Writing Log: July 2020 (7/2020)

A Bullet Journal that shows a bar graph and a smaller set of boxes that indicate days/acts written with the boxes colored in when done.
Image Source: https://www.pinterest.com/pin/365776800984668476/

Wrap-up for June 2020 (6/2020)

Before I move into new projects for July 2020, I wanted to take a moment to wrap-up what I’ve done for June 2020 to both tell you, the reader, what I’ve accomplished on a monthly basis, but also to hold myself accountable for the goals that I’ve set for myself during this time-period with the hope of becoming more professional over time and finishing more (and longer) projects as time goes on.

The Independent: Finished my revision of the project for a goal of submitting it to a market by June 30th. I originally revised it with help from the MTSU University Writing Center, but then I saw a short segment by Neil Degrasse Tyson in which he explained what a “flatlander” in two dimensions might interpret someone like us who live in three dimensions if they tried to interact with them. I tried to do the same, but with time. We live in space (three dimensional space-height, width, depth), but there is also a time component that we aren’t privy to (except to note its passing). I tried to take that idea a little further–what if there was a race who lived in a “curled” up region that we can’t interact with because it is mostly a region of time–what would that look like, how would that act, etc.? The I tried to have my “space truckers interact with this “dimension” in the story briefly. I think it came off moderately well. I don’t feel that I necessarily hit it out of the park, but I don’t feel that it is particularly bad or without merit. I feel that if I had more time, I might have been able to handle it better, but the story (from seed to this revision) is already 3+ years in the making, so I really need to get it out there. Maybe feedback (if I get any) will help me push the story into a stronger position if it doesn’t sell.

Project Arizona: Although I started on this one late (well into the month of June), I still have almost finished the 1st Draft of the story. This is where the power of working on the story consistently has helped. This is the story I will be working on for July.

Project Wall: This is the one next story will be working on. While I won’t draft it until next month, I will be working on character sketches, world history, politics, and other “Bible” documents for it all through July.

Prospectus (School): Finished my prospectus (hurray!). Even though I need to get “official” approval from my graduate director and my graduate committee, I’m going to start putting together a tentative dissertation outline and begin preliminary work on the dissertation with the books that I have available to me. I probably won’t get to work on it “formally”/”officially” until September at the earliest, but that doesn’t mean that I can’t still put together a draft so that it isn’t a burdensome to do in the Fall and Spring of next year.


What’s on tap for July 2020?

Well, there are several goals that I’m hoping to do, however I only want to talk about a couple of them in-depth here:

  • Work on 2nd Draft (and officially unveil the title) for Project Arizona. I don’t think I will dive right into a 2nd draft of this story immediately as I think I will do another project in the interim. Hopefully, though by the 2nd week of July I will be ready to start drafting a second draft. I actually like the way much of the 1st draft turned out, so I will try to begin turning those places where I’m “telling” the story into places where I’m “showing” the story (dramatizing). It will be a beginning to end look at the draft, where I rewrite as necessary. I also have a title in mind for the story and I intend to start using it once I unveil it officially.
  • Plan Project Wall: Now that I have a “rough draft” down on paper, I’m going to do what Hollywood would call “pre-production.” I’m going to try to nail down the elements of the story that may not necessarily appear in the story, but are crucial to the reason the story exists. Basically, answering a lot of What, Why, Where, When, and How questions that I still have about the story. It also has a title, but I’ll wait to unveil it.
  • Lastly, I really want to get back into the “graphic novel”/comic book writer mode. That’s a place where I feel I can grow. Eagle-eyed blog readers will notice that the “Ship of Shadows” line under What I’m Working On” hasn’t changed in a while. Now, whether the graphic novel actually is me working on that or another project altogether, I want to put together a script that I can try to market by the end of the year at the latest, so I’m planning on working on it starting this month.

Well, that’s it for now. I hope that this month will be a productive one as last month was. Have a great weekend, and if you’re in the U.S., have a safe and fun July 4th Holiday weekend!

