Year of the Shadow

Arched Shadows on Italian Wall
Image Source: https://pixabay.com/photos/shadows-arch-urban-city-sunshade-1456887/

This has been an idea kicking around for a while now, but I haven’t really been able to decide how to make it work until this year. I wanted to start it earlier this year, but was so focused on my preliminary tests that I didn’t really give it the time it deserved, but I finally figured out a way of making this “Year of the Shadow” work, so I’m going to work at it on the weekends and we’ll see what comes of it.

What the heck am I prattling about?

I’m talking about “The Year of the Shadow.”

Year of the Shadow

So what is the “Year of the Shadow.” Well, the short version is that is where I develop a character that I’ve already published in a story somewhere into multiple projects throughout the year. The long version is that when I was talking with Toni, a fellow Graduate Student and a Writing Consultant at the MTSU Writing Center, I felt that the stories that I’d already published meant that there was something there that intrigued editors enough to buy them and publish them and I should probably use those stories as starting points to help me create longer works with those same characters. She agreed and thought that would be a great idea. I started with Tana from my short story “Ship of Shadows.” This is where the idea for the Graphic Novel came from. However, I got stuck shortly afterwards because I didn’t really know where to go with. I thought I was “unstuck” a couple of weeks ago, but when I tried to write it, I found I still didn’t know what the purpose of the story truly was and discovered that I still felt lost in the story.

Year of Tana

I could have almost entitled this the Year of Tana because my goal is now to focus on the character Tana from Ship of Shadows. In the short story, Tana is a “pilot” of a DSRV. My graphic novel will (hopefully) show how Tana goes from a pilot to a captain. The novel that I’m planning for her will show how navigates being captain and being her own independent contractor/small business owner as she struggles with both crew issues, finding ways to make money, and external issues. I intend to branch off and do a “variant” version of Tana for a screenplay where we see an alternate version of Tana and see her parents for the first time. Finally, I hope to finish off the year with a Pilot for a TV show going back to the novel and using Tana’s adventures there as my guide.

52 Weeks

I’m already 16-17 weeks behind schedule, but I didn’t really have plan earlier (or rather, I had a very nebulous plan), so I can’t really worry about the time lost. All I can do is work hard to make sure that now that I have a plan in mind, to devote time each weekend to making the plan work to the best of my ability. So, while I’m about 17 weeks behind, “The Year of the Shadow” has now commenced.

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Weekend Round Up #15

Image Source: https://www.rocketcitymom.com/weekend-roundup-november-8-11/

This blog entry is me formalizing a format that I started earlier in the year of just giving a quick rundown of some of the highlights of my weekend. As I tend to do most of my writing, gaming, and media consumption on the weekends, it makes sense to give a brief summary/overview of some of the more important aspects of my weekend life, considering they all have relevance to my life in general, and the blog, in particular.

Gaming

Nothing major to note. I got closer to finishing the driving game Gravel. Actually, I’ve already finished it (seen the credits roll after completing the main campaign, but I’m hopeful that I can earn the ultimate reward for my dedication, a Platinum Trophy, in which I complete all the required conditions. I’m currently sitting at 97% complete on the game–needing only 2 online trophies to finish the game. However, that might be a hard task based on the fact that no one is really playing the game online anymore that I can see (on the PS4 anyway). We’ll continue to see, however.

Writing

Managed to send off a story (reprint–Faerie Knight) to a YA podcast looking for Halloween, Christmas, and Dinosaur stories (Faerie Knight falls firmly in the Halloween category). I’ve had very little luck (none at all, if I’m honest) in the reprint category–none of my stories have ever been reprinted in a different magazine from their original publication, but since FA was a Halloween story (it takes place on Halloween night), I thought I’d give it a try. In other news, I started planning a short-story “duology” over the weekend. I’ve actually already written the first story (I, Magi) and I now have a “sequel” for it in mind. I will be working with it over the week to get a “rough draft” down on paper and then put it on hold until I finish Project Dog, Project Skye, and Project Independent. I feel as if I have too many outstanding projects and I really need to finish some of them off before moving on to others.

