don’t think there going to work out. I’m extremely near-sighted so we added a “multifocus” lens so that I could do better at reading, but in doing so, the distance is now very blurry and limited and I’m not really “feeling” them. While I can’t go back to my old pair (too old), I may have to try to see if we can’t give up some “reading” clarity to get some clarity for my distant vision because of all the driving that I do.

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Submissions Every Day This Week (So Far)

So, I just wanted to let you know that I’ve submitted a story every day this week.  This is sort of just an update post of sorts.  I won’t belabor this post, nor name the markets, but I did want to let readers now that I’m giving it my all after the depressing defeat last week of both my stories that were shortlisted being rejected.

Citizen X

I just sent my story Citizen X  out to a market today.  I’m sure it has 0% chance of getting in the magazine, but I wanted to send it today as today is their last day for allowing submissions for this reading period.  As they have 4 periods a year, I want to try to make sure that I submit each period even when I’m pretty sure that they won’t use the story.  Still, what is the old “saw” for people who play the lottery: “you can’t win if you don’t play.”

HawkeMoon

I submitted HawkeMoon to an anthology that had a theme.  The story matched very well with the actual anthology, but I’m not sure how much it matched the theme of the anthology.  I think that it might work for the theme of “Shards” and I revised it a bit to make that idea more explicit, but I’m really not sure its going to work for them.  They did, however, push their date back from Feb. 1st to March 1st, so I wanted to be sure to get the story to them and let them make the ultimate decision.  We’ll see.  Depending on how well they think that I interpreted their theme, this probably has the best chance of all of the ones I’ve submitted so far (of course, if they don’t think I hit the theme, it will probably be the exact opposite–oh well, we’ll see)

Dragonhawk

Dragonhawk has already been published by Tales of the Talisman and you can find it on Amazon if you’re curious.  However, there are several podcasts that are looking for stories (preferably reprints) that they can have narrators read as part of their podcasts.  There is a Fantasy version, Sci-Fi version and YA Fantasy/Sci-Fi version.  I sent this to the YA one, but it didn’t work, but I was determined to submit it to the Fantasy version when it reopened.  I’m determined that every story that I do that gets published will go to these podcasts for consideration.  I’ve not had much luck with the reprint market unlike other writers, but I like and listen to podcasts, so I’d love to have my work featured.

Silence Will Fall

So, Silence Will Fall just went to the same market that shortlisted Citizen X.  I’ve had some success with this market, but it isn’t a given (as one can see by their rejection of CX).  I really like SWF (I like all my stories, but of the recent ones, this is probably one of my favs) and I hope they take it, but the movie that I blogged about recently may hinder it from getting sold, but I’m going to do my best.  We’ll see and I’ll keep you all updated on this (and all the projects) that are being submitted and in the works.

See you next time!

Sidney




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(Not) a Short Fiction Market Renaissance

sfwa-ss-word-cloud300_klwagoner.jpg

Science Fiction Fantasy Writers Association Qualifying Markets Word Cloud, Image Source: KLWagoner.com

I was listening to the Writing Excuses podcast and one of the presenters mentioned that there is something of a short fiction renaissance market happening right now.  The presenter mentioned that there were more fairly well paying markets for short fiction (speculative–sci-fi/fan) right now and that in the past there used to be only the big three (such as Asimov’s, The Magazine of Fantasy and Science Fiction, and Analog).  As someone who is currently “in the trenches,” I have to take a bit of an issue with that characterization of the market.

With all due respect to the presenters on the podcast, they are named authors.  They don’t have to worry nearly as much about the fierce competition from all of us unnamed authors trying to earn recognition and money in this system.  No matter how much people may say having a recognizable name doesn’t matter, it does.  I received another rejection letter yesterday (it noted that the story was well-written, but the publisher decided not to publish it (one of these days I may do a postmortem on a rejection letter in a blog post, but I digress).  That lowered my average acceptance rate (tracked via Duotrope) to 7.9%,.   Try going to your boss and telling him or her that you have succeeded in 7.9% of your tasks and because you’re doing more than others, you deserve a raise.

Also, what the presenters on the podcast don’t realize because they are both named authors and they don’t have to try to make a living at selling short fiction/this isn’t their primary “gig” so to speak, is that only half of the markets are available at any given time. Sure, there are a lot of markets, but many of the higher paying markets that they are alluding to are either “on hiatus” or “temporarily closed,” or worse yet, “permanently closed.”  Some even have fairly ludicrous submission requirements just to limit the number of submissions that come in.  Nearly half of the places where I’ve submitted stories to in the past are currently unavailable for submissions and those that are available either pay little to no money or are brand new on the market place (& usually can’t afford to pay writers or pay them very much as they have no audience yet).

FSM issue-001-cover_nerds-feather_com

Fantasy Scroll Mag Cover (currently listed as DNQ on Duotrope at the time of this writing).  Image Source: nerds-feather.com

For example, Lightspeed, a well paying market is temp. closed and has been for most of the year.  The Leading Edge (where supposedly a couple of the named authors on the podcast got their start as listed in mag’s description on Duotrope) has 0.00% acceptance rate of authors who have tracked their submission through Duotrope and currently has an astounding 444.9 day(!) response time to authors who submit stories to them.  That’s a year and half (approx.) for short-fiction.  Imagine waiting 444.9 days for your next burger and fries!  One magazine is only open for submission 4 weeks out of the year (one week in Apr., June, Sept., and December) and if you miss those periods, too bad.  One magazine is only open for submissions between for about 24 hours every Monday/Tuesday, and I could go on.  Looking at my list of submissions, I see so many Temp. Closed, On Hiatus, Closed, Defunct, and Does Not Qualify (DNQ–the publisher has made some change, no longer lists guidelines, no longer accepts submissions from unagented writers, etc) listings that it gets harder and harder to find places that I haven’t sent the story (that actually pay money).

So, while I enjoy listening to the podcast and I have learned a lot about writing, and being successful in writing, I simply must take issue with the characterization that we’re in short fiction market renaissance.  I respectfully submit, having been in the trenches for way longer, that the waters are as turbulent as ever for writers trying to make a name for themselves through short-fiction markets so as to make the jump to the more lucrative novel writing profession.

Sidney