Super Bowl Movie Trailer: Mission Impossible – Fallout

I’m moderately excited for Mission Impossible – Fallout (MI:F) based on the strong Super Bowl trailer that they released for the movie.  While the MI series has been hit or miss for me (i.e., there have been some entries that I’ve not liked as much), the previous two, for me, at least, have been great!  I know Ghost Protocol might not get quite as much love as the latest one to date, Rogue Nation, but I STILL use Jeremy Renner’s character’s formulation when I’m behind or running late–“Well, maybe if I cut down this street, it only has two traffic lights,”  “Not enough time,” “Well, I shave a couple seconds if I take the stairs, and avoid the elevator,” “Not enough time,” and so forth.  That is probably one of the funniest lines in the movie and it is all based on the way Renner delivers the line–“practiced indifference.”  If Renner wasn’t already such a huge movie star, I’d be tempted to highlight him in the Great Actors in Small Roles just for that sequence alone–but I digress.

The point is, I really like the MI series.  My uncle turned me on to them when they were on TV in reruns (the original run on TV was before my time) during the height of ’70s James Bond mania.  The problem is, the episodes weren’t really syndicated well and I never really was able to find them on TV and watch them, so even though I know of them and have seen a couple to handful of episodes, it wasn’t until the Tom Cruise movies that I was really able to enjoy them and get invested in the idea of the IMF.

So far, for me, each of the past movies have topped themselves in terms of story and characterization, starting with MI 3.  This movie was the start of me recognizing the actual potential in the series.  I’d watched MI and MI 2, but I wasn’t as invested in those (although I did like the idea of the IMF “team” in MI), but that didn’t really go anywhere.  MI 3 had strong villain, MI: Ghost Protocol had a new “team” with Simon Pegg’s character providing much needed comic relief, and MI: Rogue Nation had Sarah Ferguson’s strong female “foil” to Tom Cruise’s Ethan Hunt.

I’m cautiously optimistic that they can repeat their success–but I’m a bit guarded.  I’d hoped that Matt Damon in Jason Bourne could continue the upward trend of the Bourne movies, but JB undid a lot the story and characterization of the previous three movies in trying to “pivot” the franchise into a new direction with new supporting characters and really was a bit of a letdown.  Hopefully MI:F can avoid this potential pitfall.  We’ll see this summer–hopefully, its a great movie!  Well, that’s all for me today–have a good one, everyone!

Sidney
Read Skin Deep for Free at Aurora Wolf
Read Childe Roland for Free at Electric Spec

 

 

Advertisements

The Olympics Opening Ceremony

So, this will be a shorter blog post–I’ve managed to get behind in my school work (what’s new?) and I need to use today to catch up–but I wanted to give a shout-out to the Olympics Opening Ceremony which I will hopefully watch tonight.  I really love the Olympics, but I never really get to see a whole lot of it.  I probably (still) won’t get to see many of the sporting events, but I almost always try to see the Opening Ceremonies, but we’ll see if that happens today.

I cut the cord a while back and the major disadvantage is trying to find live sporting events that are not on regular TV.  In this case, NBC in America is showing it on regular TV, but I won’t be where I can get to the TV easily and it is always a crapshoot as to whether NBC (& to be fair, other providers such as CBS and ABC) will allow people to watch content without a subscription/login.  NBC also streamed the Super Bowl without needing a login/subscription, so I’m hopeful they will stream this as well, but I haven’t actually investigated it yet.

Here’s hoping and I’ll keep my fingers crossed!  If not, I’ll just have to miss this Opening Ceremony and hope that I will be able to see the Opening Ceremony for the Summer 2020 Olympics.

Sidney
Read Skin Deep for Free at Aurora Wolf
Read Childe Roland for Free at Electric Spec

Battlestar Galactica: Then and Now

Battlestar-Galactica_Then_FutureWarStories

Battlestar Galactica TV Poster,

Battlestar Galactica: Then
I suppose this is my “when I was a child . . .” posting where I rant and rave about these “darn kids” and how the new generation is messing everything up.  It is isn’t really, but I do want to briefly talk about Battlestar Galactica (or BSG as it is referred to these days).  I am lucky enough to have seen the original as a child and (some) of the newer series (more on that below) as an adult and one can see how media can shift over a generation.  I love the idea of BSG.  Yes, it was inspired in that wave of “knock-offs” where TV execs of the time wanted a “Star Wars“-like show to capitalize on the popularity of the movie.  BSG was one of many such endeavors, but it stuck around because even though the stories are “hokey” by today’s standards, they still revealed a pathos and a sense of “fun” that was endemic in late 70s/early 80s TV.  This was the Sci-Fi equivalent to The Love BoatFantasy IslandQuincy M.E., Alice, and The Facts of Life to name a few.  Even though it was on in the early 80s, it was just before the “New Wave” of 80s show exemplified by Magnum P.I., and Miami Vice, both of which, while having fun plots, had a much harder edge to them at the time.  BSG‘s plots were mostly sci-fi in nature, but with a social tinge to them.  However, they were mostly about family (Boomer & Boxie) being the main giveaways.  They could go dark (I seem to remember a character died in the show), but for the most part they were fun stories that shows like Gene Roddenberry’s Andromeda harkened back to.

