Okay, so I was Wrong–The Expanse is a Really, Really Good Show!

Picture of the cast of the Expanse with a stylized logo of the show's title.
Image Source: https://www.forbes.com/sites/robsalkowitz/2019/12/12/amazon-relaunches-tvs-best-sci-fi-show-the-expanse-for-season-4-friday/

So, sometime last year, I finished the first season of The Expanse, and to put it mildly, I was NOT impressed. I thought it was okay, but fell too far into the “Game of Thrones” arena where “bad things happen to good people.” It didn’t help that the show was marketed as “Game of Thrones” in space. I tried two separate times to get past the first episode of Season 2, but I couldn’t–I just thought that I didn’t like the show and that it was, while not bad, not something that I was ever going to like.

However, fair is fair. If I called it out on the blog and I change my mind later, then I’m going to let you know.

So I’m saying it now: I Was Wrong! The Expanse is a GOOD show!

Season 2 and Season 3

Part of the problem is that the show doesn’t really hit its stride until about Episode 2 or 3 of the 2nd season. Like Season 1, the first couple of episodes are more about “set-up” than they are about pure plot. Characterization is always present, but in Season 1, I wasn’t really invested in the characters. However, with Season 2 and especially Season 3, the characters are really tested by the plot and they interact to turn the show into something really special (& really good)!

Without spoilers, let’s just say that everything rises to a crescendo, ramps down after the resolution and then rises a second time to an even more insane and awesome resolution. I think the key is that 1) the characters are ALWAYS acting/reacting based on plot. This is the rare show where plot reveals characters and the characters’ actions drive the plot.

Season 4

So, I binged this show a couple weeks ago when my car was in the shop being repaired. I watched all of Season 2, 3, and 4 back-to-back. While I didn’t think Season 4 had the same insane level of wildness as 2 & 3, I did feel that it was still great and much better than Season 1. I hope that they do a Season 5 as I really want to see where they take the story (yes, I know they are based on books, and I may dip into them a little later, but right now the show has its “hooks” into me).

The characters are really well rounded (now that I’ve seen their arc over more episodes than what was presented in Season 1).

Overall Grade: A

Again, as this is a public forum, I feel compelled to let people know when I get it wrong (& this is one of those times). This is a strong show with compelling characters and an absolutely crazy storyline that really shines in Season 2 & 3. While it doesn’t beat The Mandolorian as my favorite sci-fi show, it has leap-frogged quite few series to become one for which I can’t wait to see the next season.


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Let’s Talk About the Mandalorian (on Disney+ Streaming)

Image of the Mandalorian (a man in sci-fi armor with a cape and a rifle strapped to his back) walking down a dusty sci-fi street.
Image Source: https://www.bbc.co.uk/newsround/47935790

Okay, before I begin, I should note that I’m a HUGE Star Wars fan. While I haven’t been particularly impressed with some of the later Star Wars movies (The Last Jedi & Solo I’m looking at you), I have been a pretty ardent fan of the series since I was a child. According to my mother, I did see SW is the theaters (although I have no concrete memory of it as I was younger than 5 at the time), but my first SW movie that remember concretely was Empire Strikes Back (and yes, I’m old enough to remember the movies without the annoying Episodes numbers in front of them, so that’s how I’m going to roll). I remember being taken back to see SW again in a discount theater a week later (because I liked Empire so much and it was much better the second time around as I now had some context). I give you all this backstory so that you can understand that if my comments seem too positive, it is because I’m coming at this as a fan and not as a scholar and/or dispassionate viewer.

This is the Star Wars TV show that You’ve Been Looking For

So, let’s talk about what works. To me, Mandalorian represents a show that does the “Space Western” genre correctly. While I don’t want to “crap” all over Defiance as there are talented actors and crew members who worked on that show, Mandalorian represents a shift away from that nihilistic and “grimdark” show of Defiance that emphasizes recreational drug use and heavy doses of sex/sexual innuendo over storytelling. I’m not a prude, but come on, this is supposed to a sci-fi show where people are just barely surviving rather than (being uncharacteristically crude here) getting their “freak” on. Luckily (and blessedly), there’s none of that “grimdark” ambiguity here. The titular Mandalorian is no hero–he is a bounty hunter for whom remorse and emotions are a detriment, not an asset. This is no wide-eyed farmboy here (one of the many criticisms that early Star Wars fans had with Luke Skywalker. However, we’re only 3 episodes in, but we are beginning to see an arc developing for the Mandalorian. I won’t go into details as they could be considered spoilers, but suffice to say, we’re seeing new depths to the character. One of the things that makes this show so good is the high production values of the show. In many ways, this show looks like a Star Wars movie, but given to us in 30-35 minute chunks complete with storytelling arcs that work both on a shorter level (episodic), but also sustain a longer narrative (Episode 3 had consequences so I eager to see where Ep. 4 takes us).

