What Writers Can Learn from Disney Star Wars Trilogy’s Mistakes

A combination of all 3 Disney Star Wars Trilogy movie posters side-by-side.
Image Source: https://www.quora.com/How-would-you-fix-the-Star-Wars-sequel-trilogy-1

Okay, not to flog a dead topic, but as SO many other reviewers have noted, while Rise of Skywalker does some things well, it turns out to be an unsatisfying end to the trilogy and 9 movie arc because it shows that there was no consistent plan. As the story goes, after J.J. Abrams finished Force Awakens, he had “loose” notes on the way the story should go that the next director, in this case Rian Johnson could use or not use as he saw fit.

Mistake! This why I’m always “banging” on about about the need/importance of outlines and trying to minimize “discovery” writing (for myself) as much as possible.

Why Outlines are Important!

I feel outlines are critical because stories (either fictional or ones that we hear about/tell others about in real life) are not just events. You’re not just relying a set of events that happened to you or someone else–although that’s part of it. You’re relating a series of events in order to 1) make a point about something or 2) reveal something (usually something you discovered as a result of those related events). Each case, while different, gets at the heart of storytelling and narrative.

Yet, if you’re just throwing random events together, or even if you are trying to following a logical progression of events, the one element you’re missing is the element of planning. What events are you going to foreground because they’re necessary to understanding the point of the story or what was learned/gained from the story? These are all questions that an outline helps to answer.

Let’s take Rey’s parents as an example as this was a particularly contentious “bone” that both Rian Johnson and Star Wars fans hotly debated. Let’s, for the sake of argument, pretend that The Last Jedi contained the “outline” that is supposed to have existed after Force Awakens. Had Johnson followed the idea, we could have been given the information about Rey’s parents (spoiler so I won’t reveal it here) in the 2nd movie (last act), and then she would have had to wrestle with it at the end of the 2nd movie, during the intervening time between movies (for characters) and then all through the 3rd movie. I mean, since we’re paying “homage” to Lucas anyway with the set-ups for these movies as they are very similar to the original trilogy, then this is what happens in Empire. Luke learns his parentage at the end of that movie, simmers over it during the intervening time, and then confronts Ben Kenobi’s Force ghost about it in Return of the Jedi. The revelation meant something, his conflict (inner turmoil) meant something, and him confronting Vader meant something (because Vader, at that point, wasn’t a nameless, faceless enemy, but his own father). A point was made and delivered. Not so with the Disney trilogy. As the reveal of Rey’s parentage comes in the 3rd act (or late 2nd act) Rise, there’s next to no impact on Rey outside of “shock value.” There was no emotional investment of the information.

Essentially, the storyteller focused on the “wrong” thing–shock value in learning Rey’s parents/heritage over emotional investment in seeing Rey struggle with the knowledge of who she was and is and a choice that she has to make as to whether to be defined by her heritage or break free from it. There could have been a powerful (American) introspection of are you bound by your circumstances or can you rise above them. However, with no outline, this is NOT in the story and helps to create the audience dissatisfaction that we see reflected in the 52% Rotten Tomatoes score.

In Defense of Outlines (and Drafts)

In closing, outlines help to provide a coherent framework to a story and keep it from meandering. It also helps the writer see (and focus) on the details that will most strongly make his/her points. Lastly, it allows the storyteller to see what the ultimate point or goal of his/her story is and make more effective choices on how to get there.

If you’re a “discovery” writer, should you drop that and start using outlines? No! That’s not what I’m advocating. I’m of the opinion that whatever works for you is something that you should do more of it. I might suggest however, that once you’ve finished the discovery draft, to go back and rewrite it (heresy, I know) because you now know you’re point and what events in the story have led you to the point and you may be able to get there more effectively with another draft or two, but if it’s working, I say keep doing it. As always, however, if it isn’t working, then you might give outlining a try.

