Avengers Infinity War — Mini-Review (No Spoilers)

Avengers-Infinity-War-Trailer-1-44

Image Source: https://www.technobuffalo.com/2018/09/03/avengers-4-where-are-the-avengers/ (Possible Spoilers-tells where everyone ends up AFTER the movie, click at your own risk!)

Not Your Typical Marvel Movie

So, I’m just going to assume that most people who are interested in Marvel movies or comic book movies has already seen this movie, but just in case people haven’t, this is a Marvel movie like no other.  It has been setting up since the very first Avengers film.  It is essentially the entire Marvel universe (with exceptions) in multiple storylines fighting against the “big bad” of the movie, Thanos, to keep him from getting the Infinity Stones (various items that have been teased in Marvel movies like the Tesseract).  However, this movie doesn’t follow the typical Marvel formula because it has multiple heroes in multiple places trying to keep Thanos (or his agents) from getting the stones. While some times wildly inventive, these multiple storylines are also wildly disjointed and make the movie feel more disjointed than it probably should be.

People Keep Dying

For me, I’m just going to come right and say it (don’t worry–no spoilers), people just keep on dying in this movie.  Here’s the thing, deaths in movies are sometimes justified (such as the death that occurs in Star Wars.  Each death of each of the characters (both major and minor–I’m thinking of the Death Star scene and the “Trench Run” scene especially) either propel the movie forward or increase the tension and make us feel that the main character’s lives and mission are in serious peril.  In this movie, characters keep dying, but it doesn’t feel earned.  It feels like the filmmakers wanted to be shocking and provocative.  See, look who can kill, now just wait and watch who we kill next.  While guaranteed to keep you glued to your seats to see who’s dying next, it doesn’t really make for compelling drama, nor does it really engender repeat viewings (I’ve owned the movie for a week now and I’ve not rewatched it once–by this time with the other Avengers and the later Captain America movies (which are essentially Avengers 1.5/Avengers 2.5 movies), I would have rewatched them multiple times by now.

Avengers: Infinity War (part 2)

Next year, we will have the resolution to this story with part 2 of this movie.  I’m pretty sure the “solution” to the movie was sown by “seeds” planted in this movie (pay particular attention to the scene where Stark and Doctor Strange discuss possible outcomes after Strange looks into the future), but it is possible that this is a misdirect by the filmmakers.  Either way, I’m not sure how much “fun” I’m going to have with the second part based on the “bad taste” the first part left in my mouth.  Unfortunately, this isn’t a case of Empire Strikes Back, where the second entry is by necessity darker than the first, but rather one where I feel the filmmakers tried to use shock value to enhance the tension rather than going with heroic and meaningful deaths.  In closing, I also have to say I wasn’t a fan of Thanos’s motivation. Genocide, for any reason (and that includes population control) is still Genocide.  While he was “a bad dude,” there was a surprising amount of sympathy given to the character for this movie that 1) wasn’t earned, 2) other movies featuring him in scenes didn’t show/highlight and 3) wasn’t actually relevant to the character. Sure, you don’t want a scene chewing villain, but in my mind, Thanos lacks the cold, calculated terror of a Darth Vader, who while there is good inside of him, does some personally horrific things to get his motives accomplished.  Thanos is from the newer, Kylo Ren school of villainy, where he has to whine, emote, and act like a petulant child before he can enact his twisted schemes because, by golly, we (the audience) gotta’ feel sorry for the poor slob as he’s only trying to do the “right” thing by his way of thinking.  Oh, boo hoo.  Sorry, I (personally) don’t care for this particular type of villain and it throws me out of the movie every time I encounter one like that (Syndrome from the Incredibles has a similar effect on me).

Overall Score: B-/C+

Okay, so I’m being charitable with the B- as there are some very inventive and terrific fight scenes (as usual for the Russo Brothers).  However, some characters do some pretty dumb things (especially for Marvel movies) and I really didn’t care for the way Thanos was sometimes handled/depicted.  It is a spectacle, no doubt, and is pretty much required viewing to stay relevant with popular culture, but as a movie, it isn’t nearly as strong as several other Marvel movies.  I’m not sure where I’m going to place it on the list, but I can give you a preview here: it will not unseat my top 3 Marvel movies currently.  Not slagging on the movie per se, but it just didn’t connect with me. Too much emphasis on cheap, unearned deaths, not enough on true characterization and story pretty much sums up my reaction to it in one sentence.  This is the first Russo Brothers Marvel movie that has been a swing and miss with me.

