Cosmic Roots and Eldritch Shores Submission Period Begins — I’m Planning on Submitting

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Submissions Open

So, later this week, the submissions open for Cosmic Roots and Eldritch Shores, an online magazine that I’ve submitted to in the past.  My very first submission was one that the editors wanted me to revise and resubmit.  While I wasn’t adverse to do that, some of the suggestions that were made to make the story better, while well-meaning, seemed to take the story in a different direction than what I envisioned, so I didn’t actually make the edits.  I’ve submitter 2 or 3 other stories, but they’ve pretty much declined all my other stories.  However, since they are going to open, I need to resubscribe to Duotrope (I’ve let my subscription lapse) and see what stories I haven’t submitted and try one of them.

Getting Back on the Wagon

I’ve submitted perhaps 1 or 2 stories in the past six months.  One the thing about the drafting process is that I’m slow at it.  Right now, I’m just on the 2nd Draft for The Independent so that one won’t be ready in time.  I still have the 1st Draft of Project Skye and I’m just now working on the 1st Draft of Project Star, so, again, these will not be ready in time, so I’ll have to go with work that I’ve already completed (which I don’t think is my best).  Still, while there’s very little chance that the stories I send in will be taken, there is 0% chance they’ll be taken if I don’t submit, so I’m going to have to get back on the wagon and get back to submitting, even if I’m not confident in the story’s chances.

Writing With Confidence (or, Fake it Until You Make It)

Technically, I HAVE made it as I’m published and received money for my works.  There are so many writers who don’t make it that far.  However, I’ve not yet reached my own personal goal of full time writing/novelist.  I get 2-3 publications in a year and then spend another 2-3 years waiting on the next “set” of publications.  No one can build a career that way.  However, not submitting is a SURE-FIRE way of NOT getting my writing career off the ground.  So, regardless of what I think of the quality of my stories, until I have a better idea to revise it, I need to make sure that I have a story out at all times.  In my case, fake it until you make it again.  Hopefully, next week I can update you on which story I sent out.  Have a great day!

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

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Writing It All: Roughing It, Writing It, Revising It, Submitting It

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The Writing Process. Image Source: Teachers Pay Teachers – https://www.teacherspayteachers.com/Product/Circular-Writing-Process-Chart-3304077

 

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 17 (+1)
  • Whale Song Revision (Fantasy Short Story) (2nd Draft) (Researched Article, No Writing so far)

Goal = 5 Pages a week.
Actual = 1/5 Pages done so far this week. I added a page to the 1st issue last night.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    Traveller RPG: FINISHED!
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 3 today and I’m at the beginning of Chapter 4 (this book has 10 chapters).
    Here is a summary from Amazon: “In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.”
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Writing It All

This year is all about trying different things to jump-start my writing career. Yes, I said career, as I would like to grow myself to become a novelist in addition to a scholar, but right now, one thing at a time.  I realize that I simply don’t have the time (at the moment) to devote all my energies and resources to writing, but I’m really good at focused work on 1 project at a time. My goal then is to rough draft a story, write a story, edit a story, and submit a story once per month (1 X 12).  I’ve come to the realization that I’m slow in terms of writing speed and the level of detail that I want in my writing takes time. Even these blog entries take a while to develop–the writing/drafting isn’t bad, but “tagging” it, slotting in categories, finding an image, sometimes linking to YouTube or Amazon, and well, I can sometimes spend an hour to hour and a half creating one blog post.

Roughing It

For me, this is probably the easiest part of the writing process. I can come up with tons of amazing ideas. Two Saturdays ago, I came up with 4 separate ideas that could become projects later on down the line (of course, I only wrote down 1 of these, so the other 3 still exist in the nebulous realm of my mind taking up space and brain power–note to self: need to jot them down , put them on paper, and out of my mind’s eye). My goal is to formally “rough draft” a project monthly which means that I simply write down a (possible) beginning, middle, and end for a project that month.

Drafting It

This is where my focus has been for most of the Spring and Summer. I’ve really concentrated hard on trying to get WORDS ON A PAGE. I’ve worked diligently on this and have completed 2 First Drafts and I’m working on the script of a graphic novel (1st issue in comic book terms). I’m working on getting it more consistent by doing it “daily.”  Right now, I write for four days a week (M-Th) and I try for 250 words in a session = 1000 weekly.  Now 600 words is about where I top out at in one session, so my goal is to try to slowly increase over my time in grad school to 500 words and maybe boost that to 5-6 days a week, but that’s an aspirational goal–I’m not there yet.