 

Battlestar-Galactica_Now_FriendlyFireGameCenter

Battlestar Galactic: Now
However, BSG’s new series was critically acclaimed and lauded as one of the best shows on TV.  I watched the Mini-Series and was fairly impressed.  I knew that they would update the themes and the like, so I wasn’t expecting a “saccharine” version of the original.  I think the mini-series was very well done.  I could have gone without the fascination behind Baltar’s sex life or the rumination on Religion and the “Sins of the Father” that they use as a theme for the show, but the science fictional story/set-up was great and the music was exceptional (still influencing sci-fi shows and games to this day).  However, when the actual series started and season 1 began, it went downhill from there with me.  The science fiction lessened and the social, political, and religious elements took forefront in the stories to such an extent that I was only able to last midway through the first season.  I would periodically check in on the show by checking out various odd episodes, but I was never able to get back into the series.  The science fiction, when they focused on that, was top-notch.  Seeing the Galactica plummet in the atmosphere of a planet as it gives aid before jumping back out again is one of the strongest examples of sci-fi I have ever seen on TV and is seared into my mind.  Yet, in many ways, it helped to usher in the whole GrimDark idea that shows like Breaking Bad and Game of Thrones took and ran with as there were many times when I saw Bad Things Happen to Good People on the show and while others might argue that is “sophisticated” and “realistic,” I argue that it is exactly the opposite, “churlish,” and in “poor taste.”

I happened to watch the Mini-Series again on Amazon Prime and was reminded of the potential that the show had–potential to really focus on the greatness of humanity.  While others will say that the potential was realized–to be fair, it has more Emmy wins than I even have publications–however, based on the way the original BSG fired my imagination as a child and helped to mold me into the reader/writer/lover of Sci-Fi that I am today, I can’t help but wonder it that is really true.

Sidney
Read Skin Deep for Free at Aurora Wolf
Read Childe Roland for Free at Electric Spec

Star Trek Backwards–Finished Star Trek: The Next Generation

tngcrew

So, over Winter Break I finished quite a few Sci-Fi shows (series).  One of them was Star Trek: The Next Generation.  This one was my first Star Trek series that I watched and finished during its syndicated run.  I had seen episodes of the original Star Trek series (and really liked one in particular which I’ll talk more about when I watch the original series), but STNG was the first series that I was able to sit down and watch on a weekly basis.

Old School and New School
The show starts off quite a bit rougher than I remember.  I knew that Worf’s character underwent alterations as the show went on, but I hadn’t remembered how extensive those were in terms of both characterization as well as costuming.  It was almost jarring to watch the first season (and most of the 2nd) until the third and fourth seasons, where the show began to resemble what my (nostalgic) mind remembered.  I have to be honest, I really liked the “New School” (later seasons) quite a bit better than I did the “Old School” episodes (the earlier ones).  I found the stories to be more nuanced and sophisticated.  Many of my most favorite episodes, appeared in the later half of the shows run.  My favorite episode would probably be “Cause and Effect” (in Season 5) which is a “Looping” sci-fi story done right.  This would be followed closely behind by “Remember Me” in Season 4 which is a mystery in which Dr. Crusher must find out what happened to an old friend.

Science Fiction vs Social Stories
To me, STNG is at its best (I feel) when it deals with Science Fiction first and deals with Social Issues second.  While I have enjoyed some of the social issues that the show presents, such as the episode where women are dominant in the culture and men are striving for a more tolerant society, I feel that the stories that deal explicitly with some science concept–even if it is based on “technobabble”–are the much stronger stories because they are what George Scithers from the book On Writing Science Fiction says is the purpose of science fiction: real people dealing with real problems involving science.  This is what truly sticks out in my head and something that I try to remember when writing my stories.  It is, in fact, one of the reasons I couldn’t get into the new Battlestar Galactica (I’ll talk about this in another blog post) fully and dropped out midway through the first season.  When BSG focuses on its science fictional plots, it was one of the best series out there, but too often, the stories (I feel) were weighed down with lengthly polemics on religion, politics, and the soul.  These are questions better left to the “subplot” of science fiction stories, but BSG often made them the primary plot which took so much of the fun out of it for me.  Luckily, STNG was before the current “GrimDark” nonsense that currently pervades media (such as Game of Thrones, Walking Dead, and others of similar ilk).  It kept the social commentary (mostly) to the subplots and allowed the main plots to focus more on how the crew of the Enterprise solved the problems that they were thrown into which revealed their characters’ drives and made the show such a well received entry in the Star Trek universe.