No Disintegrations

So, what are the downsides to the show. Well, for me, not many. The show seems to really do a good job of presenting a live-action version of the Star Wars show (much like the live action remakes of famous Disney animated movies. If there was a downside, I would have to say length (although that could also be considered a plus as well). I really like getting wrapped up in the mythology of the world and so I hate it when the show ends–it feels like the foray into the world is all too brief. However, the fact that it doesn’t overstay its welcome might also be one of its strengths, so I’m torn on whether or not this is truly an issue. For some, not me, the fact that the hero never removes his helmet might be a problem, but I like the mystery. I also like the “everyman” motif happening as well. And since there is a “matriarch” of sorts who also doesn’t remove her helmet, there’s even an “everywoman” vibe happening as well and I think there should probably be more of that. I can say with a fair amount of certainty that those who want “grimdark” storytelling (in which everyone dies a horribly gruesome and unfair death, people “crapping” all over each other just because they can) probably won’t find much here to excite their interests–it just isn’t that type of show (at least, so far, and thank goodness)!

Not a Mini-Review

While I’m enjoying my time with the show, this shouldn’t be considered a mini-review. I’ll wait until the show is finished its run to pass judgement over it. So far, however, I have to say that I like what I’ve seen and hope that it will finish its first series/season run out with distinction. Finally, a contemporary series that I can enjoy!


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Finally Found a New “Starship Show”: Gene Roddenberry’s Andromeda

Cast of the Andromeda TV show posing for the camera.
Image Source: https://andromeda.fandom.com/wiki/Andromeda_(TV_series)

So, even though I did a blog post a couple of weeks ago on Defiance, I’ve abandoned the show for now. The first season was fairly good–I would have rated it a B-/C+ as the “alien artifact” storyline did become more prominent during the later part of the season. B- is probably where I would have settled as it had just enough sci-fi concepts (and great acting!) to overcome what I feel is stereotypical and (to me) uninteresting world building, setting, and too much reliance on Western genre tropes instead of sci-fi tropes. However, what got me was that season 2 introduced new characters and gave the old characters new “problems.” I didn’t really cotton to the new characters, but I felt I could tolerate them–and the problems of the old characters. Of course, to be “edgy” (aka Game of Thrones before Game of Thrones), they had to (for me) take it a step too far by taking one of the hero characters from season 1 and giving her the problem of recreational drug use (their version of cocaine). Yeah, I watched one episode and barely tolerated it, but couldn’t do it with subsequent episodes, so I’ve bailed about halfway into season 2. I may skip the episode and go back one day, but for now, I have a new show: Andromeda.

Captain America in Space

So, this is a bit of an anachronism as Andromeda and its “boy-scout” of a captain came first in terms of appearing on screen with that whole “old fashioned hero out of time” routine. Dylan Hunt was frozen at the Event Horizon for 300 years and when he is rescued, he discovers that his “Commonwealth” has fallen. He discovers the worlds have fallen into disarray, so decides to make it his mission to rebuild the Commonwealth (UN for Planets, but not exactly like Star Trek’s Federation or Star Wars’s Galactic Senate) and restore some semblance of order to the galaxy.

Dylan Hunt is very much in line with the current Marvel Universe incarnation of Captain America. He fights for ideals and is idealistic. He is the hero and pretty much always wins, but the adventures are exciting. This probably will not appeal to most of the millennials who crave “bad people screwing each other over” and who call that “complex,” but if you’re looking for adventure and excitement and traditional space opera (which is my preference), then this one, while a bit hokey at times, still mostly works and is FAR more appealing than Defiance with its pseudo-Western and illicit drug use. And for those who would “nope out,” and claim Andromeda has no complexity, it actually has a character who is dealing with addiction issues, but it actually has the character fall, pay the cost, and then work to rise above and stay above their addiction and is referenced several times over the course of the first two seasons that I’ve watched.

2 – 3 Episodes Per Day

So, I try to download (it is currently available on Amazon Prime) 2 -3 episodes per day. I don’t always get through that many (sometimes I manage all three, but usually it’s 1 or 2). However, I really feel that the show, while not as consistently good as Babylon 5 or the Stargate shows, is still a very strong show and (for me) it is better than the nihilistic shows of Defiance or The Expanse (again, I really like the actors on both of the shows, but I don’t like the “tone” of the shows). With nihilistic shows, it feels like a slog to get through, but I always look forward to most of the episodes that I’ve watched so far.

I’m currently into season 2 and I’m deep into it–I think I only have maybe 4 more episodes before the end of the season. There are 5 total seasons, so I still have a way to go before I finish it.