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Mini-Review: Supernova

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Movie poster: Supernova. Image Source: https://tvtropes.org/pmwiki/pmwiki.php/Film/Supernova

Not Good, Not Terrible

So, I watched this movie a couple of weekends ago, and I wasn’t as disappointed as I thought I was going to be. Yes, I know that is damning with faint praise, but I found my time the in universe of Supernova to be more mindless than mind-numbing. The problem with the movie is simple: too formulaic without real thought behind what makes the characters tick and what is happening in the universe. I recognize this because (I think) this is what do when I write and submit my first drafts. Pretty much everything we need to know is told to via dialogue (exposition) and there is a lot of telling rather than showing. The universe outside the ship barely exists and it only does so when the plot calls for it.

A Walk on the Not So Wild Side

So, what went wrong with this movie. This movie is all about concepts rather than story. For instance, in a twist on Alien and Aliens where people “hypersleep” in the underwear, in order to be titillating, Supernova, says no, in this world everyone sleeps in the nude. Now, they don’t show anything in the movie (at least not what I saw on streaming), but there’s no explanation or rhyme or reason as to why this is necessary (if there was a scene explaining this, it either never made it into the rewrites or was left on the cutting room floor). Way, way too much of the movie is like this: interesting concepts thrown out there and then poorly explained/explored, if explored at all.  It is as if there were three different sci-fi movies happening, but the creators said, “hey, Aliens was marketable, let’s take this jumble and run it through the Aliens template and see if our movie can be successful, too.” Sadly, it just didn’t work.

A Black Eye for Afrofuturism

So, one of the main characters in this story is an African American female. She is intelligent and determined. However, the story continually undermines her agency as it depends upon the main character to “save” her. There are situations in which she “saves” herself, but again, because we have formula, rather than form, there has to be a male hero (who happens to be white in the story, but any male of any race–including African American–would have been just as bad) to save her. As the male is cut from the formulaic “silent, brooding type,” the woman’s role is by far the most interesting and really could have been something special if she had to both save the ship and outwit the antagonist at the same time. This is something that I’m striving for in my own work, and I hope that I will not allow Tana (or any other female character) to be “saved” by males (and vice versa when I write male characters). Supernova needed to pick the most interesting character (the woman) and let her be the hero of the story rather than trying to delegate hero duties between the two main characters.

Overall Grade: D+

This could have been so much better had the creators just trusted their most interesting character and threw her into a situation where she had to battle herself, battle the floundering ship and possessed crew, and the antagonist at the same time. As it stands, it is just a formulaic sci-fi action movie that simply doesn’t explain its world or characters in enough detail to be truly enjoyable.

Sidney

Who Owns Fandom?

HarryPotter

Fans dressed as characters from the Harry Potter Characters. From The Associated Press.  Image Source: https://apnews.com/77daf58afa7f4bf2a45f93a93a59cdc8

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • 1st Draft – “Project Dog”
    Goal: 2500 Words
    Current: @500 words (+250 Words)
    I’ve written on it for two days and I’ve managed to get about 500 words written (I’ve hit my 250 word goal both days)!
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    The Belgariad David Eddings
    Last week was NOT a good week, so I needed some “comfort food” for reading and my go to book for “comfort food” is the Belgariad (followed closely by Diane Duane’s So You Want To Be a Wizard.)
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Warner Brothers (& Corporations) Want ALL the Moneyz

So, those who work in corporations might want to cover their ears (eyes?) for this particular blog entry because I’m going to take you to task for some of your less than savory practices. Yes, we live in a capitalistic society. Yes, content/copyright holders should make money from their content. No, others should not be allowed to profit from works that they themselves did not create. BUT . . . and this is a “big” BUT (hence the capital letters), there is a point where you can go too far, and I’m sorry, but Warner Brothers has crossed the line. What am I talking about? Well, it seems that Warner Brothers is taking a dim view of Harry Potter “Festivals” that are taking place across the country according to an Associated Press Story from June of this year: https://apnews.com/77daf58afa7f4bf2a45f93a93a59cdc8.

Warner Brothers HATES “Fandom,” BUT They Do LOVE their Fans MONEY!

