Submitting Drafts Too Soon?

Terry Pratchett_First Draft_Pinterest

“The first draft is just you telling yourself the story.” Terry Pratchett (Freedom With Writing).  Image Source: Pinterest

  • Project Paradise Word Count: 357 (+244)
  • Project Skye Word Count: 1084 
  • Project Independence Word Count: 1723 
  • Project Ship of Shadows Graphic Novel Page Count: 12 

I came within 6 words of my Daily 250 word count, so I feel like this was a successful writing day.  I would have liked to have gotten to 250 words, but the place where I stopped seemed like a natural “break” in the flow of the story.

Am I Submitting Drafts too Soon?

So, working on Project Skye has been an eye-opening experience.  I’ve discovered some interesting things about my drafting process as a fiction writer.  One of the things I’ve discovered is that I need to “Tell, Don’t Show” first.  I need to tell myself the story first before I try to show it to the audience.  The second thing is that I may be submitting drafts one or maybe even two/three versions too early, and this may have to do with the terminology that I use when describing where I am in the writing process.

“Working” Draft

So, after I outline and write a Rough Draft (sometimes these are separate, sometimes not–although, lately, I’ve taken to outlining using the “Story Map” handout that I’ve mentioned before in a previous blog post, and then write the Rough Draft in the Notes App on my phone) which looks a lot like a “Treatment” for a Hollywood script.  I let that sit for a week or more and then start on the next draft, the “Working” Draft.

To me, “Working” implies that it is a “Work-in-Progress” Draft of the story.  It is, as close as I can make it, the story that I see in my mind.  After the “Working” draft is finished, I compare it to the outline and the vision that I have in my head.  If I’m satisfied with it, I’ll edit it and begin submitting.  If I’m not, it will go through another “pass” to see if I can improve on it.

“Intermediate” Draft

This process did not work with Project Skye.  What I’ve done is created “Intermediate” drafts along the way with each successive draft getting closer and closer to the story/vision in my head.  Unlike, 99% of my stories so far, I’m only on the first major scene, and already I think I’m going to need at least one more major pass at it to get it right.  I’m doing a lot of world-building and characterization in this draft, but other techniques like building excitement by starting the story In Media Res (“in the middle of things”) and cutting of extraneous details that need, but that the audience doesn’t won’t be addressed in this draft (although I have ideas on how I might accomplish these things in the next draft).

However, normally when I finished the draft that I’m on right now for Project Skye, it would go out to various markets, so I’m wondering, if I haven’t been simply submitting my stories too early in the process by not thinking of these drafts as “intermediary” steps to getting to a more “dramatic” story that does what all good writing should do: “show, don’t tell.

Food for thought for me on this Wednesday afternoon.  Happy writing and reading!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

 

Advertisements

Submissions Every Day This Week (So Far)

So, I just wanted to let you know that I’ve submitted a story every day this week.  This is sort of just an update post of sorts.  I won’t belabor this post, nor name the markets, but I did want to let readers now that I’m giving it my all after the depressing defeat last week of both my stories that were shortlisted being rejected.

Citizen X

I just sent my story Citizen X  out to a market today.  I’m sure it has 0% chance of getting in the magazine, but I wanted to send it today as today is their last day for allowing submissions for this reading period.  As they have 4 periods a year, I want to try to make sure that I submit each period even when I’m pretty sure that they won’t use the story.  Still, what is the old “saw” for people who play the lottery: “you can’t win if you don’t play.”

HawkeMoon

I submitted HawkeMoon to an anthology that had a theme.  The story matched very well with the actual anthology, but I’m not sure how much it matched the theme of the anthology.  I think that it might work for the theme of “Shards” and I revised it a bit to make that idea more explicit, but I’m really not sure its going to work for them.  They did, however, push their date back from Feb. 1st to March 1st, so I wanted to be sure to get the story to them and let them make the ultimate decision.  We’ll see.  Depending on how well they think that I interpreted their theme, this probably has the best chance of all of the ones I’ve submitted so far (of course, if they don’t think I hit the theme, it will probably be the exact opposite–oh well, we’ll see)

Dragonhawk

Dragonhawk has already been published by Tales of the Talisman and you can find it on Amazon if you’re curious.  However, there are several podcasts that are looking for stories (preferably reprints) that they can have narrators read as part of their podcasts.  There is a Fantasy version, Sci-Fi version and YA Fantasy/Sci-Fi version.  I sent this to the YA one, but it didn’t work, but I was determined to submit it to the Fantasy version when it reopened.  I’m determined that every story that I do that gets published will go to these podcasts for consideration.  I’ve not had much luck with the reprint market unlike other writers, but I like and listen to podcasts, so I’d love to have my work featured.