Media

Not much to see here this week. Not into Game of Thrones. I hate the whole “Bad things happen to Good people” sub-genre, no matter the genre (fantasy, sci-fi, etc.), so I refuse to be a part of the cultural conversation here. I did start the Amazon Prime show Hanna, but didn’t actually finish the first episode–although I will. I don’t think it would be right for me to give my impressions until I do, however.

School

So, this is where the bulk of my writing time went this weekend. I had a school assignment due at 11:00 pm Sunday night for my Victorian Literature class (on Charles Dickens’ A Christmas Carol). I finished it right around that time (after working on it since approx. 7pm). I really feel the Sunday night time-frame is a good writing time (when I’m not writing until 11:00pm or 12:00am), so as soon as school’s out (i.e., I’m finished with my classes, I would like to use this time-frame to actually work on some of my (many) “Projects.”

Well, that’s my weekend for this week–hope this week is a good one for both you and me!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Goodbye Star Wars: Clone Wars, Hello Farscape

Image Source: https://reelgood.com/show/star-wars-the-clone-wars-2008

So, I’ve been away from the blog for a while due to school and reading for the tests for this semester. I’ve been consuming media on the weekends, but I just haven’t really had a chance to blog about it. There have been several major video game news items that I’ve wanted to blog about (& with luck, I still will), but basically, today I wanted to talk about the “streaming future” and the way it will work in the future.

Goodbye Star Wars: Clone Wars

After trying to get through the series when it was first released and not being able to due to the erratic nature of its broadcast schedule originally, I tried to get through it on Netflix when it first appeared. There was an episode that I couldn’t get through–the one where Padme and Annakin have to use Padme’s former boyfriend to get information on the Separatists–and so I dropped it. This was when Star Wars: Clone Wars (SWCW) had first entered the Netflix catalogue. I recently (this year) finally got past that odiuous episode and was making my way through the series when I got the notice that SWCW would be leaving the service on April 7th. As I was in the midst of studying for tests, there wasn’t really anything I could do about it–no major binges or anything like that–so I was only able to get to Season 3 (first episode) before the show was pulled. Now, it isn’t gone forever–more than likely this show is going to appear on Disney’s new “Streaming” service.

Obviously, I don’t really like this. To the best of my knowledge, Disney’s new service will not be “free.” If it costs money, then I have to decide whether I need Disney’s service over Netflix’s service, or whether I can afford (notice I didn’t use the word need as I don’t need either service, but I want them for entertainment). I don’t really like this idea of starting new services when there are already market leaders in the market. I’ll explain why in a moment. For the moment, the point is moot as Disney’s service hasn’t actually premiered.

Hello Farscape

Farscape is a early to mid 90s Sci-Fi show that, like Babylon 5 (B5), I saw a few episodes when it first premiered. Afterwards, it was one of the first shows on streaming. I managed to see approx. the first 2 seasons before it went away (again, much like SWCW where it went away before I could finish it). I’m starting over again. It has been long enough that I really don’t remember the characters or the relationships well enough to try to pick up where I left off. I will try to finish this series this time around (again, like B5), and if I do so, I will post a review of the series on the blog.

Streaming: Hello and Goodbye

So the thing about streaming is that it is almost a lot like broadcast network: you are at the whim of the providers and licensors as to what you can watch when. It takes away choice. The providers go out and acquire the content and you watch it. However, not all providers have all the content, meaning subscriptions to multiple providers to get a good coverage of old and new content. Now, content provider sees these subscription fees as way of guaranteeing revenue (hence, CBS All Access, Disney’s upcoming streaming service, and the myriad of others who want in on the act, like NBC Sports). However, the market cannot and will not support all these services, so just like all other markets, most will fail until an oligopoly has been established of the main players (usually 2-3, sometimes more, but rarely) and equilibrium will be established. There will always be smaller players (a fair amount), but in the end, there will only be a few major players. The problem is that everyone, no matter how late they are to the party (I’m looking at you Apple) wants to be a part of the oligopoly. And while the consumer may ultimately win through competition, we’re about to enter a phase where the consumer will be the ultimate loser since the only way to get all the content will be to buy as many services as one can afford–not great on the consumer’s bottom line.