Overall Rating: A (I really should say A- due to the uneven nature of the plotting/characterization of the early seasons, but the nostalgia factor is high on this one, so I give it a slight bump up to the low A’s for being a Sci-Fi show that understood science and character first, social commentary second.

Sidney
Read Skin Deep for Free at Aurora Wolf
Read Childe Roland for Free at Electric Spec

Mini-Review: Dark Matter, Season 3 (No Spoilers)

Without realizing it, I finished Dark Matter (DM) Season 3 (S3) last night, and overall, I liked it.  In my mind, it was a little more uneven than the previous two seasons were, but I think it is because they are trying to set-up multiple story threads to touch on in upcoming seasons (if the show has been renew–need to check as I haven’t looked to see if Syfy has renewed it yet).  Otherwise, the season had some ups and downs–more so than in the previous two seasons.

Permadeath & Exit Stage Right
They used death in S3 much as they had done in S2 to emphasize the (I guess) the capriciousness of the universe and to illustrate that they universe that the characters inhabit is a dangerous place.  The problem is, they used the deaths throughout the series, rather than at the traditional places where one might expect it, in order (again, guessing here) to keep viewers on there toes and to emphasize that no character is safe in this narrative.  However, they also had a fairly robust cast of “side characters” who existed in the world for a few episodes (or played a major part), who often left the ship for whatever reason, while others (new ones) would come on-board.  So this gave the episodes a less stable feel and very few characters on the ship were actually stable.  This contributed very much to the uneven feel of the episodes.

No Single Narrative Thread
There were many different plot lines running through DM: S3.  One such plot line (an important one that I won’t spoil) literally got introduced two episodes before the finale.  I think it (and another related “prophecy” plot line) should have placed earlier in the season, perhaps even in the first or second episode, and I think that would have gone a long way to giving the show a consistent plot “through line” to build on throughout the season.  As it was, there were many different elements going on–from double and triple crosses, to colonists rights vs corporate rights, to the idea of a good ruler vs a bad ruler, to searching for vengeance, to surviving, and et. cetera, that it all just came off just a bit jumbled.  A good kind of jumbled (for me, at least, as I love it when plots get convoluted), but still jumbled when compared to something that has a full season long arc that all the episodes have been building to (say, the final season of Star Trek Enterprise or Deep Space Nine).

Humor and Characters
One of the things that I really like about the show is that while DM can be a “dark” show (i.e., perma-death and all that), it isn’t all about blah, blah, world is such a bad place, blah, blah, blah, “Red Wedding,” blah, blah, blah, “hate all my characters, let me kill them all of in horrible ways,” blah, blah, blah.  (Yes, I know that this is a very unsubtle dig at Game of Thrones, but I’ll take any shot I can to restore a more “balanced” view of Fantasy that is more in line with tradition High Fantasy a la Tolkien, than the dreary, grim dark muck that we mostly have right now, even if that includes cheap shots).  DM allows its characters, particularly the character of the Android, but other characters as well, to inhabit an almost comedic space that one might find in a sitcom, rather than a drama.  Make no mistake, this is a sci-fi action show with the requisite space battles, warping, light speed, AI vs human conflict, etc., show that you might expect, but there are some truly hilarious moments that all characters get to participate in.  However, the Android gets to have some of the funniest lines, reminiscent of Data from Star Trek The Next Generation.  The actor’s deadpan delivery makes some of the lines truly laugh out loud funny.

Overall Rating: B (Above Average): Okay, so I was going to give it a B-, but then I got to thinking about all the fun that I had with the characters, especially the Android and I raised the grade slightly.  All it needs is a single through line for the season and less of a “revolving door” secondary character policy–let them stay on for an entire season.

Edit: Just discovered that Syfy has cancelled Dark Matter.  There will be no Season 4.  To be honest, I’m not really surprised, although it has more to do with Syfy than it does with DM.  To me, Syfy is just the television equivalent of EA at this point, with executives who care more about their investors and share prices that their audience.  I learned this the hard way when Syfy cancelled Star Gate: Universe just as it was finding its footing.  It put on the show Alphas as a replacement (only to cancel it after just two seasons).  Too bad, I really liked DM and thought it had room really grow.  I should let anyone know who might be interested in starting it though (a potential minor spoiler, but I don’t really guess it matters now): S3 ends on a cliffhanger (that is now likely to go unresolved).  Just thought you should know.

