Finished a Story: All Tomorrow’s Children

So, last night I finished the rough (very rough) version of my Working Draft of a new story that I’ve been working on.  I’ve referred to it in previous posts as Project Children.  It’s full title is All Tomorrow’s Children.  It is a Science Fiction story and it is in the “punk” genre.  In today’s parlance, many non-traditional sci-fi stories that are set in the current to near future and have a speculative element to them are labelled with some sort of label describing the setting and then “punk” added to it.  Gothic turn of the century technology = “Steampunk,” while a dystopian world set in an icy/cold environment = “Frostpunk.”  True story, as I’ve seen things as exotic as Magepunk.

All Tomorrow’s Children falls into the category of “Mindpunk.”  I’m not sure that there’s even a current “punk” associated with the mind, but “Psiberpunk” sounds too much like “cyberpunk” (the original “punk” genre) and too pretentious (for me) even though the story deals with Psionics and mind-powers.  I think “Mindpunk” best describes the story and is how I intend to market it: Sci-Fi Mindpunk story set in the near future.  While it is a different world (in my mind) than that of Skin Deep, it shares some of the same themes and deals with a story about those who have “mind powers” and those who don’t.

I don’t have time to do a full Author’s Note for the story, but I will definitely do one for it when I think I have the story fully revised and edited and I begin to submit it to publishers.  Right now, I’m just trying to bask in the satisfaction of having finished a (short) story after a long time, probably not since Silence Will Fall.  Now if I could just get the Ship of Shadows (Graphic Novel) and Project Skye stories off the ground, I’d be a really happy writer dude–but for now, I’ll guess I’ll stick with plain old happy writer dude!

Fae going on sale today!

Also, I just discovered over the weekend that FAE (the anthology where my story “Faerie Knight” was published) is going on sale today (11/13/17) at BookBub.com.  The email I received said it would be on sale on Monday, but I don’t know how long the sale will last, so if you’re at all curious about my story (and the story of other fine writers), you might want to head over and check it.

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Whale Song Revision

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MTSU Writing Center, Image Source: Tucolla.Wordpress.com

Another short (and late) blog post.  I went to the writing center yesterday as I mentioned in yesterday’s blog post entry and it was EXTREMELY helpful.  I had a short-story entitled, Whale Song that I’d sent out for a while before becoming frustrated by the rejections.  Specifically, when markets gave feedback on the story, they mentioned that the protagonist felt very “high-handed” and didn’t come across as sympathetic.

During the session, I mentioned this and brainstormed ways to combat this impression while keeping the core of the story intact.  With the help of my consultant, I was able to think of ways to both change the character as well as the structure so as to better tell the story that I wanted.

I will post an Author’s Note here when the revisions are complete.  There is an anthology that I’m hoping to submit the story to and its deadline is Nov. 1, so (in addition to the graphic novel and the rough draft of the short story I’m trying to create), I will be revising the story with this deadline in mind.  I keep you posted on my progress.

Dark Tower Redux

 

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You know, I’m almost sorry that I posted that I was conflicted about the failure of the Dark Tower movie to connect with fans.  I mean, this very blog takes its name from a line that Jake speaks in the first book (paraphrasing): “Go then, Gunslinger.  There are Other Worlds Beside this one).  My point being simply that Stephen King DID NOT invent the Dark Tower or the mythos that has grown up around it.  His story is but ONE of MANY out there–yes, it is the most popular, but it is NOT the only story that has been told or will be told about the Dark Tower.  He doesn’t own the Tower anymore than J.K. Rowling owns “Magic.”

However, some really ugly arguments and memes have sprung up around the failure of the movie and just want to take a moment to address some of the most problematic ones.

SCRIPT
So this is where most of the critics and fans have expressed most of their disappointment.  The movie is only approx. 90 minutes long, but tries to infuse 7-8 books worth of material (from my understanding–haven’t seen the movie yet) into this (very) short time-frame.  However, the element that really concerns is the fact the movie writers are essentially “work-for-hire” contractors and considered the lowest on the totem pole for the creative endeavor of the movie.  This is where the problem lies–a movie is a creative endeavor, true, and you need all parts to work, but the script (the story) is the most important part.  Without a solid script, even the best actors and directors are going to struggle.  Yet, writers of screenplays get no version of royalties if the movie does really well nor is their input sought (usually) for rewrites as in many cases they are replaced with other writers and movies become written essentially by committee.  Another thing that hurts writers is the fact that it is a closed system that privileges only a few.  Even in today’s internet connected world, you still have to move to Hollywood if you really want a serious chance at writing a screenplay–how is this even still a requirement in 2017?  If there’s an awesome screenwriter in Wisconsin, the internet is MORE than robust enough to allow that writer to write wherever works for them.