I have to say that (at the moment) I really like this show and I have to say that the characters have (so far) grown on me. We’ll see if that continues to be the case.


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Defiantly Watching Defiance

Defiance TV Show Poster (w show's main characters standing in alien fauna by the backdrop of the St. Louis arch in the background.
Image Source: https://www.imdb.com/title/tt2189221/

I am watching a show that I’ve had in my queue for a while: Defiance. It is a Sci-Fi show (post apocalyptic) that is currently streaming on Amazon Prime (not sure if it is elsewhere, but I know its been on Prime) for a while now, so I thought I’d watch it. So, when my late creative writing professor, Ken Smith, opened my eyes to the fact that Science-Fiction’s antecedent genre was the Western, I was aghast. Star Wars and the original trilogy were my favorite movies at the time (this was in the era where the Prequels were still a couple years away from release and the Matrix hadn’t quite changed the landscape for science-fiction films (although Aliens & Terminator 2 had made significant in-roads). And yet, as I watch Defiance, I can’t help but recall Ken’s assertion as this show is every bit the Western.

Alien Backstory & Mythos + Western Plots and Characterization = Defiance

So far, about mid-way into the show’s first season, I’m slogging my way through it. The show takes the approach to adding aliens to Earth via a “failed” attempt (or maybe incomplete) at an alien race terraforming Earth. The Earth has been transformed into a (mostly) post-apocalyptic wasteland complete with alien species and races complicating life for the remaining human residents. One of the things that I like about the show is that it doesn’t just focus on humans, however, but seeks to show a town (Defiance) that has multiple alien and human inhabitants and how they can survive and life together despite their prejudices and differences. In many ways, it tries (again early times, at least) to present a hopeful, unifying front, no matter the individual prejudices that flare up.

All Western, All the Time

And yet . . . the show really hasn’t grabbed me. Even though there are aliens, what looks like an ancient alien mystery, and quite a few alien cultures that have traditions different from our own, all of the stories so far have had a decidedly Western (genre) feel to them. Their has been a feuding pair of families with young lovers on each side of the families (a la The Hatfields & McCoys–and yes, they are of two different races just to ratchet up the tension). The protagonist becomes the town’s “Lawkeeper” in the “pilot” episode. The episode I just finished had to do with a “Bounty Hunter” friend of the Lawkeeper (a “trope” of many a Western). There are deputies, a doc with a possible bad past, prostitutes with hearts of gold, and the like.

Now, all this to say, that the actors and the story isn’t bad–it just skews heavily into the Western motif, where I might want it to do so a little less.

And this is Why I Like “Space Ship Shows”

Defiance (and shows like it–The Walking Dead comes quickly to mind) is that it devolves into the same tropes that a Western might: be quick with a gun or be dead, protect yourself at all costs because your neighbors won’t, the frontier is the big open space of badness, with little pockets of safety coming by way of cities.

Now, you could say this about my beloved spaceship shows (Star Trek, Star Wars, Dark Matter, Stargate (& spinoff shows), etc), but one thing that spaceship shows do better than their post apocalyptic cousins is that sense of “wonder.” There is the chance that some scientific concept or paradigm will be explored in some unique and awesome way that completely explodes the traditional/contemporary way of looking at the world. For instance, Star Wars has a lot of western tropes early in the movie, but moving to the later parts of the movie, we see the tropes of medieval knights (Kenobi vs Vader fight on the Death Star) and even WW2 fighter tropes (the iconic Trench Run). As a child, this blew my mind. Another example, from the world of books this time, was a scene in one of Elizabeth Moon’s books where a main character walked on the ship’s outer hull while the ship was in freakin’ HYPERSPACE. I’d never read the like and this one scene helped make me a lifelong fan of Elizabeth Moon’s work.

Anyway, hopefully I’ll be able to stick through it to the end and report back with a mini-review. We’ll see–while I like and respect the western, I would prefer my science fiction to show a little less western tropes and a little more wonder than I’m currently seeing in Defiance. But who knows, maybe they’ll lean harder into the “alien artifact” mystery and it will have the wonder I’m looking for in my sci-fi.


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Series Review: Farscape

Image of the cast of Farscape--Crichton,  Aeryn Sun, and the rest along with the villains Crais and Scorpius standing on the bridge of the living ship Moya as they stare out into space--a photo of the cast.
Image Source: https://paleymatters.org/somewhere-over-the-wormhole-farscape-15-years-later-eef1ebba7e98

So, over the weekend I finished watching the entire series of Farscape. I had the last episode sitting, just waiting to be watched for a couple of weeks, and I sorta’ dreaded watching it because it would mean that it was over and that’s pretty much the last spaceship show that I’m really interested in at the moment–having watched most of the other major ones that I wanted to see. However, now that Stranger Things, Season 3 has come out, I decided I should finish it up and move on.