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




Currently Working On (6/2020):

  • The Independent  (Sci-Fi Short-Story)–
    Finished: Revision 1

Rating: 5 out of 5.
  • “Project Arizona” (Weird Western Story)
    Drafting: First Draft

Rating: 4 out of 5.
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2

Rating: 1 out of 5.
  • “Project Wall” (Science Fiction Story)
    Finished: Rough Draft

Rating: 5 out of 5.

NaNoWriMo 2019

NaNoWriMo Calendar--Calendar with checkboxes and word count.
Image Source: https://writerswrite.co.za/perennial-nanowrimo-calendar/

So, I’ve discussed National Novel Writing Month (NaNoWriMo) on the blog before, so I won’t belabor the point too much. For those who might not have heard about it, it is a way of tracking your progress through the month (in terms of Word Count) for a novel. I believe that the Word Count is 50,000 words produced in the month of November in order to count towards getting recognition that you’ve completed NaNoWriMo for that year.

While admirable, I’ll likely never “complete” NaNoWriMo because, as I’ve pointed it out in previous blogs on the subject–November is the exact wrong month for me to try to accomplish such a lofty goal (at least while I’m in school). I have far too many school-related activities to do to even begin to work on a 50,000 word draft. Just this week, in addition to prepping a class, I need to grade 38 Annotated Bibliographies and Daily Writings, I need to research and write my own Final Project Proposal and Annotated Bibliography for the class I’m taking to turn in by Nov. 3, and I need to take care of the several school-related things (like applying for an Honor Society by deadline) that I’ve slacked on doing while prepping for Friday’s exam.

So I don’t have time to do NaNoWriMo, right?

NaNoWriMo 2019–Well, Sort Of . . .

While I don’t have time to really invest in writing the full draft of a novel, I do have time to sit down and jot down a handwritten “rough draft” of a novel. As this is, for me, “Year of the Shadow” where I write long projects based on my short story, “Ship of Shadows,” I have a strong idea for a novel featuring many of the characters from the short story. I began writing out the skeletal form of the story, but stopped at Chapter 5. I was just jotting down 2-3 sentences per paragraph, but I wanted something more substantial. What I didn’t realize is that what I was doing was developing a “plot outline” where I was emphasizing the events, but I was also creating character “hooks” that I could use to start discussing the characters.

In beginning of November, I plan to write out this plot outline again, this time going all the way to the finish of the novel. Then I plan to do the same for the Screenplay and the Graphic Novel. As a matter of fact, I think that’s why I’ve stalled on the Graphic Novel. I really want to get Tana’s “backstory” in the graphic novel, but I didn’t structure it that way and now I think I need to go back to issue #2 and rewrite it, so that it is a flashback scene, so that when she actually tries to save a fellow crewperson, we see the motivations behind the actions rather than me trying to tell it through “captions” above the panel.

Summertime and the Writing is Easy

The perfect time for NaNoWriMo, for me, would be the summer. In the summer, I have much more “free” time and I can use that for writing (even if it is in shorter bursts than I’d like). Even though NaNoWriMo doesn’t work so much for me in November, I can use it to get a “Rough Draft” of the novel together (and the same for a screenplay and the graphic novel).

Even though in January, I plan to “switch” to a different project for my “Year of . . .,” that only means that I plan to start thinking about a new story that I’ve published and how I might be able to expand them out and touch on the backstory of characters and figuring out the sequel for the story. However, that doesn’t mean that I can’t actually be working on a 1st draft for the longer pieces. My mind is good at doing “2 things” really well. As I mentioned in the gaming post, I can really do well in manipulating two different modes/registers at the same time. Any more than that, then my mind says too much, don’t want to do it.

This is what I want to avoid–getting too many projects going at any one time (& not finishing any of them). It would be awesome if I can get to next November and have what NaNoWriMo promises: a finished 1st Draft of a novel (and other projects). Once there’s a 1st draft, then 1) I’m invested and am much more likely to see the project to the end and 2) it is far easier to critique a product rather than an idea. Write now, all my longer projects have been just “ideas,” and you can’t critique ideas because you can always change it to make better–to match your vision.