Revising It (“Re-visioning”)

This one is where I’m really up to snuff yet. I’ve done some preliminary research on a story that I’ve wanted to rewrite for while (every since I received feedback on it at MTSU’s Writing Center), but I haven’t had the time in the past two weeks due to the large paper that I had to write. I find myself wondering if it is even worth “saving” or if it is beyond hope and to put it away as a learning exercise and move on to revising a different story?

Submitting It

This too has been a weak area for me. Now that I understand that I’ve probably been submitting my stories too soon in the writing process, I’ve decided to slow down in my submissions. I currently have 0 stories out at the moment. This is probably too harsh. The way I’m presently writing, this is going to take me months to create a story with the level of polish that I hope (keyword = hope) will make me 1000% more competitive in the writing market while other stories that I’ve written will languish until I can get to them. I need to find one place a month and just submit a story that I feel good about and that matches the guidelines of the market. If I submit more than one, great, but you can’t be a published writer if you never send anything out to publishers.

Well, that’s all that I wanted to highlight today: showing some of places where I’m strong in the writing process and some places that need work.  Reflecting minds want to know how well they’re doing and what strategies that they can use to improve and if there’s anything that I love reflecting on, its the writing process.

Have a good day

Sidney




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I earn a small commission on the purchase of these items.

Submitting Drafts Too Soon?

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“The first draft is just you telling yourself the story.” Terry Pratchett (Freedom With Writing).  Image Source: Pinterest

  • Project Paradise Word Count: 357 (+244)
  • Project Skye Word Count: 1084 
  • Project Independence Word Count: 1723 
  • Project Ship of Shadows Graphic Novel Page Count: 12 

I came within 6 words of my Daily 250 word count, so I feel like this was a successful writing day.  I would have liked to have gotten to 250 words, but the place where I stopped seemed like a natural “break” in the flow of the story.

Am I Submitting Drafts too Soon?

So, working on Project Skye has been an eye-opening experience.  I’ve discovered some interesting things about my drafting process as a fiction writer.  One of the things I’ve discovered is that I need to “Tell, Don’t Show” first.  I need to tell myself the story first before I try to show it to the audience.  The second thing is that I may be submitting drafts one or maybe even two/three versions too early, and this may have to do with the terminology that I use when describing where I am in the writing process.

“Working” Draft

So, after I outline and write a Rough Draft (sometimes these are separate, sometimes not–although, lately, I’ve taken to outlining using the “Story Map” handout that I’ve mentioned before in a previous blog post, and then write the Rough Draft in the Notes App on my phone) which looks a lot like a “Treatment” for a Hollywood script.  I let that sit for a week or more and then start on the next draft, the “Working” Draft.

To me, “Working” implies that it is a “Work-in-Progress” Draft of the story.  It is, as close as I can make it, the story that I see in my mind.  After the “Working” draft is finished, I compare it to the outline and the vision that I have in my head.  If I’m satisfied with it, I’ll edit it and begin submitting.  If I’m not, it will go through another “pass” to see if I can improve on it.

“Intermediate” Draft

This process did not work with Project Skye.  What I’ve done is created “Intermediate” drafts along the way with each successive draft getting closer and closer to the story/vision in my head.  Unlike, 99% of my stories so far, I’m only on the first major scene, and already I think I’m going to need at least one more major pass at it to get it right.  I’m doing a lot of world-building and characterization in this draft, but other techniques like building excitement by starting the story In Media Res (“in the middle of things”) and cutting of extraneous details that need, but that the audience doesn’t won’t be addressed in this draft (although I have ideas on how I might accomplish these things in the next draft).

However, normally when I finished the draft that I’m on right now for Project Skye, it would go out to various markets, so I’m wondering, if I haven’t been simply submitting my stories too early in the process by not thinking of these drafts as “intermediary” steps to getting to a more “dramatic” story that does what all good writing should do: “show, don’t tell.

Food for thought for me on this Wednesday afternoon.  Happy writing and reading!

Sidney




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I earn a small commission on the purchase of these items.

 

Submissions Every Day This Week (So Far)

So, I just wanted to let you know that I’ve submitted a story every day this week.  This is sort of just an update post of sorts.  I won’t belabor this post, nor name the markets, but I did want to let readers now that I’m giving it my all after the depressing defeat last week of both my stories that were shortlisted being rejected.

Citizen X

I just sent my story Citizen X  out to a market today.  I’m sure it has 0% chance of getting in the magazine, but I wanted to send it today as today is their last day for allowing submissions for this reading period.  As they have 4 periods a year, I want to try to make sure that I submit each period even when I’m pretty sure that they won’t use the story.  Still, what is the old “saw” for people who play the lottery: “you can’t win if you don’t play.”