Here’s an example of several writers who would like to “fix” Star Wars and the story outlines provided. They are all really interesting and, even though there are elements that I don’t agree with or would do differently, if I could “fix” Star Wars, they still illustrate how a cohesive (and competent, maybe even compelling) story can be told through outlining. (There are some spoilers for the movies, so be warned if you’ve not yet seen them all.)

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    Editing Draft
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2
  • “Project Arizona” (Weird Western Story)
    Finished: Rough Draft
    Next: First Draft

Game Day: The Confluence of Gaming and Writing

Man typing outside at a table with his laptop, coffee, plant, water, and writing journal
Image Source: https://medium.com/read-watch-write-repeat/pursue-your-writing-projects-on-the-weekend-6fcee00848dc

Fall is here and I’m back. I’m in the midst of a flurry of last minute reading for my test on Friday. I don’t really feel all that confident about it, but it is what it is. I wish that I had perfect recall–at least on names. I really want to mention theorists and scholars as a lot of the test depends on “name dropping,” but, except for the biggest names in the field, most names are gone the moment I close/put down the book. Sigh.

Anyway, I’m back after a nearly two week drought. It isn’t that I haven’t wanted to write, but between grading and reading, I just don’t seem to find an hour in the day anymore to write. However, I get discourage when my favorite YouTubers don’t post on time, or go long periods without putting up new videos, and here I am, doing the same. So, not to be hypocritical, I thought I’d take a quick “study break” and dash out a blog post before reading some more and then going to bed.

Saturday is “Game Day”

So, Americans will get this pun as, I feel, will a lot of Europeans. In both countries, Saturday is a prime “sports day.” For Americans, at this time of year, it is “college football,” which is American football played among various university teams in which there are long-standing rivalries. In Europe, a lot of “football” matches (soccer) takes place, again with long-standing rivalries.

However, for me, Saturdays are my primary “gaming” days. Friday evenings are usually too draining, so I don’t usually start my gaming until Saturdays. While I use to bounce from game to game, what I’ve been doing these past couple of years is really investing in one game every week and really digging into it and making myself a “master” at the game (Assassin’s Creed Origins, Tom Clancy’s Ghost Recon Wildlands, and Gravel are all games in which I earned the maximum achievement for–the Platinum Trophy–in terms of achievement.

My “backlog” of games to be finished, however, continues to grow, so much so that I’ve come to despair of ever finishing them all before the next “generation” of consoles (i.e., the PS5) arrives Holiday 2020. Recently, however, I found myself switching between two games (God of War and Rise of the Tomb Raider, 20th Anniversary Edition) on a biweekly basis–one week I play GoW and the next week I play RotTR. One game is a Physical game and the other is a Digital Game. When I finish either of these two games, my plan is to simply pick another in the respective genre and start playing. In this manner, I hope to bring my “backlog” down to a reasonable size.

Saturday Morning = Needs to be “Writing Game Day”

My goal is to get to where I can do the same on Saturdays for my writing. Usually Saturday mornings are when I’m just starting to recover from the week, and while I don’t feel fully creative (that’s actually Saturday evenings when I’m usually watching a movie), I do feel much more more creative.

While I can “write” during that time (draft), what I’d like to be able to do is to work on Rough Drafts during that time. I feel that I can probably write (draft) on the current story that I’m working on during the week by creating scenic “milestones” to get to for that week. However, like my gaming, I’d like to have a second project in the wings that I could write out (longhand with a pen/pencil) every weekend and then when I finish the “weekday” draft, I’d move the weekend draft to that spot, start writing (drafting) it, and then move in new Rough Draft during the weekend spot.

I wanted to start that this previous weekend, but was enamored with “cleaning,” that I, of course, procrastinated until it was too late. I’m going to try it again this upcoming weekend and I hope by putting it up on the blog, I will be able to hold myself accountable for actually getting it done. I’m pretty sure two projects in writing, just like gaming, is probably going to be my limit, but, just like gaming, my goal is to shrink my “backlog” of games and writing projects down and get them finished, so any strategy that I find that I can use to do that successfully is one that I plan to implement (& hopefully use it to thrive as a writer).