So, to sum up, my goal for this NaNoWriMo is to, instead of using it as month for novel (and other longer writing projects), it is a time to “plan” out those projects and set those plans down on paper and to use the next 12 months, until next November to get those 50,000 words written.

So this is MY 2019 NaNoWriMo Challenge: 1) Rough Draft of Novel “Ship of Shadows,” 2) Rough Draft of Graphic Novel “Ship of Shadows,” and 3) Rough Draft of Screenplay of “Ship of Shadows.” If, at the end of the month, I’m able to get these done, then I’ll report back on the progress. If you never hear anything else about this until next year, then you’ll know that I didn’t get it done.

Hey, at least I’m honest! 😉

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

Game Day: The Confluence of Gaming and Writing

Man typing outside at a table with his laptop, coffee, plant, water, and writing journal
Image Source: https://medium.com/read-watch-write-repeat/pursue-your-writing-projects-on-the-weekend-6fcee00848dc

Fall is here and I’m back. I’m in the midst of a flurry of last minute reading for my test on Friday. I don’t really feel all that confident about it, but it is what it is. I wish that I had perfect recall–at least on names. I really want to mention theorists and scholars as a lot of the test depends on “name dropping,” but, except for the biggest names in the field, most names are gone the moment I close/put down the book. Sigh.

Anyway, I’m back after a nearly two week drought. It isn’t that I haven’t wanted to write, but between grading and reading, I just don’t seem to find an hour in the day anymore to write. However, I get discourage when my favorite YouTubers don’t post on time, or go long periods without putting up new videos, and here I am, doing the same. So, not to be hypocritical, I thought I’d take a quick “study break” and dash out a blog post before reading some more and then going to bed.

Saturday is “Game Day”

So, Americans will get this pun as, I feel, will a lot of Europeans. In both countries, Saturday is a prime “sports day.” For Americans, at this time of year, it is “college football,” which is American football played among various university teams in which there are long-standing rivalries. In Europe, a lot of “football” matches (soccer) takes place, again with long-standing rivalries.

However, for me, Saturdays are my primary “gaming” days. Friday evenings are usually too draining, so I don’t usually start my gaming until Saturdays. While I use to bounce from game to game, what I’ve been doing these past couple of years is really investing in one game every week and really digging into it and making myself a “master” at the game (Assassin’s Creed Origins, Tom Clancy’s Ghost Recon Wildlands, and Gravel are all games in which I earned the maximum achievement for–the Platinum Trophy–in terms of achievement.

My “backlog” of games to be finished, however, continues to grow, so much so that I’ve come to despair of ever finishing them all before the next “generation” of consoles (i.e., the PS5) arrives Holiday 2020. Recently, however, I found myself switching between two games (God of War and Rise of the Tomb Raider, 20th Anniversary Edition) on a biweekly basis–one week I play GoW and the next week I play RotTR. One game is a Physical game and the other is a Digital Game. When I finish either of these two games, my plan is to simply pick another in the respective genre and start playing. In this manner, I hope to bring my “backlog” down to a reasonable size.

Saturday Morning = Needs to be “Writing Game Day”

My goal is to get to where I can do the same on Saturdays for my writing. Usually Saturday mornings are when I’m just starting to recover from the week, and while I don’t feel fully creative (that’s actually Saturday evenings when I’m usually watching a movie), I do feel much more more creative.

While I can “write” during that time (draft), what I’d like to be able to do is to work on Rough Drafts during that time. I feel that I can probably write (draft) on the current story that I’m working on during the week by creating scenic “milestones” to get to for that week. However, like my gaming, I’d like to have a second project in the wings that I could write out (longhand with a pen/pencil) every weekend and then when I finish the “weekday” draft, I’d move the weekend draft to that spot, start writing (drafting) it, and then move in new Rough Draft during the weekend spot.