HawkeMoon

I submitted HawkeMoon to an anthology that had a theme.  The story matched very well with the actual anthology, but I’m not sure how much it matched the theme of the anthology.  I think that it might work for the theme of “Shards” and I revised it a bit to make that idea more explicit, but I’m really not sure its going to work for them.  They did, however, push their date back from Feb. 1st to March 1st, so I wanted to be sure to get the story to them and let them make the ultimate decision.  We’ll see.  Depending on how well they think that I interpreted their theme, this probably has the best chance of all of the ones I’ve submitted so far (of course, if they don’t think I hit the theme, it will probably be the exact opposite–oh well, we’ll see)

Dragonhawk

Dragonhawk has already been published by Tales of the Talisman and you can find it on Amazon if you’re curious.  However, there are several podcasts that are looking for stories (preferably reprints) that they can have narrators read as part of their podcasts.  There is a Fantasy version, Sci-Fi version and YA Fantasy/Sci-Fi version.  I sent this to the YA one, but it didn’t work, but I was determined to submit it to the Fantasy version when it reopened.  I’m determined that every story that I do that gets published will go to these podcasts for consideration.  I’ve not had much luck with the reprint market unlike other writers, but I like and listen to podcasts, so I’d love to have my work featured.

Silence Will Fall

So, Silence Will Fall just went to the same market that shortlisted Citizen X.  I’ve had some success with this market, but it isn’t a given (as one can see by their rejection of CX).  I really like SWF (I like all my stories, but of the recent ones, this is probably one of my favs) and I hope they take it, but the movie that I blogged about recently may hinder it from getting sold, but I’m going to do my best.  We’ll see and I’ll keep you all updated on this (and all the projects) that are being submitted and in the works.

See you next time!

Sidney




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I earn a small commission on the purchase of these items.

And Then There Were None

rejection_Lyn Fairchild Hawks

So, originally, this post was supposed to be entitled, “And Then There was One,” but I’ve heard back from the final publisher who had a story in consideration (“Silence Will Fall“) and by the image, you can pretty much see what the result was for the story.  I wasn’t really going to cover this in any great detail–just mention it along with the other rejections and move on with a generalized post on rejections–but there was a development over the time that I sent this story in and it was rejected.

A Quiet Place

So, in between the time that I submitted Silence Will Fall (SWF) the trailer for a new horror movie debuted called A Quiet Place.  While I had no idea that it was in development, nor did I even know about it until the trailer was released, it (coincidentally) shares many of the aspects that SWF has in it: 1) the idea that one must be super-quiet in order to be avoid being hunted, 1) the idea that noise attracts the “hunters” 3) both even features the characters using sign language, for Pete’s sake (although I assume that’s a natural outgrowth as I–and I assume, the filmmakers–both reasonably extrapolated that human communication would still need to happen and the only reasonably detailed system that works reliably would be some sort of sign language).  Now, the trailers don’t show the enemy, but they appear humanoid from the snatches of images that you get to see, while mine are completely and utterly alien in construction.  Still, I have a feeling that this trailer pretty much sank the chances of my story and I’ll detail why in a moment.  For now, here’s the trailer:

Brandon Sanderson’s Law

So, this is probably more a truism than an actual law, but as Brandon Sanderson articulated in Book 1 of his Stormlight Archives series, The Way of Kings, people don’t value originality and distinctness, so much as they do timeliness.  If two people invent something at roughly the same time, people valorize and praise the first and denigrate the second, considering it an also-ran.  History is replete with examples from the scientific community where scientists, working (unknowingly) on similar projects, papers, and discoveries have published their work/findings mere days apart and in pretty much every case, the glory of the find went to the first, even if the second was a more detailed or better formulation.  It also occurs in sports, in art, in pretty much every human endeavor–we valorize the first, regardless as to if it is the best.  I’m even doing here, as Sanderson was the first articulation I’d heard of this idea, and even though I already knew it implicitly, since he was the first one to say it explicitly, I’m naming it after him (for my purposes, at least–hence, Sanderson’s Law).

Silence Will Fall vs. A Quiet Place

Unfortunately, I feel that SWF probably fell victim to Sanderson’s Law and will continue to fall under its sway.  I didn’t “copy” A Quiet Place as SWF was from a dream–one where I can still see the final image in my mind’s eye even as I type these words.  While I’m pretty caught up (I feel) on Pop. Culture, I had no idea this movie even existed until the first trailer hit–and then my heart sank a little.  Of course, I can’t prove that the rejection was influenced by this, but I’m sure that if the editor(s) saw the trailer (and being that they are a Sci-Fi/Fantasy/Horror publication, it is likely that they did), it certainly didn’t help.

