Day One

Day One of Writing

So, there’s this new YouTube channel that I recently discovered called Film Courage and it has interviews with screenwriters, producers, and actors and is basically a channel dedicated to helping beginners break into the the movie and television industry. It features advice in the form of long-form interviews with these individuals, but it understands that most people don’t have an hour/hour and a half to watch the entirety of the interview and breaks them out into smaller, more manageable 10-15 “chunks” that talk about 1 or 2 specific elements of the craft.

I recently found one that was especially impactful called “Day One of Writing a New Screenplay.”  I’ve linked it below if you want to check it out, but basically the screenwriter tells how he gets started on new project and how he budgets his time to get the project done, and his advice for ending so that you’re ready to work on it the next day.

 

Walking the Walk

What I love about this video interview by Mark Sanderson is that he is super professional in his approach and much of his advice deals with both professionalism (i.e., sticking to a schedule) and working from an outline (still being creative even though he has a general idea of where he’s going.  I also liked the way he creates strategies to help him become and stay creative.

I started Project Independence on Wednesday night.  I tried to work on Project Paradise Thursday night and try to hopscotch between the two, but I’m probably not going to be able to do that (435 words on Project Independence and only 31 words for Project Paradise).  I’m probably just going to have to pick one “weekday” project that I work on through the week and one “weekend” project (right now, probably my Ship of Shadows graphic novel).  I’m going to try to work on 1 “script” page this weekend.  Again,  as I’m only shooting for 250 words a day, I need to figure out what it means if I blew through that goal for one project and didn’t even come close to meeting the goal for another.  Does it mean I’m more interested and ready to write one vs. other and should stick with the one I’m seemingly invested in until I finish?  Or is it that I was just enervated one day, where I was exhausted the next?  Not quite sure.

“Bottom Line is: ‘You Have to Write and Stick to a Schedule'”

I’m trying to take his advice and try to fit it into my life because the “daily schedule” is one I’m still trying to conquer.  I don’t know how many artists I’ve lost for my graphic novel projects (four (4) is my current count although it may be more) because I couldn’t produce work fast enough because I wasn’t able to keep to a daily writing schedule and let work and school interfere with writing.  I’m not really a fast writer–I only type about 35-40 words per minute, which is fairly good, but isn’t amazing, but I often slow down when writing because I’m trying to think of the words that I need to describe the action I see in my mind.

I’m not sure what I’ll try to write tonight, but whatever it is, at least I’ll put my behind in my seat and, as the man said, “write and stick to a schedule.”

Sidney




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Writing a new Screenplay

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The Black List Logo (Find Screenplays. Get Found.) http://blcklst.com Image Source: linkedin

I “accidentally” started a screenplay on Saturday night.  I say accidentally because I wasn’t planning on it.  However, a scene came to mind that seemed to be both a cool action scene at once as well as a way to visually tell the backstory of the character.  I’ve only started the scene, but I wanted to fix the image in my mind on paper before it got away.  I wrote several paragraphs and then went back and outlined what happens in that scene.  When I get through writing it, I’m hopeful that it will be completely self-contained with no dialogue from either the main character or any other characters.  It should be 3-5 minutes (pages) long, but in that time you should know who the protagonist is and why he is doing what he is doing.

This is for a project that I’ve already published a short-story for and this is part of that “working smarter, not harder” paradigm that I’ve been trying for since spring of this year.  This is the 2nd script that I’ve attempted–I finished my first script (FREEFALLING–a short script of about 6-8 pages).  That one also did not have any dialogue, but it does have a beginning, middle, and end.  I was going to put it on a website that features short scripts called The Black List, but balked as you’d have to join the Writer’s Guild of America.  Registration is cheap, but I don’t like being forced into things (if you can’t tell from my other blog posts). However, most agents won’t look at anything less than a feature length script, so if I want exposure for FREEFALLING, The Black List is my only real option.

I haven’t decided how long this new script will be.  If it turns out to be a feature length script (120 pages), then I’ll send it out to agents, but if it is a shorter script, then I’ll put it on the Black List and see what happens.  While it wasn’t what I was intending to write over the weekend (I have both school assignments and a Graphic novel script that I needed to work on), it was what demanded to be written at that moment.  I really hope something good comes out of it!