Silence Will Fall

So, Silence Will Fall just went to the same market that shortlisted Citizen X.  I’ve had some success with this market, but it isn’t a given (as one can see by their rejection of CX).  I really like SWF (I like all my stories, but of the recent ones, this is probably one of my favs) and I hope they take it, but the movie that I blogged about recently may hinder it from getting sold, but I’m going to do my best.  We’ll see and I’ll keep you all updated on this (and all the projects) that are being submitted and in the works.

See you next time!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

And Then There Were None

rejection_Lyn Fairchild Hawks

So, originally, this post was supposed to be entitled, “And Then There was One,” but I’ve heard back from the final publisher who had a story in consideration (“Silence Will Fall“) and by the image, you can pretty much see what the result was for the story.  I wasn’t really going to cover this in any great detail–just mention it along with the other rejections and move on with a generalized post on rejections–but there was a development over the time that I sent this story in and it was rejected.

A Quiet Place

So, in between the time that I submitted Silence Will Fall (SWF) the trailer for a new horror movie debuted called A Quiet Place.  While I had no idea that it was in development, nor did I even know about it until the trailer was released, it (coincidentally) shares many of the aspects that SWF has in it: 1) the idea that one must be super-quiet in order to be avoid being hunted, 1) the idea that noise attracts the “hunters” 3) both even features the characters using sign language, for Pete’s sake (although I assume that’s a natural outgrowth as I–and I assume, the filmmakers–both reasonably extrapolated that human communication would still need to happen and the only reasonably detailed system that works reliably would be some sort of sign language).  Now, the trailers don’t show the enemy, but they appear humanoid from the snatches of images that you get to see, while mine are completely and utterly alien in construction.  Still, I have a feeling that this trailer pretty much sank the chances of my story and I’ll detail why in a moment.  For now, here’s the trailer:

Brandon Sanderson’s Law

So, this is probably more a truism than an actual law, but as Brandon Sanderson articulated in Book 1 of his Stormlight Archives series, The Way of Kings, people don’t value originality and distinctness, so much as they do timeliness.  If two people invent something at roughly the same time, people valorize and praise the first and denigrate the second, considering it an also-ran.  History is replete with examples from the scientific community where scientists, working (unknowingly) on similar projects, papers, and discoveries have published their work/findings mere days apart and in pretty much every case, the glory of the find went to the first, even if the second was a more detailed or better formulation.  It also occurs in sports, in art, in pretty much every human endeavor–we valorize the first, regardless as to if it is the best.  I’m even doing here, as Sanderson was the first articulation I’d heard of this idea, and even though I already knew it implicitly, since he was the first one to say it explicitly, I’m naming it after him (for my purposes, at least–hence, Sanderson’s Law).

Silence Will Fall vs. A Quiet Place

Unfortunately, I feel that SWF probably fell victim to Sanderson’s Law and will continue to fall under its sway.  I didn’t “copy” A Quiet Place as SWF was from a dream–one where I can still see the final image in my mind’s eye even as I type these words.  While I’m pretty caught up (I feel) on Pop. Culture, I had no idea this movie even existed until the first trailer hit–and then my heart sank a little.  Of course, I can’t prove that the rejection was influenced by this, but I’m sure that if the editor(s) saw the trailer (and being that they are a Sci-Fi/Fantasy/Horror publication, it is likely that they did), it certainly didn’t help.

Will I continue to submit the story and hope for a publication, knowing that Sanderson’s Law is in effect?  Yes–but what else can I do?  It represents countless hours of story planning, drafting, revising, and editing, in addition to the time spent in the Writing Center and from my “Alpha Readers” getting feedback on it.  I can’t just abandon it to sit in a drawer somewhere for fifteen years or twenty years until people “forget” about A Quiet Place.  In this era of divergent and multitudinous options for content and content delivery, there has to come a time when more stories, even if they are similar, are accepted and published without regard to other media available.  One wonders how one ever become popular and mainstream if the “gatekeepers” never actually open up the gates?

Sidney



Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

Submissions: An Introspection

zine_guidelines_Shutupandwrite

Pen and Writer, Image Source: Shut Up and Write

Okay, I finally think that I have a system together to deal with submissions effectively.  It has taken me close to a year and half to develop this system so that it is effective (for me, at least), but I have refined and refined it over the past year and a half so that now I spend less time stressing over rejections and more time getting the work out and into the hands of markets.  I try my best to ascertain whether my story is appropriate for the market based on their guidelines and the stories that are on their websites/in the journals and/or magazines, but at the end of the day it is still a crapshoot as my taste in fiction apparently runs counter to “modern” (I would say, more nihilistic) sensibilities.  As a LibraryDella, a reader of this blog and librarian who has read my work, would tell you, some of my stories don’t end happily.  But, for the most part they do–LibraryDella just happened to read and respond to the batch that didn’t (sorry about that , LibraryDella! :)).  Anyway, today I wanted to talk about a little bit more about submissions to markets and my submission process.