Give me money to see my movies. Give me money to read my books. Give me money to buy my merchandising. NO, you may not use our characters if there’s even a chance YOU might make a profit from them, even if it is 1) for a good cause, 2) for fun, 3) not intended as a primarily-for profit enterprise. Warner Brothers wants to create a “fandom” in order to have a built in audience (consumer base) for their “franchise” (books, movies, merchandising, etc.), but they’re unwilling to let their fans express their creativity through (specifically) these festivals where they get to dress up as and “role-play” as their favorite characters from the series. Yes, as an author, I’m fairly protective of my work, so I understand wanting to “control” your creations. But at some point, you “have” to let go and allow your fans to “inhabit” your world and your characters.

Money, Money, Money . . . MONEY!

So, the above heading is the line from a song.  And this is the problem–corporations exist to make a profit . . . but here’s the thing: there’s no such thing as an APPROPRIATE amount of profit. It’s make as much money AS HUMANLY POSSIBLE. Unlike small businesses, where you need to build relationships and build trust with your clients, a corporation doesn’t need to do this. In fact, the entire Investor dynamic, encourages a “slash and burn” approach, slashing and burning the property/properties they own (or acquire) to make as much money as they can in as short of time period as they can. Where a small business is focused on growth and not extending their lines too quickly so as not to sink into a never-ending spiral of debt that they can’t recover from, corporations (because of their capitalization) rarely have that problem (their problem generally comes from not being able to assess market changes quickly enough to take advantage–K-Mart vs Walmart, Circuit City vs Amazon, etc.) Activision, unfortunately, has for last 10-15 years followed this “slash and burn” technique and they are rewarded year after by their stockholders but are reviled by gamers–and EA has tried to copy their model year-after-year.

Until corporations learn the lesson that Keanu Reeves’s character quoted in Speed that goes something like this when trying to get the wounded bus driver off the bus: “How about a little humanity?” The line goes on about having plenty of them left to kill. I would change that to: “there’ll still be plenty of MONEY for you to get from us in the future.”

Please corporations (Boards and CEOs alike), stop being Scrooge and wanting ALL THE MONEYZ IN TEH WORLD!

And yes, the misspellings are intention 😉

Sidney




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Mini-Review: Man of Tai Chi (Netflix movie)

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Keanu Reeves and Tiger Chen star in Man of Tai Chi. Image Source: Rotten Tomatoes https://www.rottentomatoes.com/m/man_of_tai_chi/

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 21 (+1)
    Goal = 3 Pages a week. 20/20 Pages (for artist). 21/32 pages (for completion of 1st issue)
    Actual = 1/5 Pages done so far this week.
    Wrote the Page that I’d rough drafted the day before. Moving along slowly. Don’t think I can finish the entire first issue by Saturday, but we’ll see.
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Exit the 13 Assassins

So, even though I’d taken a Tai Chi class on this previous Saturday and even though I had this movie in my Netflix queue, I wasn’t actually going to watch this movie this past weekend. No, rather I’d intended to watch 13 Assassins, another martial arts movie on Netflix dealing with 13 Assassins who are tasked with killing a poor ruler in Japan’s feudal period.  The movie was slated to go off Netflix at the beginning of the month (today as I write this post) and I’d had it in my queue for ages. However, when I sat down to watch it, it was far more violent of a movie than I really wanted at that time. There was a “hari kari” scene at the beginning of the movie and in the next 15 minutes there were two other fairly violent scenes. In short, it just wasn’t what I was looking for after a Tai Chi class and a fairly grueling drive home.

Enter the Man of Tai Chi

After debating with myself for about 5 minutes and scrolling through some more of Netflix’s martial arts movies, I decided to give Man of Tai Chi a try (I had just taken a Tai Chi class after all).  It actually wasn’t all that bad. Not great, but not a train wreck either. Directed by Keanu Reeves, the movie tells the story of a young man, who is outstanding in the ways of Tai Chi as a martial art, but not so great in understanding Tai Chi’s philosophy. The protagonist (who is not Keanu Reeves, by the way, although Keanu does star as in the movie as the primary villain/antagonist role) of the movie is ‘Tiger’ Chen Lin Hu played by an actor named Tiger Hu Chen who I’ve not seen before but who is expressive in that earnest and determined “Peter Parker” sort of way that many actors are able to bring out in their performances.  The movie follows “Tiger’s” descent into the abandonment of Tai Chi ideals by using Tai Chi to fight in tournaments and later, for money.