I wanted to start that this previous weekend, but was enamored with “cleaning,” that I, of course, procrastinated until it was too late. I’m going to try it again this upcoming weekend and I hope by putting it up on the blog, I will be able to hold myself accountable for actually getting it done. I’m pretty sure two projects in writing, just like gaming, is probably going to be my limit, but, just like gaming, my goal is to shrink my “backlog” of games and writing projects down and get them finished, so any strategy that I find that I can use to do that successfully is one that I plan to implement (& hopefully use it to thrive as a writer).

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

Finished Rough Draft for Project Star

the-sun
Image Source: https://www.pulseheadlines.com/stars-including-sun-born-pairs/64267/

Yay!  I finally finished something!  Last week I managed to finish the rough draft for Project Star, a Science Fiction project that has been in the back of my mind for quite a while.  Even though it isn’t ready for me to show anyone (the main character doesn’t even have a NAME yet), it still feels good to get all of the plot down on paper.

Character Over Plot

Now, I’m a HUGE plot guy, but as I reread The Belgariad and The Mallorean to keep myself sane with all the work that I have to do, I find that now that I know the story so well, I’m skipping over the plot elements and just focusing on the character elements and reliving (vicariously) through the characters the same type of fun serious-comedic dynamic that I used to have with my family before they passed away.  The point I’m trying to make is that even though I read it at first for the story (characters and plot), I keep coming back to it over and over again for the characters.  I knew this instinctively, but I figured my characters were strong enough to overcome my tendency to focus on plot over characters, but that’s not the case.

Balance in the Force

Today, I stumbled across this YouTube video that describes one writer’s preference for characters over plot (I’m adding it at the end of this entry).  While I think that he may push the needle too far in the characters camp, I still found his argument compelling.  I think I’d like to use his ideas to “balance” my writing.  By trying to get the Rough Draft done and focusing on plot, I think now it is time to stop, reflect on the character, and really dig in and give the character a history, some motivation, traits, and a real personality.

Oh, yes, and a name would be nice as well. 😉

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #2, Currently on Script Page 30)

Submitting Drafts Too Soon?

Terry Pratchett_First Draft_Pinterest
“The first draft is just you telling yourself the story.” Terry Pratchett (Freedom With Writing).  Image Source: Pinterest

  • Project Paradise Word Count: 357 (+244)
  • Project Skye Word Count: 1084 
  • Project Independence Word Count: 1723 
  • Project Ship of Shadows Graphic Novel Page Count: 12 

I came within 6 words of my Daily 250 word count, so I feel like this was a successful writing day.  I would have liked to have gotten to 250 words, but the place where I stopped seemed like a natural “break” in the flow of the story.

Am I Submitting Drafts too Soon?

So, working on Project Skye has been an eye-opening experience.  I’ve discovered some interesting things about my drafting process as a fiction writer.  One of the things I’ve discovered is that I need to “Tell, Don’t Show” first.  I need to tell myself the story first before I try to show it to the audience.  The second thing is that I may be submitting drafts one or maybe even two/three versions too early, and this may have to do with the terminology that I use when describing where I am in the writing process.

“Working” Draft

So, after I outline and write a Rough Draft (sometimes these are separate, sometimes not–although, lately, I’ve taken to outlining using the “Story Map” handout that I’ve mentioned before in a previous blog post, and then write the Rough Draft in the Notes App on my phone) which looks a lot like a “Treatment” for a Hollywood script.  I let that sit for a week or more and then start on the next draft, the “Working” Draft.

To me, “Working” implies that it is a “Work-in-Progress” Draft of the story.  It is, as close as I can make it, the story that I see in my mind.  After the “Working” draft is finished, I compare it to the outline and the vision that I have in my head.  If I’m satisfied with it, I’ll edit it and begin submitting.  If I’m not, it will go through another “pass” to see if I can improve on it.