Trailblazing New Markets
So, I use Duotrope to find new markets and to track the temporary opening and closing of submission periods throughout short fiction market (and novels once I start writing & submitting them).  Duotrope charges a yearly subscription, but I find that their service allows me to better track other submission opportunities (like anthologies, for instance) to help me publish more widely.  Their are other places to find markets–The Submissions Grinder–comes quickly to mind that are free, so please don’t feel that this post is an advertisement for Duotrope.  I just happen to like Duotrope’s layout, tracking services, etc., and it works best for my workflow.  I use Duotrope’s weekly newsletters to find out about new markets and opportunities for my stories.  From there, I try to figure out which markets my stories would be best suited to which markets and then submit.

8.88%
Currently, thanks to my Acceptances earlier this year and late last year, my Acceptance ratio is 8.88% (and Duotrope notes that this is above average).  I’m not bragging–I just want to point out how hard it is to write professionally and creatively.  A major league baseball player is considered successful hitting at .250-.350 range.  A creative writer, it seems, is “successful” at a much smaller range (just below 10%) according to Duotrope, at least.  So that’s on average, 1 in every 10 submissions, or in my case (approximately, 8 Acceptances out of every 100) as for me, my Acceptances tend to come in bunches–nothing for a long time (two or three years) and then 2 or 3 Acceptances in a fairly short order.

Persistence
The key is persistence.  I’ve come close a couple of times this year (2 stories short-listed, i.e., made it to the second-round of reviews), but they just didn’t make it for publication.  I will continue to submit them until they do.  I’d hoped that they would have both found homes in their respective markets, but they only thing that I can do is continue to try and submit the stories that are finished, write news stories to start the submission process all over again, and brainstorm new stories.  I just need to keep working and submitting.

Potpourri

Just a little bit of everything (don’t worry–it’ll be bite-sized)

AMC 18 Chattanooga: Not happy.  They add a 6:15pm Imax 3D showing Spider-Man: Homecoming, but that’s all.  They seemed determined to squeeze every dollar they can out of the movie-goer in the name of profits as 6:15 is not a matinee and they don’t have to charge matinee prices, but the full Prime cost.  Looks like I’m not going to see Homecoming, after all.  AMC 18 Chattanooga may have just lost a customer as I refuse to give them anymore money just because they are a monopoly (only Imax 3D theater for popular movies in the city).  Competition (i.e., other Imax 3D theaters in the area) wouldn’t allow them to pull this type of stunt as customers would just go elsewhere.

*Note to all politicians (current and future): THIS is why monopolies are bad.  Capitalism ONLY works when there’s CHOICE in the marketplace.

174 Days and Counting: That’s how long a story of mine has been under consideration with a particular market that I’ve not submitted to before.  I personally consider 90 days to be my limit, but I recently saw where this particular market had responded to someone else’s submission in about the same time-frame (although it was an outlier), so I waited, but that has passed and still no response.  Queried them about it today.  If no response by August 1st (perhaps sooner), I’m withdrawing and moving on to the next market.  Personal comment (it is a short-story, not a novel.  It shouldn’t take half a year to make a decision on it).

The Heart of What Was Lost: Close to finishing this book. Not sure if I’m going to review it yet.  If I do, I’ll post it here or at Goodreads.com (or both).

 

The Writing Life: An Update

snoopy-writing-life_Reallydeepstuff

Image Source: Really Deep Stuff

Before I start this blog entry, I’d like to say thanks to the bloggers who read (& liked) yesterday’s post).  It was really gratifying see that people really responded to it so much!

And now, on with today’s blog.  So, after last semester, I managed to have four stories out to markets that I was proud of and didn’t think needed major work (in terms of revision).    In other words, I had them in a state where I thought they were strong stories and marketable to markets that deal in Science Fiction and Fantasy.  I’ve got some news on them, so I thought I update you how where they stand currently.

hawkemoon_haikudeck

Image Source: Haiku Deck

HAWKEMOON: Just heard from this market today.  It is currently on the “maybe” list.  If it holds up well against the other stories that come in during the reading period, then it has a chance to be published.  This is actually very good news.  It’s sort of like going to a job with two Interview components and passing the first Interview.  If HawkeMoon passes the second “interview,” then it gets the” job” (to extend the metaphor).  It is also a lesson in persistence; this is the 10th story that I’ve submitted to them (they’ve actually seen my entire catalog except for Silence Will Fall & Citizen X), but this is the first time that I’ve gotten onto the “maybe” list!  Wahoo for small victories!  (I won’t name the market until they actually accept the piece, but fingers crossed that the “maybe” turns into a “yes!”)