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

HawkeMoon Acceptance!

Falconry--falcon landing man's gloved hand.
Image Source: https://www.usatoday.com/videos/travel/2018/11/12/celebrate-world-falconry-day-historic-hotel/1977581002/

So, sometime ago, I wrote an Author’s Note that covered the genesis of my short story, HawkeMoon. While I thought it was an awesome story, I despaired of every getting published as it is an action story. And it features an ending that is not the typical “GrimDark” fare that you see these days in Fantasy based on the successful of Game of Thrones (and its many imitators). Well, after 21 tries, #22 turned out to be the right market! HawkeMoon was accepted for publication by StoryHack Action and Adventure! While I’m not sure what issue it will be in yet, you can be sure that I’ll be keeping readers know when it is available.

Action and Adventure

So, this market is exactly the type of market that I wish there were more of in the Fantasy and Science Fiction field. Most of the markets are more for “social” sci-fi where they look at a trend and extrapolate on that trend for near future/far future and then that becomes the author’s world. Fantasy is a lot more fluid, but thanks to George R. R. Martin’s success with his “GrimDark” Game of Thrones series, it is very hard to interest editors of markets to get behind anything that is not “GrimDark,” or has elements of that sub-genre in work. I make no bones about despising the “GrimDark” sub-genre, hence my despair at finding a publisher for HawkeMoon.

One of the things that I like about this market–in addition to the awesome system of keep authors in the loop about the submission process–is that the editor understands that “action” and “adventure” are not dirty words, but are elements that are integral to the story. Yes, characterization is the most important (see, I’m learning), but just because characters don’t have “bad things” happen to them and then they turn around and do “bad things” to others (take a guess to which Fantasy series I’m referring to), doesn’t make the story nonpunishable. Action/Adventure, when used appropriately, can heighten the suspense for the reader and make the character “change” by putting him or her under extraordinary circumstances from which they must escape. So, they don’t “change” via a soliloquy or deep intense reflection–that’s okay. They still change–whether its deciding to kill (or not kill) that Troll guarding the bridge, or whether or not to pull the trigger on those starfighter controls that will, in effect, kill his mother and yet, all the girls go gushy over because of his long black and emo personality (guess which popular space opera movie I’m referring to here), still these are choices that the character makes and these choices define the character (for good or ill) and are just as appropriate as deep navel gazing (reflection) or long dramatic speeches (soliloquy) in defining the character.

Celebration

So, I haven’t decided what to do quite yet to celebrate HawkeMoon’s acceptance. My birthday’s coming up soon, so I may just roll the celebration into my birthday and call it a day. At the very least, getting an Acceptance for HawkeMoon is an awesome birthday present!

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Revision: “Rocket-Man”

Image Source: http://creartys.com/artists/view/109/rocketman

So, I may have mentioned this once, but I’m revising one of my old stories that I submitted for a while, but then decided that it needed a lot of work. I’m now going back and trying to put that work in on the story. I finished section 1 (of 3) last week, and I finished section 2 (of 3) yesterday. The old short story was called “Rocket-Man,” but I’ve changed the story’s title to (currently) “Starlight, Starbright.” I’m not sure if this is too cliche’, but for now it is just something to title my work. I’ll talk about it more if I (hopefully) finish it next week.

Rocket-Man, Version 1.0

Rocket-Man is a story about a man in “rocket-pack” who ventures into space to stop a group from terrorizing Earth from space. It was originally inspired by the song “Rocket Man” by Elton John, but was also written (in its original state before the first before the first Iron Man movie was released). I submitted it approximately 10 times or so, but none of the markets were really “hot” on it. Most of the markets really liked the AI companion that I included in the suit, but didn’t really seemed to like the main character or the actual plot itself.