“Intermediate” Draft

This process did not work with Project Skye.  What I’ve done is created “Intermediate” drafts along the way with each successive draft getting closer and closer to the story/vision in my head.  Unlike, 99% of my stories so far, I’m only on the first major scene, and already I think I’m going to need at least one more major pass at it to get it right.  I’m doing a lot of world-building and characterization in this draft, but other techniques like building excitement by starting the story In Media Res (“in the middle of things”) and cutting of extraneous details that need, but that the audience doesn’t won’t be addressed in this draft (although I have ideas on how I might accomplish these things in the next draft).

However, normally when I finished the draft that I’m on right now for Project Skye, it would go out to various markets, so I’m wondering, if I haven’t been simply submitting my stories too early in the process by not thinking of these drafts as “intermediary” steps to getting to a more “dramatic” story that does what all good writing should do: “show, don’t tell.

Food for thought for me on this Wednesday afternoon.  Happy writing and reading!

Sidney




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I earn a small commission on the purchase of these items.

 

Drafting up a Skye (Project Skye)

Futuristic_AirRace_Pinterst
Two Air Racers, Image Source: Pinterest.com

So in the last blog post, I talked about planning a story for January.  In this blog post, I’m going to talk about drafting (aka writing) a story.  The story that I’m writing for January 2018 is Project Skye (the short story).

Short Story as Character Sketch
I’m writing this story as a way to examine Skye’s character.  I was tasked to come up with a character sketch for Skye by the MTSU Writing Center as I struggled to try to create a novel this past semester.  I struggled to do the character sketch because all my choices seemed arbitrary.  So, I decided to write a story which puts Skye into jeopardy to see how she would react–to reveal her character through action.

Not as Easy as it Sounds
This sounds easy–I wrote a brief one sentence outline of everything that I wanted in the story.  I wrote a beginning, middle, and end for the story.  I wrote a 1 sentence brief outline of the scenes (3 scenes) in the beginning, middle, and end.  I’m about halfway done, but I’m having problems working on it because 1) I now realize the setting actually needs to be changed (this is happening in their aircraft when it should be in “hovercars,” 2) this was to be a “prologue” event to show how they know each other (there needs to be a different prologue event and this needs to happen later in the novel’s timeline), and 3) The first section is waaaayyyy longer than I’d intended it to be (by about double–I feel like I need that length, but it is making the rest of the story unbalanced by comparison).  Basically, I can see all the flaws that I want to go back and fix (i.e., start over).  I’m going to try to trudge to the end, but when I’m not happy with the results of my writing, it is very difficult to finish.

Knowing When its “Right”
When HawkeMoon was “finished,” I knew that it was “right.”  The same is true with Silence Will Fall (although I knew at the time that I’d written away from the ending I had in mind–so that’s why I had to rewrite the ending last year–to bring it more in line with the original ending that I’d dreamed about with that story).  However, I’m not even finished with Project Skye and I know it isn’t right.  I’m going to need at least one more draft to get it where I think it needs to be.  That is the hardest part of drafting for me–having to keep going even when I know that the draft is lacking because I want to fix it immediately.  I think, because I just dove into the project, without doing what I normally do (i.e., writing a draft that is just for me–my own personal “telling” myself the story, I don’t think that I have the action as firmly in place as I should).

Lesson Learned
As I go throughout this year, planning stories, the end goal needs to be: sometime during the last week of the month I need to write out a Rough Draft in which I “Tell, Don’t Show.”  This draft is For My Eyes Only and will aid me when the time comes to turn my story into a draft for the audience where I then “Show, Don’t Tell.”  If I don’t do a “Rough Draft,” then I’m going to have to spend even more time “fixing it” with another draft later on down the line.

Sidney
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“Don’t Be a ‘Writer.’ Be Writing”

dontbeawriterbewriting_pinterest
Image of Typewriter and the quote Don’t be a writer.  Be Writing by William Faulkner, Image Source: Pinterest

This quote from William Faulkner is as close to a New Year’s Resolution as I will allow myself for this year.  I’ve tried too hard to be a “writer.”  I need to just write.  I need to plan what I want to write (for me that generally means character sketches and plot outlines, along with world building) and I need to revise what I write (getting it in good enough shape to submit and making adjustments as necessary).  But most importantly I need to just write (to draft project after project regardless of whether I’m selling the projects or not).

