Still Working on NaNoWriMo: DSSRV Outrider, Issue #2

Giant Spider terrorizing a frozen landscape.
Image Source:

I’ve been working sporadically over the month for NaNoWriMo. On Saturday of the week before last, I managed to sit down and think about what I wanted to do for the graphic novel version of Ship of Shadows. As regular blog readers know, I finished the first issue of the script in the spring of this year, but bogged down over the summer in terms of writing it. I (unintentionally) took a break from the story as I thought I knew where it was going when I wrote the outline, but discovered (in the actual draft) that wasn’t where the story needed to go.

Showing Tana’s Backstory

One of the things that I realized was that I already told this story with the published short story, so it was very difficult for me to get super-engaged in this story as there was nothing new in this version of the story. The new ideas were coming in issue 3 and 4 (at least in the original draft). However, my mind kept rebelling and the more I tried to work on issue 2, the more my mind rebelled and the less and less motivated to work on it.

What I realized was that I had a goal in my mind for these various “remixes” of the story: the short story is the introduction of the world and characters to me (and my readers), while the novel is a longer, more lived in version of the world where the character is at the height of her abilities, but is thrown into a situation that will challenge her abilities to the maximum (& may even break them!)

So what I decided was the graphic novel should help me understand the character better. In other words, I would find out (along with the readers) more about Tana’s backstory. Why is she the way she is? And this is where I decided issue #2 should go. We see Tana at her lowest moment as a child and she must find a way to pick herself back up. Then issue 3 should pick up with the second point of the story, but the stakes should ratchet up from the original story and end on a cliffhanger. Then issue 4 moves back into Tana’s backstory. Issue 5 should then show them getting out of the horrible situation and issue 6 (the final issue) should resolve the story and show how Tana, who is a “pilot” becomes a “captain” (remember, in the novel she’s been a captain for quite a few years and has quite a bit of experience under her belt).

The Graphic Novel as a Linkage Between Short Story and Novel

If it hasn’t been clear, I’m now using the graphic novel to dig deeper into Tana’s character and I’m hoping that it will help me understand who Tana is as a character by delving into her backstory.

While I don’t intend there to be a direct one-to-one linkage between the graphic novel and the novel (i.e., that you have to read the graphic novel before reading the novel), I do want to use it to help me figure out my characters, my setting and world, and the emotions/character traits for my story. Hopefully, by working on the graphic novel and seeing how Tana develops as a character earlier in her life, I can then “build” upon that to show the readers a three dimensional character at the start of the novel, or at least, that is my hope.

See, NaNoWriMo is still helpful even if one doesn’t have the time to actually work on the pieces–one can still do the “dreaming” necessary to help create strong and meaningful drafts later down the road.


Please consider supporting these fine small press publishers where my work has appeared:

  • The Independent  (Sci-Fi Short-Story)‚Äď
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

NaNoWriMo 2019

NaNoWriMo Calendar--Calendar with checkboxes and word count.
Image Source:

So, I’ve discussed National Novel Writing Month (NaNoWriMo) on the blog before, so I won’t belabor the point too much. For those who might not have heard about it, it is a way of tracking your progress through the month (in terms of Word Count) for a novel. I believe that the Word Count is 50,000 words produced in the month of November in order to count towards getting recognition that you’ve completed NaNoWriMo for that year.

While admirable, I’ll likely never “complete” NaNoWriMo because, as I’ve pointed it out in previous blogs on the subject–November is the exact wrong month for me to try to accomplish such a lofty goal (at least while I’m in school). I have far too many school-related activities to do to even begin to work on a 50,000 word draft. Just this week, in addition to prepping a class, I need to grade 38 Annotated Bibliographies and Daily Writings, I need to research and write my own Final Project Proposal and Annotated Bibliography for the class I’m taking to turn in by Nov. 3, and I need to take care of the several school-related things (like applying for an Honor Society by deadline) that I’ve slacked on doing while prepping for Friday’s exam.

So I don’t have time to do NaNoWriMo, right?