Mini-Review: Die Another Day

Okay, so I finally saw and finished Die Another Day (DAD).  Why is this so moments, you might add in the light of movies such as Thor Ragnarok Justice League releasing this month?  Well, it means that I have see ALL James Bond movies that have been released so far.  And, as expected, it was a slog–that was the reason why I missed this in the theaters and why I didn’t watch it all the other times it had previously been on streaming–it isn’t very good.

00Camp
It is way too campy, but played with a straight face.  It almost wants the audience to laugh AT it rather than WITH it.  Most of the blame for this comes from the story and script.  James Bond, particularly under the Roger Moore era, has some really corny and goofy things happen, but as I mentioned in a previous post, that was reflected in other movies of the era.  Much of the “campiness” of Bond during Roger Moore was a desire to appeal to American audiences who were far more likely to have seen/enjoyed a movie like Smokey and the Bandit–which is mostly campiness with a few places of seriousness.  However, DAD hit all the wrong notes.  Audiences in America  wanted a more realistic treatment of the spy genre–which is where Bourne (Jason Bourne) fits into this equation.  He was hyper resourceful and hyper capable, like Bond, but he was serious–no double-entendre, quips, or gadgets.  The honest-to-goodness down-home appeal and brutal/lethal moves when necessary.

00BadScript
As mentioned before, the script is really what hurt DAD.  From paper then characterization, to dialogue that didn’t work, to relationships that were unnecessarily muddled, etc., this is truly what kept this movie from shining–not necessarily the acting.  This wasn’t new Hollywood with its eye on the future and fingers on the pulse of the movie-goer, this was old Hollywood–you’ll like this movie because it is the next iteration of James Bond, darn it, and we know how much you like James Bond.

00Completionist
Still, for all my griping about the movie, it does feel good to have a complete repertoire of James Bond movies under my belt.  Until now, I’ve always had to put in that except or but when speaking about the franchise.  I really wish this could have been a stronger entry, but even successful teams don’t always get it right: Spectre for James Bond and the appropriately titled Jason Bourne for Jason Bourne.  Neither of these two movies did a great job in returning their characters to audiences in their last outings.  Both seemed to lose the thread of the character based on thrilling, climatic, and revelatory the previous outings before their respective latest movies arrived.

Implications for my own Work
I’m learning that character and story (plot) go hand-in-hand.  You can’t divorce the two.  For my writing, plot is what comes in first (99% of the time), but it is the characters that people fall in love with and invest with and I’m learning that I need to spend as much time developing the characters as I do the plot.  For the makers of Bond and Bourne, they perhaps need to do what I’m doing, but on plot rather than characters, as it is there plots that are hindering their characters.

Overall Grade: D (Below Average)

Potpourri–A Bunch of Little (& Stranger) Things

This blog post is just a random collection of little things that I’ve been working on over the past week that really don’t deserve a full blog post.

Stranger Things
So I started watching Stranger Things Season 2 over the past weekend.  Right now, I’m really enjoying it.  The first episode is reestablishing the characters and introducing new characters.  I like the vibe of the show, so far, even after only one episode.  It is like getting reacquainted with old familiar friends after a long hiatus.  There’s a lot of 80s nostalgia that is really forefront in this episode and also several new characters seem like a good mix for the show.  I can’t wait to see how it progresses.

iPhone 7
So my iPhone appears to be utterly and truly dead.  After talking with Apple, I’m going to have to take it to a local authorized Apple Dealer and see if they have a phone in stock that I can exchange with it, or if I’m going to have to wait for Apple to send me a replacement.  Ugh, very frustrating.  I’m just grateful that it was in the 1 year warranty period for the phone.  I’ll keep you up-to-date on the phone situation.  I did, by the way, have a great Technical Support experience and the Apple Advisor was very patient with me as we went through the process.  I greatly appreciated that!

Star Trek Next Generation – First Season
I’ve started STNG and the first season is much “rougher” than I remember.   I knew Worf’s prosthetics & makeup underwent a redesign, but it looks worse during the first season than I remember.  Also, many of the trademark elements that made STNG what it was were either still being formed or hadn’t yet been implemented, so the show feels like an “empty shell” rather than the rich, inventive show that I remember.

Well, that’s all for now–this post will have to be short and sweet.  Till next time!