A Real World Martial Arts Movie

Set in today’s world (the movie was released in 2013 according to IMDB, although I don’t remember if there are dates in the story–I don’t think so, but I could be wrong). This movie takes place in China/Hong Kong and throws a light bit of police procedural in along with the martial arts with a young female detective who is trying to crack the case of this underground fighting circuit even though her boss is telling her not waste her time. As mentioned, Keanu Reeves’ character tempts and corrupts “Tiger’s” character until he is at the breaking point. I will mention that the final fight scene is vaguely reminiscent of the initial Morpheus and Neo “training” scene where Morpheus shows Neo the Matrix for the 1st time. To be clear, it ISN’T their first fight scene I’m referencing, but the first time they “jack” into the “training” simulation. The fights, while stylishly correographed, lack a bit of polish that would have elevated them from good into the great arena (especially the final, climatic battle). There is a master who sees “Tiger’s” character going over to the “dark side” and tries to use Tai Chi philosophy to stop it and their was a Tai Chi move used in the movie that my friend and I had practiced earlier that day, but mostly the movie was a typical martial arts movie.

Still, I enjoyed it all the more for its earnest main character and the fact that it at least genuflected (or bowed in this case) in the direction of Tai Chi as a healing art, not as a destructive one.

Overall Grade: B-

Yes, I’m being a bit generous here–it is a typical martial arts movie and nothing special. However, I like the way the actor transitioned from earnest to “hard” and I’d had the Tai Chi class earlier in the day, so I feel a bit generous and lenient towards this than I might have otherwise.

Sidney




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What’s On My Bookshelf? Master and Commander: Far Side of the World

Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @4000 words (+203 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 167 words (5000 words by July 1).
Actual = Rebounded after a day with no words and was able to hit Scrivener’s goal of 167 words, but fell a bit short of my own 250 word (personal) goal.   203 words written last night. 

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3) (somewhere in 850s in terms of page count–more than ¾th of the way through.  Will post a non-spoiler mini-review when I finish.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
    Lingua FractalA Rhetoric book that details the convergence of Rhetoric and Technology and how they interact in today’s world.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Game Mode On (What I’m Playing); Updated Weekly (Mondays)

  • Moving Game Mode On to its own (Mostly) Weekly Post

Master and Commander: Far Side of the World

One of the rare non-genre works that I own (and like), Master and Commander: The Far Side of the World (MCTFSotW) is one of those movies that has the rare combination of detail and action combined with history that make it a compelling movie to watch for me.  I’m a history major, but what I find with most history movies is that they tend not to dramatize the action in a manner that I find compelling, preferring to let the exoticness of the setting and time-period to stand in for action and having the characters respond in a manner that “talks” the film’s central problem to death.  Not so with MCTFSotW.  While there is a fair shade of period specific dialogue, it doesn’t seek to resolve the film’s central question via dialogue, but rather through action, which is probably why I like it.

A Captain for All Seasons

This one is realistic not just for the action and ship to ship battles and games of cat and mouse, but also because of the characters.  The friendship between the captain and the doctor is realistically depicted.  Both are clearly friends, but the captain’s duty and his friends personal interests pull them in different directions and they find themselves at odds when duty and interests conflict.  There is even a compelling subplot involving a junior officer no one likes and his conflict with the hands on the ship.  This is the way that I wish most period pieces were handled.  Sadly, this one is the exception to the rule.  The movie version of Last of the Mohicans is probably the closest analogy to this movie.  If you like that movie, then you’ll probably like this one as well, although, to be clear, that one also had a strong romantic subplot between the women and men in the story that many latched on to and made it a must see for them, but this one is purely action and platonic friendship between the captain and the doctor.

Book to Film to  . . . ?

I haven’t really followed the financial success of this film, but gauging that there hasn’t been any follow-up movies, I would have to assume that it did not do as well as the filmmakers’ hoped.  As a librarian, I know this is based off of a series books by Patrick O’Brien (I shelved them enough times, even though I never got a chance to read them) and I figured that this would be start of a series of movies based on how good I thought it was, but alas, it wasn’t to be, I guess.  To be honest, with all of the interest of turning movies/book series into TV series, I fairly surprised that this hasn’t been found someone wanting to take on this property.  I remember that it has a fair number of books in the series.  While not nearly as enormous as Game of Thrones books, I sure that a strong “show runner” could get a BBC length season (10-12 episodes out of each book).  The special effects budget could be impractical, however, as the sea scenes would probably all have to be done with CGI which could get expensive quickly.  Still, it seems like a fairly good fit for today’s current crop of shows on streaming.