NaNoWriMo 2019–Well, Sort Of . . .

While I don’t have time to really invest in writing the full draft of a novel, I do have time to sit down and jot down a handwritten “rough draft” of a novel. As this is, for me, “Year of the Shadow” where I write long projects based on my short story, “Ship of Shadows,” I have a strong idea for a novel featuring many of the characters from the short story. I began writing out the skeletal form of the story, but stopped at Chapter 5. I was just jotting down 2-3 sentences per paragraph, but I wanted something more substantial. What I didn’t realize is that what I was doing was developing a “plot outline” where I was emphasizing the events, but I was also creating character “hooks” that I could use to start discussing the characters.

In beginning of November, I plan to write out this plot outline again, this time going all the way to the finish of the novel. Then I plan to do the same for the Screenplay and the Graphic Novel. As a matter of fact, I think that’s why I’ve stalled on the Graphic Novel. I really want to get Tana’s “backstory” in the graphic novel, but I didn’t structure it that way and now I think I need to go back to issue #2 and rewrite it, so that it is a flashback scene, so that when she actually tries to save a fellow crewperson, we see the motivations behind the actions rather than me trying to tell it through “captions” above the panel.

Summertime and the Writing is Easy

The perfect time for NaNoWriMo, for me, would be the summer. In the summer, I have much more “free” time and I can use that for writing (even if it is in shorter bursts than I’d like). Even though NaNoWriMo doesn’t work so much for me in November, I can use it to get a “Rough Draft” of the novel together (and the same for a screenplay and the graphic novel).

Even though in January, I plan to “switch” to a different project for my “Year of . . .,” that only means that I plan to start thinking about a new story that I’ve published and how I might be able to expand them out and touch on the backstory of characters and figuring out the sequel for the story. However, that doesn’t mean that I can’t actually be working on a 1st draft for the longer pieces. My mind is good at doing “2 things” really well. As I mentioned in the gaming post, I can really do well in manipulating two different modes/registers at the same time. Any more than that, then my mind says too much, don’t want to do it.

This is what I want to avoid–getting too many projects going at any one time (& not finishing any of them). It would be awesome if I can get to next November and have what NaNoWriMo promises: a finished 1st Draft of a novel (and other projects). Once there’s a 1st draft, then 1) I’m invested and am much more likely to see the project to the end and 2) it is far easier to critique a product rather than an idea. Write now, all my longer projects have been just “ideas,” and you can’t critique ideas because you can always change it to make better–to match your vision.

So, to sum up, my goal for this NaNoWriMo is to, instead of using it as month for novel (and other longer writing projects), it is a time to “plan” out those projects and set those plans down on paper and to use the next 12 months, until next November to get those 50,000 words written.

So this is MY 2019 NaNoWriMo Challenge: 1) Rough Draft of Novel “Ship of Shadows,” 2) Rough Draft of Graphic Novel “Ship of Shadows,” and 3) Rough Draft of Screenplay of “Ship of Shadows.” If, at the end of the month, I’m able to get these done, then I’ll report back on the progress. If you never hear anything else about this until next year, then you’ll know that I didn’t get it done.

Hey, at least I’m honest! ūüėČ


Please consider supporting these fine small press publishers where my work has appeared:

  • The Independent  (Sci-Fi Short-Story)‚Äď
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

ReRead: Myth Adventures One Graphic Novel

Image Source:

So, today through Friday, I will be in orientation for the upcoming Fall semester (all of the Graduate Teaching Assistants are required to do Orientation every year). It generally lasts all morning and all afternoon with a break for lunch, so I thought I’d just catch on Mini-Reviews and Re-Reads to have a little fun with the blog for the rest of the week. These entries will be shorter and a lot more “fun” since I’ll be tied up pretty much all morning and afternoon for the next few days.