Until the shakeup happens and content providers stop there own services and partner with larger companies, the consumer loses. And will this happen? I point you to the immenient shutdown management platforms like VUDU and the like. They wanted to be a place where you dumped all movies that you purchased so as to diffuse the power and domination they felt Apple had in the marketplace. Now they are going away and Apple still maintains its dominance in purchased content, but has seceded its in content to the “streaming” platforms.

My point is that capitalism is NOT always good for the consumer, especially whenever there is market upheaval. The market doesn’t always work in the consumer’s favor and we need to stop gushing over capitalism as if it is a “perfect” system. Like all human inventions and endeavors, it has its flaws, and the fact that I no longer have access to watch a show through no action of my own that I hadn’t finished highlights just one of the many flaws in the system.

I guess I’m writing about this, not to gripe or to propose a better system, but in the hopes that by pointing out the flaws, someone (an economist or theorist) many be able to implement ideas that can correct these flaws.

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Something Old and Something New

Image Source: https://resoundcollective.org/something-old-something-new/

While last weekend wasn’t as restful as I’d hoped–more on that in a different blog post–I did manage to turn a major milestone for myself this semester (although pretty much most of my professors–not all, just most of them–would be pretty unimpressed). For me, however, it represent a sort of moral victory after the absolutely crudey week that had.

Something Old

So, rather than beating around the bush, I just want to let readers of the blog know that I “finished” the short story “Starlight, Starbright,” and sent it off to the first market in its long trek to get published. I was not able to get it finished in time to send to the market that only opens for 1 week every four months (Cosmic Roots and Eldritch Shores). Small digression here: I really wish they would change that to the entire month as trying to keep track of the one week they are open every quarter is very hard when you have work, school, and all the responsibilities that I do. I’ve had to set a repeating “appointment” on my phone’s calendar just so that I have a hope managing to catch at least one of their open periods throughout the year. Anyway, I had a friend at the Writing Center (thanks Toni!) read over it to for polishing and to catch my biggest writing nemesis: “dropped out words.” Afterwards, I found a market that does Fantasy and Science Fiction (Deep Magic) to start it on its journey. While I won’t necessarily update the blog with every place it goes, I will definitely update you all on where it ultimately winds up–and I’d love for it to be Deep Magic as it seems like a quality market (but that’s not up to me–I only write the piece as best I can and then hope for the best).

Something New

So, I’ve now switched my focus to my new story, Project Dog. I finished writing the character sketch for the main character and I’ve written out the rough draft (most of it–I need to go back and finish the ending). I’ll keep everyone appraised of its progress. I’ve discovered that I simply can’t work on multiple things at a time. I have to finish one or two things and then move on to the next. I’ve toyed with the idea of “long” and “short” projects for a while now and now I feel I just need to commit to it. I just need to work on 1 “short project” (essentially a short story or maybe an academic essay) that is less than 25 total pages. I then have enough brain cells to spare for 1 “long project” (essentially a graphic novel, novel, screenplay, dissertation, etc.) that is over 25 pages in length. No matter how engaging another project may be, I’m simply going to have to limit myself because I just don’t have the time/ability to do more than this. So work will continue on DSRV Outrider until I finish it and send it off and then I can work on something else. I just don’t have time to do more than this, so as long as I get them to be the best I can, I’ll hopefully be satisfied with the quality of the work if not the quantity of production.

Anyway, that’s all I have for now. Have a great day and thanks for reading!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Anthem: Wait and See

Those of you who have followed my blog for a while know that I’m interested in all varieties of games, from racing to action to shooters. However, I have a soft spot for science fiction action games, no matter the genre (about the only exception to this is “puzzle” games, but even then, if the game maker can really sell me on the concept, I’ll at least take a look). However, after being burned by Mass Effect Andromeda two summers ago, I’ve taken a more “wait and see” approach towards games published by EA (Electronic Arts) as they seem content to release games that are not quite finished in order to 1) not disrupt their “pipeline” with future releases that that have in the works for later in the year and 2) satisfy their investors over their game-playing audience.