Planning to Write
I’m working on planning at least one project to write every month.  If I finish planning a project early, then I will pull out another project and plan it, but every month I plan to have at least one project done (so I should have 12 new projects ready by the end of 2018).  This is both attainable (hopefully given school work) and measurable (I report back at the end of the year to see how closely I matched this goal).  I created a Planning Checklist in Numbers (Apple’s answer to Excel) to track the days that I can actually work on planning and on the days I do, I simply place a checkmark beside it to give visual feedback on how well I’m doing.  Thanks to my illness, I only got to work on planning 2 days last week.

Writing
This is where the rubber meets the road.  This where I actually sit down and draft out a story, trying to adhere to all the story conventions (Character, plot, dialogue, setting, beginning, middle, end, exposition, rising action, climax, resolution, etc.).  I intend to create a checklist for this process as well to help give me visual feedback on how well I’m doing.  Thanks to my illness last week, I didn’t get any drafting done last week, although I did draft 5 days consecutively the week before Christmas.  The same thing applies: every month I’m drafting 1 project, so that at the end of the year I should have at least 12 projects written.  I want to be a little “harder” on myself on this step as it is doable.  Just pull the internet connection on the laptop and write until the battery drains (which in the case of my late 2008 Macbook Pro is only about 45-50 minutes), so this is where Faulkner’s quote comes in: don’t be a ‘writer’ Be writing.  This is where I really want to show growth/improvement in the coming year–(again, based on schoolwork).

Revision
While I understand the market isn’t perfect and I’m not the flavor of the month, I still want to publish my work.  To that end, like the other two steps, I want to try to revise at least 1 project every month and put it out on the market.  I plan to follow the same “mold” as the other two steps in creating a checklist to help give me visual feedback on the days I worked on the project.  I worked 1 day on HawkeMoon last week due to the illness.  I want to submit it to an anthology that has a deadline of Feb. 1st, 2018.  I intend to enlist aid from either another grad. student or the Writing Center to help get the story where I want it for this market.  I intend to write an Author’s Note for it as well as to write a more in-depth Revision Note section on what I want to revise and why and try to solicit feedback on how to achieve this goal.  As I type these words, I just got an email from a market that Silence Will Fall made it to the second stage (the “maybes” pile) at a market–so there’s hope still that some markets do, in fact, like what I write.

Well, that’s all for now–while I might not touch on this monthly (although I might give periodic updates, I’m not sure yet), I will try to revisit this in an end-of-year post to see how well I’ve done.  All of this is dependent on school/classwork which is the great unknown in this endeavor, but hopefully I can find 45 minutes somewhere in my day to not be a writer, but to be writing.

Sidney



Everyday Writer

Man Working Laptop Connecting Networking Concept
Man writing on a laptop, Image Source: LinkedIn.com

So (hopefully today won’t jinx it), but everyday this week I’ve sat down and wrote.  I know, I know, from a writer that’s not much news, but for me, a person who usually writes in “spurts,” it’s a big deal.

Hobby Writer vs Professional Writer
I don’t really know if writing everyday is the best for me, but in this case it is a matter of expediency.  I have approximately 3 weeks before school resumes and I promised to have the short story for Project Skye done upon returning for school.  Once the holidays hit, my time (like most) will be restricted to family activities, so it is imperative that I carve out some time to simply write on the story everyday in order to finish it.