Rocket-Man, Version 2.0

So the revision is just a “re-seeing” of the story with different eyes. I’m currently two thirds done with the revision (2 sections of 3 are done). I’m rewriting it after finally discovering the major character that I want to explore in the story. The first draft was all about plot and description with an “antagonist” shoe-horned in to give conflict (in this case, Iron Man -like combat). In this revision, I’ve got a character who has a definite history–former ex-con turned law enforcement–and a definite antagonist (with whom he has history from while incarcerated) who has taken over a space-based platform. The conflict feels more organic and more realistic than before.

Rocket-Man, Version 3.0

I had planned to let it lie fallow for a couple of weeks and then revisit it again for one last major pass (I think this will still be my plan), but at the end of the week there is a deadline for submitting to a market that matches my style of stories, so I’m probably going to submit it early. I realize that the story probably won’t be as good as I hope to make it with “version 3.0” (going in and really dramatizing as much as possible), but as I still intend to do this at a later date, hopefully that will lessen the sting of the rejection letter just a little.

Well, that’s all I have time for today. See you all again soon!

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Character Sketch: The Independent (Ryn)

Ginger-Howard-Professional-Golfer-Young-Gifted-Talented
Ginger Howard. Image Source: https://washingtoninformer.com/youngest-african-american-female-professional-golfer-at-18/ 

Authors Note: My character is NOT based on Ginger Howard–my character is African American, female, and wears a “baseball cap.”  That is the ONLY similarity to the above image (still, I thought it would be cool to highlight Ginger Howard’s accomplishments!)

So, today I finished the character sketch for my 2nd Draft of my short story, The Independent.  I won’t go into too much detail here, but I do want to tell a little bit about the process.  I’m trying to create a character that resembles a real life person (who is larger than life).

Family Heirlooms

One of the things that I decided was that I wanted to make sure that I did was to give Ryn a “history.”  I’ve tried to do that by creating a link between her and the past generations of her family by giving her a family heirloom that she uses in the story that gives her  an emotional hook to both her past and her present.  I’ve done that by giving her a “baseball cap” that is her father’s and is really important to her and her father.

Space Story grounded in “Reality”

In Star Wars, Mark Hamill is said to have been concerned about the unreality of the story, but Alec Guinness was supposed to have helped him by reminding him that even in fantasy, their has to be a link to reality.  That’s one of things that I tried to do with this character sketch by making sure that I gave Ryn a true “reality.”  I hope that it is a not a trite reality, but I wanted to try to create something that is more “realistic” than what I normally write.

One Surprising Thing

One thing that surprised me as I was doing this character sketch was the background section.  The background for Ryn came together in a surprising way and I was surprised that I came up with this particular background for her.  I don’t know that it will stick (ie that I will keep it or use it for the story), but I really think that it us both unique and quite strange (for me).

Anyway, I found that Ryn was a great character to come up with a Character Sketch for my 1st (well, 2nd time) out in a while.  I intend to make this step something that I do for my 2nd drafts and hopefully this will making my stories better.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

 

Potpourri May 2018

potpourri_wikihow

So this (short) post is just a little bit about everything that I’m currently doing right now.

  • Watching The Expanse: I’m not really feeling the show all that much, but I need a “spaceship” show at the moment to get me through Final Exam week and help me as I get my car repaired.  Will probably do a mini-review of it after I watch all the seasons (there are 3 total, but only seasons 1 & 2 are currently “free” on Streaming via Amazon Prime.
  • Project Poet (Rough Draft): Two-Thirds (⅔) way complete.  Not really happy with the way it is turning out, but then again, I guess that’s what rough drafts are for.  There’s no magic in this one, so it doesn’t really seem like a Fantasy story, but it is one that I really like the idea for.  I may have to find a way to add in a “magic system,” however, because it seems really slow and boring otherwise.
  • Recently Watched Valerian and the City of a Thousand Planets: I’m putting this one on the list to remind myself that I need to do a mini-review of this movie as I saw it about 2 weeks ago.  I didn’t much care for The Fifth Element (never actually managed to ever get through the whole movie), but I thought this might actually win me over.  Spoilers for the mini-review: it didn’t. 🙂
  • The trailer for Ant-Man and the Wasp has just been released.  Now this is a Marvel movie that I think I can get behind this summer.  It looks really fun!  And best of all, NO SPOILERS ANYWHERE IN SIGHT!  🙂  🙂