Funny Fantasy

Myth by Robert Asprin is a late 70s/early 80s phenomenon where writers took the uber-popular fantasy tropes of “First Wave” Fantasy Writers (such as Tolkien, Lewis, and the like) and “Second Wave” Fantasy Writers (such as Terry Brooks, David Eddings, and the like) and parodied and/or satirized the tropes in the Fantasy field up to that point. While the Myth series was fairly popular in this sub-genre for a while as was Pierce Anthony’s fantasy series based on puns, Xanth, it was really Terry Pratchett’s Discworld series that grabbed the lion’s share of attention for the “funny fantasy” genre which has only seemed to abate in the past few years to the best of my knowledge–for a time Discworld was as popular as was “Epic” (Doorstopper) Fantasy.

Myth Adventures One

In addition to prose books, the “funny fantasy” genre also branched out into the realm of graphic novels and comic books. Myth Adventures One is an early graphic novel (1985) that collected issues 1-4 of the Myth Adventures comic. I found this graphic novel in a Friends of the Library Booksale several years ago, and I really liked the story, even though “funny fantasy” isn’t a sub-genre that I read regularly–although I do enjoy the Discworld novels that I own. I’d only read a couple Robert Asprin titles before getting this one (a Thieves’ World anthology that he co-edited with Lynn Abbey), but I do like Asprin’s writing. It’s very much in the vein of Shrek (way before their was a Shrek), but still, it is that very broad humor that would appeal to kids–very into visual gags.

Do You Like Cartoony Art?

If you do, then you’ll love Phil Foglio’s artwork. Me, well, there’s some things that I love about the artwork and something’s that I dislike. I love the exaggerated facial expressions–many times the comedy is sold by the expression on the face alone. However, a lot of times, the body/figure is also exaggerated, and this often results in the character looking out of proportion or (more commonly) posed in anatomically impossible positions that draw me out of the story. Even in the cover, it looks like the main character is a giant, but the cover image is meant to convey that the main character is flying, but the sense of perspective is off, so much of your enjoyment of the story is going to come from how much you like (or can tolerate) Foglio’s art.

Overall Grade: B (85 out of 100)

There’s nothing really wrong with the story (it’s a bit complicated to follow which is why I didn’t provide a plot synopsis, but ultimately follows the trials and tribulations of a magician and his apprentice). The art, again, depends on how much you like Foglio’s cartoony artwork (think Loony Toons level of abstraction). I liked it better on the first read rather than this reread, so the humor is something may only work when it’s fresh, but I still enjoyed it.

Have a great day everyone!


Please consider supporting these fine small press publishers where my work has appeared:

  • The Independent  (Sci-Fi Short-Story)‚Äď
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019
  • HawkeMoon (upcoming) = Edits turned in to editor 5/31/19

ReRead: Star Wars X-Wing Rogue Squadron — Battleground Tatooine

X-Wing Fighter destroying a Tie Fighter over an alien world.
Image Source:

So, I reread Star Wars X-Wing Rogue Squadron (Rogue Squadron) over the weekend. I haven’t been reading much on my own except for school nights, but I thought I start to reread my collection once a week.

One of the Few Star Wars Graphic Novels I Own

Surprisingly enough, I don’t own that many Star Wars graphic novels (although I plan to increase that through used bookstore purchases) as graphic novels became a “thing” after I was already moving away from “comics” in general and moving more into “writing/creative writing.” It may have been a good thing since most of the Star Wars comics/novels/graphic novels have been “removed” from canon once Disney acquired the license. However, I still like to dip into the world and universe, even knowing that most of the work is no longer “relevant” to the Star Wars world.

Good Story (Even Without the Lightsabers)

I tend to be a “lightsabers” kind of guy, meaning that I really like the ligthtsaber combat in the films. However, I also like the space combat as well. I feel that the new films have focused more on space combat than lightsaber battles, but I’d still like to watch them. And that extends into the graphic novel realm as I enjoy reading about the adventures of Rogue Squadron which is what this graphic novel is about. The story was good–not great–but good, as was the artwork. Finally, I thought the inclusion of a hard to find second story at the end was a nice touch.