IDRIS ELBA AS ROLAND
This one is the most troubling.  Yes, King based Roland on the “gunslinger” archetype made popular by actors like Clint Eastwood and Yul Brynner.  However, nothing precludes Roland from being portrayed by an actor of another race, even though King’s description may have indicated/favored another race.  There is a tendency on the Internet today to label a person, or group just to be able to belittle said person or group.  Everyone wants a winner, or wants to be associated with a winner.  However, in a capitalistic structure such as the American movie industry there HAVE be winners and losers–there’s no way around it.  You can do things to help swing the pendulum in either direction, but there are no guarantees in a creative endeavor.  If it doesn’t “win,” then there’s this need to find a scapegoat and the Internet is currently on this kick where a diverse person/group gets the blame irregardless of whether or not its fair (I direct your attention to the 2016 Ghostbusters movie as prime example of this).

SONY
Speaking of Sony, I should probably note that Sony also has taken blame in this from many circles.  Sony, as a huge faceless conglomerate, tends to get a lot of blame for things that are beyond their control.  We (probably wrongly) think of the director as the most important component of a movie (I would argue it is probably an equal weight between writer, director, and movie talent), but I haven’t seen or heard anyone criticizing the director, but the studio.

We all hope for our favorite properties to “hit it out of the park” (a la The Lord of the Rings), but at the end of the day–is it the studio that failed to deliever on the story you wanted or was it the script?  Which of the two is more intricately tied to “story” and “story” formation, ideation, and creation?  For me, opening up the system and allowing it to be based on merit (good writers) and not location (living in Hollywood) or more importantly, networking (good a “pitching” a story instead of good at “writing” the story) would be a far more equitable system that might result in a rise in quality in the stories being told, and as a result, increased satisfaction from fans who just want their stories “done right.”

 

 

The Writing Life: An Update

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Image Source: Really Deep Stuff

Before I start this blog entry, I’d like to say thanks to the bloggers who read (& liked) yesterday’s post).  It was really gratifying see that people really responded to it so much!

And now, on with today’s blog.  So, after last semester, I managed to have four stories out to markets that I was proud of and didn’t think needed major work (in terms of revision).    In other words, I had them in a state where I thought they were strong stories and marketable to markets that deal in Science Fiction and Fantasy.  I’ve got some news on them, so I thought I update you how where they stand currently.

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Image Source: Haiku Deck

HAWKEMOON: Just heard from this market today.  It is currently on the “maybe” list.  If it holds up well against the other stories that come in during the reading period, then it has a chance to be published.  This is actually very good news.  It’s sort of like going to a job with two Interview components and passing the first Interview.  If HawkeMoon passes the second “interview,” then it gets the” job” (to extend the metaphor).  It is also a lesson in persistence; this is the 10th story that I’ve submitted to them (they’ve actually seen my entire catalog except for Silence Will Fall & Citizen X), but this is the first time that I’ve gotten onto the “maybe” list!  Wahoo for small victories!  (I won’t name the market until they actually accept the piece, but fingers crossed that the “maybe” turns into a “yes!”)

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Image Source: Seriable.com

SILENCE WILL FALL: On this one, I actually wanted to revise it and did so last semester with the help of the MTSU Writing Center (where I also worked as a Consultant, in addition to teaching a Freshman English Class).  I knew that I wanted the ending to more closely match the ending of the dream that had originally inspired to the story, so I rewrote it and made sure (via the Writing Center) that it made sense and have started to submit it again.  It received a rejection letter (again just this morning), but I’m happy with the way the story ends, so I will continue to send it out until I find a market that likes it (see above about persistence).   Will be sending it to a new market this weekend.

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Image Source: Pinterest

I, MAGI: So this one went out to the market in January and I still haven’t heard about its fate.  According to Duotrope, it has been out for about 150 days.  The market is still replying to submissions, but I’m probably going to have to request an update for the story over the weekend.  Now, I’m patient (I’ve waited over 9 months for a response for one market before), but they do say to query if they’ve taken over 45 days to respond and  I would like to send I, Magi back out if they aren’t going to use it.  If they don’t respond, I’ll probably give them another 30 days and then move onto the next market.