Early Reviews

So, Anthem “partially” released to subscribers of EA’s early access “subscription” platform and the reviews have been, for the most part, mediocre. While most praise the graphics and the flying and the gorgeous world, many are also criticizing long load times and the multiplicity of loading screens, bugs/glitches, and a story that doesn’t necessarily delve as deeply as many fans of the developer’s (Bioware’s) stories. Early reviews are generally speaking a 7 out of 10–okay, but not great.

Yes, I know you have a whole slate of games planned for the fall–Jedi: Fallen Order is one that we know of, and rumors persist of a “new” Need for Speed game, but Anthem is an important game for EA, so why not give it the time it needs to finish “baking?”

Fool Me Once, Shame on You; Fool Me Twice, Shame on Me

So, I’m waiting on the game, even if EA isn’t willing to do this. EA would prefer that I buy it and wait for them to fix it over the year and make it a good game, so that they already have my money to add to their numbers for their investors. I’m looking for a good product for my purchase price. So, unlike Mass Effect Andromeda, I’m not going to pick up my preorder based on both my perception of the game (in its current state) and the early reviews of the game. While I think that the graphics are top-notch, I’m not as sold on the flying/combat as even the reviewers are based on their reviews, and I’m certainly not impressed by the frequent loading screens. To be honest, the game reminds me of Knights of Legend, an Origin game that really wanted owners to own a hard-drive, but came out on the Commodore 64 (C64) with a disk drive. I was always switching out disks based on whatever activities that I needed/wanted to do–the same seemed true with Anthem. Everything that I was doing seemed to need a load screen (and that’s with the 2nd demo–for me, the first demo was plagued with the “infinite loading screen bug” where I couldn’t even load into a game for most of the afternoon). After buying Mass Effect Andromeda brand new (which also had major issues due to lack of development time), I’m choosing to (at best) wait quite a while before purchasing the game.

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Series Review: Babylon 5

Babylon 5 Cast Photo
Image Source: https://www.syfy.com/syfywire/an-oral-history-of-babylon-5-the-beloved-tv-novel-that-showed-a-different-way-to-tell-sci

Over the weekend, I finished the entire run (all five seasons) of Babylon 5. I thought I’d take a moment and give my impressions of the series as a whole and how I feel it fits into the Sci-Fi TV landscape. There are some light spoilers–basically, just plot arcs across the series, not individual episodes. I couldn’t avoid them in order to give a thorough review of the series, but I still tried to be as spoiler free as possible. Those wanting to go into the series completely fresh, should probably stop reading now, bookmark this page, go watch the show for yourself (as of this writing, it is streaming on Amazon Prime), and then come back. If you’re not bothered by knowing season arcs, then read on.

Seasons 1 – 4.5 : The Shadow War

I think this is where the show shines–“The Shadow War” storyline shines as an impressive piece of storytelling. While Season 1 isn’t the strongest as I feel much of that season was setting up the characters’ relationships. I liked the character of Sinclair (& initially, during the first run of the show, I was a bit turned off by the introduction of the new B5 commander, Sheridan, upon re-watching the show and understanding the struggle of the actor who played Sinclair, I found it to be fine). What really impresses me about this story arc is the way Season 1 drops little hints that the War is coming (foreshadowing) and Season 2 fully delivers on it. Now, it seems a bit archaic with so many shows having multi-season arcs, but at the time, it was almost revolutionary. I found the whole arc to be quite impressive and filled with drama and tension, with both humor and heart. I honestly liked all the actors and while I didn’t necessarily like each and every episode, I feel this is where the heart of the show is contained. I would rate these as 9 to 9.5.