silencewillfall_seriabledotcom

Image Source: Seriable.com

SILENCE WILL FALL: On this one, I actually wanted to revise it and did so last semester with the help of the MTSU Writing Center (where I also worked as a Consultant, in addition to teaching a Freshman English Class).  I knew that I wanted the ending to more closely match the ending of the dream that had originally inspired to the story, so I rewrote it and made sure (via the Writing Center) that it made sense and have started to submit it again.  It received a rejection letter (again just this morning), but I’m happy with the way the story ends, so I will continue to send it out until I find a market that likes it (see above about persistence).   Will be sending it to a new market this weekend.

i,magi_pinterest

Image Source: Pinterest

I, MAGI: So this one went out to the market in January and I still haven’t heard about its fate.  According to Duotrope, it has been out for about 150 days.  The market is still replying to submissions, but I’m probably going to have to request an update for the story over the weekend.  Now, I’m patient (I’ve waited over 9 months for a response for one market before), but they do say to query if they’ve taken over 45 days to respond and  I would like to send I, Magi back out if they aren’t going to use it.  If they don’t respond, I’ll probably give them another 30 days and then move onto the next market.

conquistadors_pinterest

Image Source: Pinterest

HERE BE MONSTERS: The market for this one unexpectedly went on hiatus this week with my story still under consideration.  I’m usually pretty good about sensing a market’s imminent change in status (this is actually only the 2nd time this has happened to me in over a 132 total submissions tracked by Duotrope).  However, this one caught me off-guard.  There was nothing to indicate there was anything out of the ordinary happening, until I checked the listing on Duotrope and saw that the website was no longer functioning.  Alarm bells began ringing at that point and I hoped that it was just a temporary hiccup, but no, it looks like the market just didn’t have the resources to continue.  So, I’ll pick a new market and resubmit this story over the weekend.

So there you have it–a (mostly) complete update on the status of the four stories that I currently have out at the moment.  Lesson to take away = persistence, persistence, and more persistence.

One is Not Enough, But Five is Too Many

motivational_quotes_bruce_lee

Found listed on Quotesgram.com

TWO MARKETS–JUST THE RIGHT AMOUNT

So, I received a rejection this week on Here Be Monsters.  It stung particularly hard–not because it was a rejection or what was said in the rejection letter.  I was able to compartmentalize and objectively take the rejection in the spirit it was given: to help improve my writing for that specific market.  No, what stung was that I wanted to send it right back out, but I didn’t have a market ready for it to go to at the time it was rejected.  I had to wait (the WORST thing for me when I get a rejection) in order to send it out again.  That’s when I discovered a flaw with my submission process.  One market isn’t enough (& leads to the situation I just found myself in with HBM) and five (5) markets is too many.  Trying to decide where the story should go next, what market is open, how long it takes, do I have another market ready if this comes back too quickly, will this be out too long to keep if from going to this new anthology?  Questions like that make it too difficult to try to have a reserve of markets available to submit to after a rejection.  So, I’m going with just two (2) markets per story.  I submit to one and then have a backup market ready to go if the story is rejected.  Once I move on to the second market, I’ll then find two (2) more markets to submit to if it is rejected that second time.  This way, I will (mostly) have a market ready to send a story to immediately and I won’t feel so stung by a rejection–kinda’ hard to obsess about a rejection when you’re already hopeful that the next market will see the potential in your story.  As the quote above indicates–“adapt what is useful, reject what is useless, add what is specifically your own.”  I know obsessing about rejections doesn’t do me any good, so now I need to adapt a system that works for me and minimizes the time spent obsessing about a specific rejection when I should be getting the story back on the market.

WARLIGHT ACCEPTANCE (TENTATIVE)

This week hasn’t been all bad–I just found out that Carrol Fix, the editor behind the Visions series at Lillicat Publishers, has just ACCEPTED my short story entitled, WarLight!  It should be published in Visions VI: Galaxies!  It will be published fairly soon, the middle of November.  I’ll keep everyone posted on this exciting development and will blog about it again when the anthology is released.

CHILDE ROLAND ON SHORTLIST

Also, received an email letting me know that Childe Roland has been “shortlisted” for a market (that I will not name just yet).  Shortlisting means that it survived the first round of rejections and made it to the “short list” of potential stories.  This particular market will have a 2nd round of “voting” for stories and if it survives this test, it will be accepted for publication.  This is the 2nd story this year that has managed to make it to the shortlist (I, Magi made it earlier this year for a different market, but didn’t ultimately make the cut.)

So, I’m really concentrating hard on both the creative side of writing–I’ve finished two stories since summer, and on the business side of writing–refining my submission process and managing two publications (so far) this year!