 

  • Finished the OUTLINES for two (2) new Projects: Project Paradise and Project Independence:  I finished the plot outlines for two new stories.  Both are science-fiction stories that I’m really excited about writing over the summer.  More on these projects as when I finish the Rough Drafts for them.

Well, that’s all I have for right now as I need to work on finishing several small school-related projects.  Talk to you later!

Sidney




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I earn a small commission on the purchase of these items.

Author’s Note: All Tomorrow’s Children

 

telekinesis_3++_net
Man shooting bolt of mind-energy from his hands, Image Source: 3plusplus.net (3++)

I’ve actually already written an Author’s Note on All Tomorrow’s Children, but I probably should have called it more of a “Rough Draft” Author’s Note because it really only discussed the inspiration of the story and some of the genre aspects of the story.  Now that I’ve finished the Working Draft of the story and just need to edit and polish it before I start submitting it to various markets, I wanted to do a full and complete breakdown on just what the story is just as I did for Here Be Monsters and WarLight.

AUTHOR’S NOTE – ALL TOMORROW’S CHILDREN

The Title

So this title has been kicking around in my mind almost sense I joined the Chattanooga Public library way back in 1996.  It was always around connected to a set of people using Psionics (mental powers–telepathy, telekinesis, etc.).  The original conception was around a group of kids who, in the future, were dominated and controlled by a fascist state.  They escaped and rebelled and fought agains the regime.  It was supposed to be a graphic novel, but I could never get it to come together.  A couple of years ago (my third year as a 6th grade teacher) a new idea came to me about a family of Psionics rather than a group of kids.

Theme

So, in the summer of last year, Sky News (British TV station) did a special report on JIHADI BRIDES and how many of them were lured into the camps of Jihadis based on elaborate promises made to them by these organizations.  Yes, super controversial, I know, but this is when the idea for the story finally crystalized.  What if one sister was lured into and recruited by jihadis for the cause of freeing Psionics from being discriminated vs the other sister who only came to lend her psychic talents to heal and make things better?  This is where/when I began the story in earnest.  It has undergone multiple revisions just to get to this point.  I see it as violence vs non-violence (Malcolm X vs Dr. Martin Luther King Jr).

Length

So this story isn’t very long and isn’t filled with a whole lot of details.  Outside of the mental powers, there’s not even a lot of “sci-fi” going on. I wanted to keep it short and simple, but I may have made it too short and not enough sci-fi.  On this final polishing pass, I may look for places where I can add in future technology to help distinguish as a sci-fi story, rather than a modern day story.

Time to Create

This took a long time to write–I’ve been working on it pretty in some form or another after I saw the video.  I’ve working on it in-between working on my school work, working on grading papers and teaching, working on it while doing many other things.  Also, I’ve had a really hard time writing it and a really hard time finding the TIME to write it.  That is why Jesmyn’s Ward’s advice in Elizabeth Flock’s interview Read, Write, Improve was so timely for me because she said: “Persist. Read, write, and improve: tell your stories. Accept rejection until you find acceptance, but don’t become disheartened, stop writing, and remove yourself from the conversation.”  I realized that I’ve simply become to wrapped up in the day-to-day world of living without giving myself space to write, so every day I try to carve out a small slice of time (even if it is only half an hour) to 1) read, 2) write, 3) edit (aka Read, Write, Improve).  Sometimes I can’t do all three, but I try to at least do at least one of the 3 and all three, if at all possible.  I generally wake up earlier now–and that’s what has allowed me to finally finish the Working Draft of this story.