Overall Grade: B (85)

While it could have been more dynamic, I still enjoyed the setup and the resolution of the story. Its a fun, “popcorn” story and one that I enjoyed. I’ll definitely look for others in the series.


Please consider supporting these fine small press publishers where my work has appeared:

  • The Independent  (Sci-Fi Short-Story)‚Äď
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = July 31, 2019
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = January 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019
  • HawkeMoon (upcoming) = Edits turned in to editor 5/31/19

Year of the Shadow

Arched Shadows on Italian Wall
Image Source:

This has been an idea kicking around for a while now, but I haven’t really been able to decide how to make it work until this year. I wanted to start it earlier this year, but was so focused on my preliminary tests that I didn’t really give it the time it deserved, but I finally figured out a way of making this “Year of the Shadow” work, so I’m going to work at it on the weekends and we’ll see what comes of it.

What the heck am I prattling about?

I’m talking about “The Year of the Shadow.”

Year of the Shadow

So what is the “Year of the Shadow.” Well, the short version is that is where I develop a character that I’ve already published in a story somewhere into multiple projects throughout the year. The long version is that when I was talking with Toni, a fellow Graduate Student and a Writing Consultant at the MTSU Writing Center, I felt that the stories that I’d already published meant that there was something there that intrigued editors enough to buy them and publish them and I should probably use those stories as starting points to help me create longer works with those same characters. She agreed and thought that would be a great idea. I started with Tana from my short story “Ship of Shadows.” This is where the idea for the Graphic Novel came from. However, I got stuck shortly afterwards because I didn’t really know where to go with. I thought I was “unstuck” a couple of weeks ago, but when I tried to write it, I found I still didn’t know what the purpose of the story truly was and discovered that I still felt lost in the story.

Year of Tana

I could have almost entitled this the Year of Tana because my goal is now to focus on the character Tana from Ship of Shadows. In the short story, Tana is a “pilot” of a DSRV. My graphic novel will (hopefully) show how Tana goes from a pilot to a captain. The novel that I’m planning for her will show how navigates being captain and being her own independent contractor/small business owner as she struggles with both crew issues, finding ways to make money, and external issues. I intend to branch off and do a “variant” version of Tana for a screenplay where we see an alternate version of Tana and see her parents for the first time. Finally, I hope to finish off the year with a Pilot for a TV show going back to the novel and using Tana’s adventures there as my guide.

52 Weeks

I’m already 16-17 weeks behind schedule, but I didn’t really have plan earlier (or rather, I had a very nebulous plan), so I can’t really worry about the time lost. All I can do is work hard to make sure that now that I have a plan in mind, to devote time each weekend to making the plan work to the best of my ability. So, while I’m about 17 weeks behind, “The Year of the Shadow” has now commenced.

DSRV OUTRIDER–Finished the Script for Issue #1 (of 4)

Image Source:

“Ship of Shadows” Graphic Novel = DSRV OUTRIDER

So, a couple of nights ago, I finished the first issue of the¬†Ship of Shadows Graphic Novel.¬† It is 28 pages long (so far) and is the first part of 4 stories.¬† I’ve decided on a name for the overall series–DSRV OUTRIDER.¬†The DSRV¬†stands for “Deep Space Recovery Vehicle” which is the type of the vehicle that the main character, Tana, pilots.¬† Outrider is the name of the ship.¬† This is important because I hope that I’ll be able to write more stories/have more adventures with Tana as a character (my ultimate goal is to have her become captain of the Outrider) and I want to focus more on the ship and its adventures rather than the one story that is SF Horror.

Artist or Go It Alone?

I think I may have to go it alone.¬† I discovered my artist last year, but it took my all year to figure out a system that works for me in terms of writing and creatively.¬† The artist was very interested at first, but has lost interest over time–which, I don’t guess I blame him–as it should have taken a year for the whole graphic novel, not just issue one.¬† I really have tried to refine my writing processes over the past year to be more effective and I’m slowly getting there, but slowly doesn’t seem to be good enough for others.¬† I don’t mind going it alone–it’s just that many of the publishers for graphic novels want to have a “team” in place (art and writing).