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Image Source: Pinterest

HERE BE MONSTERS: The market for this one unexpectedly went on hiatus this week with my story still under consideration.  I’m usually pretty good about sensing a market’s imminent change in status (this is actually only the 2nd time this has happened to me in over a 132 total submissions tracked by Duotrope).  However, this one caught me off-guard.  There was nothing to indicate there was anything out of the ordinary happening, until I checked the listing on Duotrope and saw that the website was no longer functioning.  Alarm bells began ringing at that point and I hoped that it was just a temporary hiccup, but no, it looks like the market just didn’t have the resources to continue.  So, I’ll pick a new market and resubmit this story over the weekend.

So there you have it–a (mostly) complete update on the status of the four stories that I currently have out at the moment.  Lesson to take away = persistence, persistence, and more persistence.

Summer Inspiration & Writing Projects

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Now that E3 is over, I find myself turning my attention back to my creative writing.  I found that I’ve been very inspired to create new projects over the last few weeks and I’ve been brainstorming several.  On Friday afternoon, I actually just took a moment and sat at the kitchen table and wrote the “rough draft” of a new short-story (fantasy) that I want to write.  I wrote it from the outline I’d written earlier in the year and the drafting process was super easy as well as very rewarding creatively.

Now comes the much more difficult part, drafting a “Working Draft,” which is my terminology for the draft that “shows, don’t tell.”  The Working Draft forms the basis of the story that people will be reading.  Now, don’t get me wrong, it’s still fun to write it, but the as many creative people will tell, the true joy is in the initial creation of the work.  The rough draft was pure creativity, but the Working Draft is about evolution and refinement.  Often, the success of the project hinges on how well I can translate the passion of the rough draft into the refinement of the Working Draft.  This is where characterization, sensory details, imagery, dialogue, setting, etc., all get “set” into place.

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Image Source: RenaissanceClothingCostumes.com

Project OPaK

So this is my new naming convention for stories that I’m working on.  In most cases, I already know what the title is.  Project OPaK is just the first letters of the title.  I’ve divided the story into three parts (Beginning, Middle, and End) and I will update you when I’ve finished each of the main parts, with a beginning update letting you know when I’ve actually started writing the project.  At the end, when I’ve finished Project OPaK, I will continue to do an Author’s Note and give a detailed breakdown of the genesis of the work (how it came into being, what my writing process was for it, etc.).  If it gets published in a hardcopy form, I will also try to remember to take pictures of the work and post those pics on the blog (like I did for The Last GunKnight, but forgot to do for other projects). The above picture, while not representative of the actual characters in the story, gives a good idea of the time period and themes that I’m aiming for within Project OPaK.

Here’s to a successful writing project–and a successful summer of developing many more!

 

 

Twofer : Two Posts in One

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Source: KFLEnglish.de

TWO POSTS IN ONE

So, I’ve been away for a while as I worked through the semester at MTSU.  It was difficult trying to adjust to my first semester of taking graduate classes at the PhD level, working in the University’s Writing Center, Teaching, and trying to write creatively all at the same time.  Unfortunately, the blog was one (of many) casualties of trying to all these myriad and various endeavors at a high level.

However, to quote Hideo Kojima from the 2016 Sony E3 Conference or Chun Li from the Street Fighter series: “I’m Back!”  I plan to post weekly as I always have a set time on Sundays when I can write (I just haven’t been taking advantage of that time usefully).  I now intend to do so.  This first post after the long hiatus is what my late uncle called a “Twofer” (Two topics in one post).

CHILDE ROLAND ON ELECTRICSPEC.COM (FREE!)

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Source: YouTube.com

“Childe Roland,” my short-story about Roland and his search for the Dark Tower (based Robert Browning’s poem, “Childe Roland to the Dark Tower Came“) has been published in the November 30th, 2016 issue of Electric Spec.  The issue is FREE, so you are welcome to read the story and come back here to post comments/reactions to the story.

They do solicit donations, and as they pay their writers as I mentioned in an earlier blog post, it would be awesome if you might consider a small donation to their website to help us writers out.  Publication is nice, but as writers need to eat as well, publication with pay is the most preferable outcome (even if the pay is small).

You can find a link to the online magazine above, but if you just want to read Childe Roland by itself, you can find a directly link here.  A word of caution: Electric Spec does switch out their stories on a quarterly basis, so if you are reading this entry long after Nov. 30th, 2016, then the story will not be available.  I’ll try to post an update here (if I can remember) should this happen).