When Life Gives You Lemons, Make Lemonade
I’ve used this quote as the title to a blog post, but I’m using is again as inspiration to actually getting the writing done.  My computer is old–it was top of the line when I bought it, but it is old now and really needs to be replaced.  However, it still functions (mostly) and I usually don’t like replacing something until if finally breaks.  So my laptop battery, like many laptops, has decided it really doesn’t want to hold a charge anymore so that when I take it off its charging cord, it has about 45 mins of power before it needs to be recharged again.  That’s the window of time I’m using to write.  I simply disconnect, write until my computer warns me that it is about to go to “sleep” due to lack of power, then reconnect it back to the charger.  Simple.  Easy.  Effective.  No internet because the WiFi adapter is “borked,” no real time to do any other processor intensive tasks like Keynote or searching for files, just the time I have remaining on the battery sensor vs. me getting the words down.

Weekday Drafter vs Weekend Writer
So, all I’ve done this week is draft, that is put words on the page.  I have several projects that are already finished that I need to revise, however.  I’m experimenting with doing that on the weekends.  If it works out during this Winter Break, I will work to continue it during the upcoming semester.  If nothing else, I’d like to become a more productive “Hobby” writer and finish more of the projects that I swirling around in my head.  By revising and making my stories better on the weekend, including submitting them, and just using the weekdays to draft whatever I’m currently working on, I hope to increase my productivity, at the very least.

 

Back to Basics Writing Approach

Back-to-Basics_Searchalive365
Back to Basics written on a chalkboard, Image Source: Comealive365.com

Sorry that I’ve been away from blogging for a while, but between grading, students’ presentations, my own Final Exams and related schoolwork, I’ve been too overworked to get much in the way of writing (for this blog or for myself) done.  However, I realize after getting a particularly “hard” rejection letter that I’m probably never going to be much more than a “hobby” writer despite my best efforts.  I like different things than what editors and audiences want apparently (as seemingly confirmed by the Rejection Letter that found its way into my inbox not more than 5 minutes ago).  What I like are heroes and what’s popular are villains who masquerade as heroes, so with two different competing philosophies, the one who controls the “gate” (aka the “gatekeepers”) win.  So be it.  Since it looks like I’m not going to be doing this for the “money” and only for the “love,” I intend to do this my way.  Rereading a book on writing and the writing process as I brainstormed how I would set up my next class, I came across a simple statement of the writing process that I’m going to adhere to: research, prewriting, drafting, and revision.

Research
Most of the time, I’m inspired to write something based on something external, so I do research, but I don’t really make it a formal step.  For instance, All Tomorrow’s Children was inspired by a Special Report on Sky News about Jihadi Brides.  However, rather than have a formal “research” period, I took the idea and started writing.  I think now I’m going to actually take a period of time (a week, two, whatever is necessary) and find out all I can about that topic.

Prewriting
I generally start here with an outline.  I think the outline comes too soon.  I think here is where I need character traits, motivations, etc.  Once I nail this down, then I think my outline will work better.  There’s nothing wrong so much with my plots (to me), but I think my characters leave a lot to be desired.  I feel that the characterizations are consistent and adequately explained, but the rejections notices would say otherwise.

Drafting
Here I think I’m pretty good, although I’ll look for places to get better.  I can write a rough draft in a day or two usually, and (when school isn’t too rough), I can write a submission draft in a couple of weeks to a month.  Drafting isn’t really a problem, except when life comes pounding at my door, demanding that I do X, Y, and Z all in one day or the entire world will explode–that’s when I don’t do drafting well (as this past Finals Week has illustrated).

Revision
Again, I feel I’m pretty good here too, although I feel that I have work to do.  I usually only revise or change when I feel it is necessary, but I’m trying to be more receptive to feedback that I get back from editors.  There’s a danger in listening to someone who’s rejecting your story as they don’t have a vested interest in seeing it succeed (as opposed to someone who offers to publish it if it is revised.  However, I’m trying to submit to markets who seem to give good feedback (say, Cosmic Landscapes) as opposed to markets whose comments have been “nitpicky.”  I think this is where going to the Writing Center and running it by a Consultant that I trust is also helpful–it helps me see it with an objective eye, something I can’t do no matter how much time passes between my writing it and my revising it.

 

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