What’s Next? The Art of Adaptation

I need to figure out Issue #2, so I’m going to move it off the “front burner” and work on rough drafting Issue #2 (major plot points).¬† I had great success with actually writing a rough draft for the story and then writing the second draft on the next “rotation.”¬† The thing is, in the short-story, one of the characters saves themselves off-screen, while for issue #2, Tana will save her on-screen.¬† I have an idea of how this happens, but I want to write it down in rough draft first before I actually try to write it in the next draft.¬† I’m adapting the short-story, but that doesn’t mean that I want to make it¬†exactly like the short-story as the graphic novel affords more pages to go into more detail.¬† In the story, it wasn’t necessary for Tana to actually¬†save¬†the other character–just to make the attempt.¬† However, in this story, to show Tana’s attachment to her “mother” figure, she would¬†have to save her to make her character believable.¬† I’ll probably start to write issue 2 in November (maybe sooner depending on whether or not the proposals that I hope to send out are successful).

Anyway, that’ all I have for now.¬† Have a great day!


  • Current Work-in-Progress:¬†The Independent¬†(Sci-Fi Short-Story ‚Äď 2nd Draft)
  • Current Work-in-Progress:¬†Project Star¬†(Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress:¬†Ship of Shadows¬†(Sci-Fi Graphic Novel ‚Äď Script, Issue #1, Currently on Script Page 25)

Baby Steps To a Novel

Chapter One of a novel on a Typewriter, Image Source:

So, yesterday I took my first steps to trying to complete a novel. ¬†Regular readers of the blog will note that I’ve tried before (without much success) to try to write a novel, but this time I’m using my university’s Writing Center to help. ¬†I’ve worked in the Writing Center myself all last year and I have a friend and colleague who is working there now who has agreed to a “Writing Partnership” with me–a fancy term for a standing appointment to talk about writing over the course of the semester. ¬†Generally, they are used for long term projects (thesis, dissertations, etc.), but they can also be used for just improving one’s writing in general. ¬†We talked about what I wanted to do ultimately (short-stories or novels) and we decided that writing a novel would be a good way to “grow” as a writer. ¬†Then we discussed the idea I had for a novel and what the next steps should be going forward.

Character Sketch
So, my homework is to complete at least one character sketch–the main character/protagonist–and have it ready by the next meeting. ¬†We talked about who the main character is (Skye–which longtime readers will remember from earlier blog posts) and what is her personality like. ¬†If possible, I’d like to write a character sketch for her father as that is her major familial relationship in the book, but based on school work and obligations, there may not be enough time for that. ¬†We spent quite a bit of time talking about the importance of characters and how they should act appropriately–something that I don’t think that I always do well because of my interest in the plot. ¬†Hopefully, I can really nail Skye’s personality and be able to create a convincing character arc for her.

Plot Outline
I also need to produce a plot outline for the next meeting. ¬†Again, one mandatory, but two if possible. ¬†I have “story map” that I use that is a 1 page “synopsis” of the characters, setting, plot, climax, and resolution. ¬†However, I’d like to also provide a chapter-by-chapter breakdown of the story as that is where I always seem to break down when writing the novel, but I may find that that might be better suited to do after we talk about the character sketch/synopsis of the novel. ¬†In any case, I do intend to do what Brandon Sanderson noted about how he writes novels on his podcast, Writing Excuses, where he notes that he writes down big tentpole scenes as he’s generating ideas for his novel. ¬†I think that the tentpole scenes, in addition to the synopsis, would be helpful to do before trying to tackle the larger, chapter-by-chapter breakdown.

November is National Novel Writer’s Month (NaNoWriMo). ¬†I’ve never really tried to do anything for the month because I always had school (or a ton of things to do in the month of November), but as I’m in the midst of trying to write a novel and as the Writing Center will be holding a “Write In” on November 17, I guess I’ll give it a try. ¬†I don’t know what the outcome of all this will be, but I’ll blog about the process here to hopefully inspire other writers (aspiring or practicing) and maybe provide, tangible techniques and tricks to my fellow writers out there as well.