WARLIGHT IN VISIONS VI (AVAILABLE VIA AMAZON.COM IN PAPERBACK AND ON KINDLE)

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My story, “WarLight” was published in Galaxies VI, edited by Carrol Fix.  It is currently for sale via Amazon.com.  It is available in paperback and Kindle formats with the Kindle format being by far the most inexpensive way to check out my story (currently $2.99).  In addition, you will find other Sci-Fi stories included as well.

Be sure to support Carrol Fix’s anthology if you can.  As a writer for anthologies, I don’t receive any additional payment for how well the anthology sells, but anthologies need to sell copies, otherwise editors like Carrol won’t create new anthologies for writers like me to publish our stories in.  That’s just the way publishing works.

Thanks for reading and I will try to keep up this blog on a weekly schedule (I’m planning on a Christmas post as well as I have the same the time even though its a holiday, but I’ll wing it as I may post on Christmas Eve instead.)

Author’s Note: Silence Will Fall

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Source: Wikipedia (The Rover–from the TV show The Prisoner)

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Source: David-Stimpson.blogspot.com

AUTHOR’S NOTE: SILENCE WILL FALL

So I finished Project Silence this morning and I’ve officially titled it, Silence Will Fall.  The title comes from a line in Dr. Who (New version with Matt Smith playing Dr. Who) where he must defeat an enemy known as The Silence.  That line stuck in my brain for some reason (as has the enemy’s name of The Silence which I may use/revisit in another story some time in the future.)

STORY’S GENESIS

The genesis of the story is both simple and complex.  Simply speaking, the story originated from a dream where I saw the protagonist at a dam defeating a Floater in a novel and unique way.  With a few minor tweaks here and there, I tried to capture both the feeling of the dream and the actual events as best I could in the story.  The more complex version the image of the Rover (see above illustration).  My family has always been into PBS, and while I don’t watch period shows like Downton Abbey, I’m my uncle would have as he was hugely into Masterpiece Theatre.  However, somewhere along the lines, I must have seen The Prisoner (on PBS as rerun most likely as I remember the bounding ball of the Rover and I remember it killing someone) as a child.  That image has also stuck with me although I don’t think I consciously thought about it.

However, after that dream, I wanted to write about a “ball of death,” and see if my protagonist could defeat it.  I knew I wanted the story to be post-apocalyptic because that’s what I saw when I dreamed, but I also didn’t want to create a huge backstory for the Floaters.  I thought about Independence Day 1 & 2 and other invasion movies that tried to explain the aliens and I didn’t want that for this story.  So I decided that they would just descend from space down to Earth as if space was simply water and they were traveling from world to world (reef to reef to continue the water metaphor) in search of food.  The key is they are hunters of noise.  Any noise attracts them, so for humans to survive, we would have to be silent (hence the title).

KEEP IT SIMPLE 

So I wanted to try to keep everything in this story simple.  Three parts (Beginning, Middle, End) and about a 1,000 words for each section.  I managed pretty well with the 1st and 3rd sections, but I needed to have some dialogue between characters as well as to have the protagonist discover a potential solution to the story’s problem.  The 2nd section clocks in approximately at 1,800 words–a little longer than I would have preferred, but if it works, so be it.

I wanted to finish this story quickly, but right after I finished the 1st section, I started Orientation at MTSU for their program.  I don’t seem to handle transitions well and when the weekend came, I was mentally exhausted.  I didn’t actually pick up the story again until two weeks after school started (so approximately four to five weeks elapsed between the 1st & 2nd sections), but once I picked it up again, it took about three weeks to finish it.

REVISION

I don’t intend to submit this story immediately, although I think that it is one of my better pieces.  I want to “put it on the shelf” for at least a month and then look over it and revise it.  I still may not submit it for a while though because I have a “backlog” of stories out.  I currently have (with Silence Will Fall) ten (10) unpublished stories, with five (5) stories currently out.  I don’t want to try to have more than 5 out at any one time because with school, it gets too hard to coordinate markets (finding ones that are open and are good, and then formatting the story(ies) for those markets all take time that I could use for schoolwork).

My hope is that I can just submit my “backlog” of stories and hold off submitting this piece until the first of the year (2017).  I do reserve the right to revise this plan at any time however.

NEXT UP

So I have started two stories.  I want to start a longer project–I’m leaning toward the 1st issue of a four issue (or 3 or 5 issue) comic book mini-series.  I’ve got about 3 or 4 options, but I’m still deciding which one I want to go with first.  I think I may work on one more short story while deciding, or I may start on the long one and then switch to the story once I get a rough draft done.  I’ll decide after I finish the schoolwork for this week–at least, that’s the plan.  We’ll see how it goes.

Until next time.