Will I continue to submit the story and hope for a publication, knowing that Sanderson’s Law is in effect?  Yes–but what else can I do?  It represents countless hours of story planning, drafting, revising, and editing, in addition to the time spent in the Writing Center and from my “Alpha Readers” getting feedback on it.  I can’t just abandon it to sit in a drawer somewhere for fifteen years or twenty years until people “forget” about A Quiet Place.  In this era of divergent and multitudinous options for content and content delivery, there has to come a time when more stories, even if they are similar, are accepted and published without regard to other media available.  One wonders how one ever become popular and mainstream if the “gatekeepers” never actually open up the gates?

Sidney



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I earn a small commission on the purchase of these items.

Submissions: An Introspection

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Pen and Writer, Image Source: Shut Up and Write

Okay, I finally think that I have a system together to deal with submissions effectively.  It has taken me close to a year and half to develop this system so that it is effective (for me, at least), but I have refined and refined it over the past year and a half so that now I spend less time stressing over rejections and more time getting the work out and into the hands of markets.  I try my best to ascertain whether my story is appropriate for the market based on their guidelines and the stories that are on their websites/in the journals and/or magazines, but at the end of the day it is still a crapshoot as my taste in fiction apparently runs counter to “modern” (I would say, more nihilistic) sensibilities.  As a LibraryDella, a reader of this blog and librarian who has read my work, would tell you, some of my stories don’t end happily.  But, for the most part they do–LibraryDella just happened to read and respond to the batch that didn’t (sorry about that , LibraryDella! :)).  Anyway, today I wanted to talk about a little bit more about submissions to markets and my submission process.

Trailblazing New Markets
So, I use Duotrope to find new markets and to track the temporary opening and closing of submission periods throughout short fiction market (and novels once I start writing & submitting them).  Duotrope charges a yearly subscription, but I find that their service allows me to better track other submission opportunities (like anthologies, for instance) to help me publish more widely.  Their are other places to find markets–The Submissions Grinder–comes quickly to mind that are free, so please don’t feel that this post is an advertisement for Duotrope.  I just happen to like Duotrope’s layout, tracking services, etc., and it works best for my workflow.  I use Duotrope’s weekly newsletters to find out about new markets and opportunities for my stories.  From there, I try to figure out which markets my stories would be best suited to which markets and then submit.

8.88%
Currently, thanks to my Acceptances earlier this year and late last year, my Acceptance ratio is 8.88% (and Duotrope notes that this is above average).  I’m not bragging–I just want to point out how hard it is to write professionally and creatively.  A major league baseball player is considered successful hitting at .250-.350 range.  A creative writer, it seems, is “successful” at a much smaller range (just below 10%) according to Duotrope, at least.  So that’s on average, 1 in every 10 submissions, or in my case (approximately, 8 Acceptances out of every 100) as for me, my Acceptances tend to come in bunches–nothing for a long time (two or three years) and then 2 or 3 Acceptances in a fairly short order.

Persistence
The key is persistence.  I’ve come close a couple of times this year (2 stories short-listed, i.e., made it to the second-round of reviews), but they just didn’t make it for publication.  I will continue to submit them until they do.  I’d hoped that they would have both found homes in their respective markets, but they only thing that I can do is continue to try and submit the stories that are finished, write news stories to start the submission process all over again, and brainstorm new stories.  I just need to keep working and submitting.

Potpourri

Just a little bit of everything (don’t worry–it’ll be bite-sized)

AMC 18 Chattanooga: Not happy.  They add a 6:15pm Imax 3D showing Spider-Man: Homecoming, but that’s all.  They seemed determined to squeeze every dollar they can out of the movie-goer in the name of profits as 6:15 is not a matinee and they don’t have to charge matinee prices, but the full Prime cost.  Looks like I’m not going to see Homecoming, after all.  AMC 18 Chattanooga may have just lost a customer as I refuse to give them anymore money just because they are a monopoly (only Imax 3D theater for popular movies in the city).  Competition (i.e., other Imax 3D theaters in the area) wouldn’t allow them to pull this type of stunt as customers would just go elsewhere.

*Note to all politicians (current and future): THIS is why monopolies are bad.  Capitalism ONLY works when there’s CHOICE in the marketplace.

174 Days and Counting: That’s how long a story of mine has been under consideration with a particular market that I’ve not submitted to before.  I personally consider 90 days to be my limit, but I recently saw where this particular market had responded to someone else’s submission in about the same time-frame (although it was an outlier), so I waited, but that has passed and still no response.  Queried them about it today.  If no response by August 1st (perhaps sooner), I’m withdrawing and moving on to the next market.  Personal comment (it is a short-story, not a novel.  It shouldn’t take half a year to make a decision on it).

The Heart of What Was Lost: Close to finishing this book. Not sure if I’m going to review it yet.  If I do, I’ll post it here or at Goodreads.com (or both).