Research–Jihadi Brides

So I’ve mentioned it before, I had an idea, but scrapped it and based the majority of the story, idea, and characters on the YouTube video by Sky New–Jihadi Brides.  There are a couple other videos that Sky News did related to this subject that also informed this story, but by and large, much of impetus for the story comes from that YouTube video.  I hope the story isn’t too derivative, but I tried to capture both the essence of the culture and the “lure” of fanaticism that I saw in the video, just in a world where mental powers exist.  If you want to see the report, I’ve included a link below for context:

 

Characters

 I originally had 4 main characters–Yeva, her sister, Javan (the husband), and a “Spiritual Leader,” of sorts, but I rolled the leader and husband into one for this draft to simplify things for me.  I also originally had planned for Yeva and her sister to be twins with similar names (Yeva and Veya) as twins do, but it became too confusing for me to keep their names straight and if I, the author, couldn’t do it, I realized it would be difficult for readers to do so, so I changed the sister’s name to something more relatable.

Up Next

I am almost finished with the Rough Draft of a short story for the “Project Skye” short story.  I can see the home stretch/finish line with it.  It is very “rough” as I jumped in without planning and boy, does it REALLY show!  The story is all over the place.  I estimate I’ll need AT LEAST two more drafts before it even resembles something which I would be proud to attach my name to on a submission copy.
Well, that’s all I have for now and thanks for reading this long Author’s Note!  Have a great day!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

 

Submissions Every Day This Week (So Far)

flying-book-with-text_sarena_ulibari
Flying Book with Text Submitting Short Stories, Image Source: Sarena Ulibarri

So, I just wanted to let you know that I’ve submitted a story every day this week.  This is sort of just an update post of sorts.  I won’t belabor this post, nor name the markets, but I did want to let readers now that I’m giving it my all after the depressing defeat last week of both my stories that were shortlisted being rejected.

Citizen X

I just sent my story Citizen X  out to a market today.  I’m sure it has 0% chance of getting in the magazine, but I wanted to send it today as today is their last day for allowing submissions for this reading period.  As they have 4 periods a year, I want to try to make sure that I submit each period even when I’m pretty sure that they won’t use the story.  Still, what is the old “saw” for people who play the lottery: “you can’t win if you don’t play.”

HawkeMoon

I submitted HawkeMoon to an anthology that had a theme.  The story matched very well with the actual anthology, but I’m not sure how much it matched the theme of the anthology.  I think that it might work for the theme of “Shards” and I revised it a bit to make that idea more explicit, but I’m really not sure its going to work for them.  They did, however, push their date back from Feb. 1st to March 1st, so I wanted to be sure to get the story to them and let them make the ultimate decision.  We’ll see.  Depending on how well they think that I interpreted their theme, this probably has the best chance of all of the ones I’ve submitted so far (of course, if they don’t think I hit the theme, it will probably be the exact opposite–oh well, we’ll see)

Dragonhawk

Dragonhawk has already been published by Tales of the Talisman and you can find it on Amazon if you’re curious.  However, there are several podcasts that are looking for stories (preferably reprints) that they can have narrators read as part of their podcasts.  There is a Fantasy version, Sci-Fi version and YA Fantasy/Sci-Fi version.  I sent this to the YA one, but it didn’t work, but I was determined to submit it to the Fantasy version when it reopened.  I’m determined that every story that I do that gets published will go to these podcasts for consideration.  I’ve not had much luck with the reprint market unlike other writers, but I like and listen to podcasts, so I’d love to have my work featured.