Wish me luck! ūüôā


Finished Leave It To Chance, Vol. 2: Trick or Threat


So I finished rereading Leave It To Chance, Vol. 2: Trick or Threat during this past week and I really enjoyed it. ¬†It is a better story than I remember. ¬†I really like it that Chance has agency in this story. ¬†We can see rivalries and friendships develop and we see her take on a situation when she’s removed from her father.

Even the backup story for this one is good–as Chance tries to follow her father’s wishes, but is swept up by events and a desire to save her friend. ¬†I think this one has more of a “Scooby Doo” feel meaning that while the monsters and supernatural elements are real, you get a real sense of the “adventure” or “mystery” that Chance and her new-found friends embark on in this story.

I really think that the creators hit their stride with this one and really found the link that made Chance feel real and alive and gave her a cool set of stories away from the noir of Devil’s Echo that really made the story resonate with me. ¬†This is by far my favorite volume in the series and I think unfortunately, the creators lost this when they returned to Devil’s Echo (& took the agency away from Chance). ¬†While I don’t know the particulars as to why the series ended, I do think this second volume is the strongest entry in the series.

Overall Grade: A

Leave It To Chance

Leave It To Chance “Shaman’s Rain” Book Cover, Image Source:

Leave It To Chance is a young adult graphic novel that I really, really like. ¬†I wanted to take a moment to highlight this great (& short) graphic novel series. ¬†I just finished rereading the first volume this week (I’m trying to read all my graphic novels as a way to remind myself of the graphic novel format since I’ve been away for so long).

Leave It To Chance was published in the early 2000s (2002) and it was written in the height of the GrrlPower movement (James Robinson’s Forward is dated 3.25.97 and this is in the height of the movement, but as the hardcover collection wasn’t published until 2002 which, by then, was the tail-end of the movement). ¬†The protagonist is Chance, a young girl who is the daughter of Falconer, a mage of eminence and importance in the city of Devil’s Echo. ¬†She is “protected” from the magical intrigue and derring-do by her father, but she is of age to take up training to become the next in the line of Falconers who are sworn to protect the city. ¬†Her father refuses to train her simply because of her gender (noting that this “burden” of training is passed from male heir to male heir). ¬†Chance decides that this is horribly unfair and seeks to rectify this (& gets into adventures on her own).

Leave It To Chance Concept/Model Art, Image Source:

James Robinson and Paul Smith collaborated on the story and art. ¬†This is actually my first (and I think, my only) examples of their work, but I really enjoyed the story when I first read it at the Public Library–so much so, that I bought a copy for my personal collection. ¬†I like Chance’s character–they made her very much like a Nancy Drew detective and set the world in a Neo-Noir setting (grim, dark alleyways merged with aircars). ¬†Chance also has a “Jubilee”-vibe to her and dresses similarly (who in turn, has bit of the Frank Miller’s female Robin from the Dark Knight look) as well. ¬†You can almost see a direct progression from Miller’s female Robin to Jubilee from the X-Men, to Chance. ¬†I own all three books in the series (will be doing reviews of the other two as well), but as a pure story, I think this first volume, “Shaman’s Rain” holds up the best storywise.

Chance Falconer Image, Image Source:

I think too, that the setting of Devil’s Echo was very well used. ¬†It definitely precedes the entire Urban Fantasy craze that authors like Jim Butcher, Charlaine Harris, and Kim Harrison (to name a few) helped popularize in the mid-to-late 2000s & early 2010s. ¬†I personally love the fact that Chance has her own (mini-)dragon–as it recalls to mind Anne McCaffrey’s Dragonsinger books of the 1980s. ¬†This one is a great series for both Young Adult Readers (& younger children), but has enough complexity, character development, and setting that will at least keep older readers from being completely bored with it, even if it doesn’t completely captivate them.


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