Well, that’s all I have for today–have a good day!  🙂

Sidney




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So, I, Robot is a “bad” movie? What Gives?

  • Project Paradise Word Count: 357
  • Project Skye Word Count: 1617
  • Project Independence Word Count: 2428 (+71)
  • Project Ship of Shadows Graphic Novel Page Count: 12

I managed to add 71 words yesterday, well below my 250 word goal.  In my defense, I only had about 40 minutes in-between assignments, but I probably could have gotten it done, but I had to eat dinner, and eating ribs and typing on a computer keyboard is a recipe for disaster.  I also had time on my breaks, but chose not to work on it.  Instead I skimmed YouTube for most of break time.  Today, I’m going to make a concerted effort to use my break times for writing and save YouTube for the weekend.  We’ll see tomorrow if I make it happen.

I, Robot = “bad”?

So, towards the end of the day at the Writing Center, a discussion emerged about the concept of Artificial Intelligence in video games and movies, and I brought up I, Robot as an example.  Now, I know I, Robot isn’t regarded fondly in the Sci-Fi community, but I was surprised to hear a MA (Master’s level) student pull a “Freshman Fiat.”  This is my term for when a freshman (or any other beginning level student) pronounces that something is “fact” and then provides no evidence for this pronouncement.  He categorically stated that I, Robot was a “bad” movie, but without giving any shred of evidence (such as characterization, plotting, setting, tone, etc) to back up his statement and I was supposed to just agree because that is the general consensus.

But I don’t agree.

Not only do I not agree, but as a student learning more and more about Afrofuturism, I would argue that the general consensus has less to do with the movie’s quality in terms of story construction than it does with the appearance of the hero and the formation of the hero’s identity.

But Looper = “good”?

As a counterpoint to the I, Robot narrative, I would offer the (as evidence, which the other participant in the debate never gave, I must repeatedly emphasize), the movie Looper.  Looper is a time travel story, one which (minor spoilers–skip down if you want to know nothing about the plot) sets the protagonist against an older version of himself.

Looper was hailed as a “great” movie and was critically acclaimed.  It also made its director Rian Johnson a powerhouse in the Sci-Fi movie community (which ultimately lead to The Last Jedi and the splintering of the Star Wars fandom).  However, I found Looper (and The Last Jedi to a lesser degree) to be one of the least inventive, least original, and a movie so lacking in character motivation that it made the main character seem flat and uninteresting.  And yet, this movie is hailed as what we should aspire to in Science Fiction filmmaking, while I, Robot, which tries to explore the idea what a soul is and where does it reside, and can it reside in a machine created by man (i.e, first explored by “high” literature such as Frankenstein, and explored in many different movies, including the highly successful Terminator films).

What Makes It So?

I would challenge viewers to watch (or rewatch) each film and focus on the protagonists–the main characters.  I would also encourage viewers to take a moment to look at the way each character is defined and acts within the context of his respective movie.  Although one is a darker shade in terms of skin tone and borrows from his cultural heritage, I would argue that it is Looper’s protagonist who acts in a more stereotypical way.  The protagonist in Looper doesn’t emote (characteristic of the “strong, silent” type), his actor has the classic “Hollywood” face (“square-jawed”), and the character acts out of a misplaced sense of “love” (the character himself isn’t faced with any overriding conviction), whereas the protagonist of I, Robot hates the robots in his world as a way of displacing his own “self-hate” at the way his circumstances turned out.

I would argue that I, Robot challenges the stereotypical narrative far more than Looper does, but that the casting of the protagonist in Looper conforms more to the expectations of the viewers and thus, allows Looper benefit from a story that is far less engaging and far less revolutionary than the story that I, Robot tells.

If you happen to disagree, that’s perfectly valid.  I just wanted to take a moment to highlight a few of the reasons why I think that I, Robot gets a bad “rap.”  At least, there’s no “Freshman Fiat” to deal with here–you have points that you can refute if you disagree.

And that was ultimately the point of today’s post: a little more reason and a little less fiat.  Thanks for reading!

Sidney




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Updated Marvel Universe Movies

marvel_cinematic_universe_wallpaper_by_theincrediblejake-d8lx9om

This is a super short post to let you know that I’ve updated my Ranking of Marvel Movies post with the addition of Thor Ragnarok. 

Sidney




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