Silence Will Fall

So, Silence Will Fall just went to the same market that shortlisted Citizen X.  I’ve had some success with this market, but it isn’t a given (as one can see by their rejection of CX).  I really like SWF (I like all my stories, but of the recent ones, this is probably one of my favs) and I hope they take it, but the movie that I blogged about recently may hinder it from getting sold, but I’m going to do my best.  We’ll see and I’ll keep you all updated on this (and all the projects) that are being submitted and in the works.

See you next time!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

And Then There Were None

rejection_Lyn Fairchild Hawks

So, originally, this post was supposed to be entitled, “And Then There was One,” but I’ve heard back from the final publisher who had a story in consideration (“Silence Will Fall“) and by the image, you can pretty much see what the result was for the story.  I wasn’t really going to cover this in any great detail–just mention it along with the other rejections and move on with a generalized post on rejections–but there was a development over the time that I sent this story in and it was rejected.

A Quiet Place

So, in between the time that I submitted Silence Will Fall (SWF) the trailer for a new horror movie debuted called A Quiet Place.  While I had no idea that it was in development, nor did I even know about it until the trailer was released, it (coincidentally) shares many of the aspects that SWF has in it: 1) the idea that one must be super-quiet in order to be avoid being hunted, 1) the idea that noise attracts the “hunters” 3) both even features the characters using sign language, for Pete’s sake (although I assume that’s a natural outgrowth as I–and I assume, the filmmakers–both reasonably extrapolated that human communication would still need to happen and the only reasonably detailed system that works reliably would be some sort of sign language).  Now, the trailers don’t show the enemy, but they appear humanoid from the snatches of images that you get to see, while mine are completely and utterly alien in construction.  Still, I have a feeling that this trailer pretty much sank the chances of my story and I’ll detail why in a moment.  For now, here’s the trailer:

Brandon Sanderson’s Law

So, this is probably more a truism than an actual law, but as Brandon Sanderson articulated in Book 1 of his Stormlight Archives series, The Way of Kings, people don’t value originality and distinctness, so much as they do timeliness.  If two people invent something at roughly the same time, people valorize and praise the first and denigrate the second, considering it an also-ran.  History is replete with examples from the scientific community where scientists, working (unknowingly) on similar projects, papers, and discoveries have published their work/findings mere days apart and in pretty much every case, the glory of the find went to the first, even if the second was a more detailed or better formulation.  It also occurs in sports, in art, in pretty much every human endeavor–we valorize the first, regardless as to if it is the best.  I’m even doing here, as Sanderson was the first articulation I’d heard of this idea, and even though I already knew it implicitly, since he was the first one to say it explicitly, I’m naming it after him (for my purposes, at least–hence, Sanderson’s Law).

Silence Will Fall vs. A Quiet Place

Unfortunately, I feel that SWF probably fell victim to Sanderson’s Law and will continue to fall under its sway.  I didn’t “copy” A Quiet Place as SWF was from a dream–one where I can still see the final image in my mind’s eye even as I type these words.  While I’m pretty caught up (I feel) on Pop. Culture, I had no idea this movie even existed until the first trailer hit–and then my heart sank a little.  Of course, I can’t prove that the rejection was influenced by this, but I’m sure that if the editor(s) saw the trailer (and being that they are a Sci-Fi/Fantasy/Horror publication, it is likely that they did), it certainly didn’t help.

Will I continue to submit the story and hope for a publication, knowing that Sanderson’s Law is in effect?  Yes–but what else can I do?  It represents countless hours of story planning, drafting, revising, and editing, in addition to the time spent in the Writing Center and from my “Alpha Readers” getting feedback on it.  I can’t just abandon it to sit in a drawer somewhere for fifteen years or twenty years until people “forget” about A Quiet Place.  In this era of divergent and multitudinous options for content and content delivery, there has to come a time when more stories, even if they are similar, are accepted and published without regard to other media available.  One wonders how one ever become popular and mainstream if the “gatekeepers” never actually open up the gates?

Sidney



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