Season 4.5 – 5: Earth Alliance Civil War

I’m simplifying here–some of these episodes are actually earlier in the season 4 timeline (and hints have been dropped about this upcoming confrontation earlier in the season). This where a bit of the seams come apart in the show. While the actual civil war is handled well and takes the show into a new, interesting territory, the whole Mars/Earth subplot feels forced and a bit strained. I wish that I could say that I enjoyed every episode, but (outside of the space battle scenes between Earth Alliance and the former B5/Mars Colonies), this storyline seemed to drag. There were some great scenes in this part (Delenn facing down the Earth Alliance is a particular highlight), but there are places (especially the Mars sections that drag), but overall, still enjoyable. These I would rate 8.0 to 8.5.

Season 5: Telepath “War”

So, to me, this is where the series grounds to a screeching halt. I didn’t buy the whole Bester/Garabaldi arc wherein (*spoilers*) Bester overrides Garabaldi and makes him act contrary to Garabaldi’s normal persona. Yes, I know that set it up in the show, but it still didn’t ring true for me. However, after the resolution of those episodes, the show seemed to get back on track, only to be hit with the character of Byron. While I have no particular animus towards the actor, I think the character of Byron was probably the worst in the Babylon 5 show and completely undermined what should have been a tense drama. I didn’t believe his “Messiah” complex, nor did I believe his “Malcolm X” switch when he found out about the truth of the true role of Telepaths in the story. That whole arc really took me out of the story. The only reason I didn’t stop watching the show was because of the Lyta Alexander character. While I wanted her arc to go in a different direction, she was still (by far) the most interesting character in the story arc. Once that was done with, the show finished strong by focusing on the “ending” of the show–characters moving on while new characters would ostensibly take their place for the future (which we wouldn’t get to see). The Londo story arc was quite good as was the 2-3 episodes leading to the finale. I also liked the finale as it was a satisfying conclusion to the series (& hearkened back to the themes of the “Shadow War.”

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Weekly Round-Up (February 3rd-9th)

potpourri

Writing

  • 2nd Draft–Starlight, Starbright: “Exposition” — I worked on the beginning of the story and reworked it to add in more characterization, more character backstory, and to revise the introduction of the story so that it matches the changes that I made in the middle of the story in the 1st draft (I didn’t go back and revise it as I figured I would get bogged down and not finish the 1st draft which is what I wanted to do.
  • The market that I’m aiming this for is a yearly one and it stops taking submissions on February 28th. I already missed a different market that stopped taking submissions on Jan. 31st (& will have to wait until June for their next period), so I don’t want to miss this one and have to wait an entire year (along with it having a different theme, to boot).

Gaming

  • So, I finished the campaign for Star Wars Battlefront II published by EA. I bought it on sale (9.99) and I bought a digital copy. I played the first one (only because it was Star Wars) “day one,” and while it was fun, I really did miss having a campaign (I rarely played the first game, so it was money wasted). I decided that this time I would wait until the game went on sale before purchasing it. I thought the campaign was good–although Iden goes through a character change quite quickly about a third of the way through–and while I liked it, I did find it abrupt. I didn’t even bother with the multiplayer which is this game’s bread and butter because I didn’t like the “loot box” controversy–just let us play games EA, stop looking at you gaming customers as stupid sheep to be fleeced for your shareholders. Not cool.
  • Speaking of multiplayer, this week saw the release of Apex Legends, a first person shooter which mixes the best of Battle Royale games (like Player Unknown Battlegrounds (PUBg), “character shooters” (Overwatch) and cartoony action/combat (Fortnite). This game was released on Tuesday or Wednesday and it has taken the gaming world by storm. 10 million players have played it in approx. 72 hours. Whether it has staying power remains to be seen. Oh, I also one my first match today. It is a three-person team, and my contribution was healing, revives, and calling enemies, but even though I wasn’t the “star” on the team, my help was both necessary and critical to the win! 🙂

Miscellaneous

  • So, not much going on outside of work–for school and for my second job.
  • Oh, I got new contact lenses, but I don’t think there going to work out. I’m extremely near-sighted so we added a “multifocus” lens so that I could do better at reading, but in doing so, the distance is now very blurry and limited and I’m not really “feeling” them. While I can’t go back to my old pair (too old), I may have to try to see if we can’t give up some “reading” clarity to get some clarity for my distant vision because of all the driving that I do.

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)