Two “Different” Shows

Much like Star Trek Voyager, the show is essentially two different main storylines in the show’s history. (Minor spoilers ahead): You can break the show in many different ways, but the way that I look at it is the Pa’u Zatoh Zaahn (“Zaahn”) era and the “Post Zaahn” era. Now this could definitely be broken up with different characters, but, like the character of “Zaahn,” this character was the “soul” of the show–for me, at least early in the show. Zahn, while weird in concept and backstory, was probably the character I most related to, esp. in the early years of the show. Now remember, I’ve seen all of the first 2 seasons before it disappeared from streaming 2-3 years ago. Now that its was back, I was made sure to see all of the episodes this time around. Early in the show, it was still finding its footing. The thing to know is that this show has multiple antagonists–4 major ones that I could count, but there are probably more. However, in the beginning of the show, the episodes are far more episodic in nature and they do a fairly good job of establishing establishing the characters, the setting, the conflict, and the interdynmics of the character drama on the ship.

Post “Zaahn”

After Zahn’s character’s resolution, the show goes into more of a “series”-based show in which the focuses more on characters in a fairly long-running recurring storyline that loosely focuses around “Wormholes.” While this is a theme through the whole show (Crichton, the main character gets pulled through a wormhole the very first episode), the “post Zahn” era really does run with this theme and this idea. Also, the dynamics of the ship’s crew are explored in more detail as the characters form bonds later in the show (to say more would be risking major spoilers). What I like about the show is that even though it is often much more farcical than typical “spaceship” shows (it has an episode the is heavily inspired by the classic Roadrunner cartoons, for example), it still knows when to take itself serious for true “space opera” situations (the series finale is epic AND actually gives true closer to the show). A quick digression: all networks should do things the Farscape way–allow the show to either continue with new storylines or allow it to end via a series finale–this idea of waiting to cancel a show depending on how it does in its “previous” season really shows a lack of understanding of the narrative that they themselves created to sell advertising time on–you have to provide closure for a series if you want long term fan investment–no closure = no future possibility of resurrecting the show at a different time).

Overall Score: B (82-85)

The show wasn’t perfect–it definitely displayed its foreign (Australian) sensibilities. There were more than a few times when it seemed like Mad Max meets Star Wars, but for the most part, I think it carried itself well. Both Ben Browder and Claudia Black were standouts, but I enjoyed most of the characters (and the cast as well). I really liked Chiana and Jool, but they found themselves not as developed (esp. in the later seasons) as I would have liked. While I can only guess at the reason for its ultimate cancellation (well, I can also look on Wikipedia as well), for me, I could never find it during its 1st run. It was one of the first shows to hit streaming when streaming was just starting to get popular, but I didn’t really give it a try–still in “disc” mode and then it disappeared again. When it became available again, about a year ago, I was determined to see it all the way through. Now that I have, I still like other “spaceship shows” better (Dark Matter, Babylon 5, the Star Trek shows), but I still feel like this is a strong contender (and I like it quite a bit better than shows like Killjoys and The Expanse) and really am glad that I (finally) was able to get to see it on streaming (as I write this, it is on Amazon Prime Video.)


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Great Actors in Small Roles: Claudia Black

Claudia Black (from Wikipedia entry)
Image Source: https://en.wikipedia.org/wiki/Claudia_Black

So, I’m expanding this “series” just a little bit to also include under “appreciated” actors who I come across from all genres–not just film, as it had been previously. While, again, I won’t often call out many actors, there are just some who do a great job and don’t necessarily get the recognition they deserve.

One actor whose work I always love is Claudia Black. Having re-“rediscovered” her work in Farscape and having just recently finished the entire Stargate SG-1 series, in which guest stars towards the latter part of the series and becomes a series regular in the last season, I’ve really come to appreciate both her comedic timing and sense of the “ironic” in the characters that she plays.


I’ll have a more in-depth review of the show later, but I really like the way Claudia Black imbues her character on the show, Aeryn Sun, with a sense of both sarcasm combined with deadly earnestness. Fitting of someone who was once a commando for the “enemy,” Claudia plays Aeryn with a physicality (and sometimes coldness) befitting of a military specialist. However, even after only about 4-5 episodes, I see the inventive wordplay and playfulness that is the embodiment of Vala (SG-1).


Many people may or may not know Claudia by sight, but most gamers (Playstation at least) know her for her roles in the Uncharted series. She plays Chloe Frazier, a treasure hunter and one-time old flame for the series protagonist Nathan Drake. While her roles were substantial in the games, I really felt the actress and the character come into her own with the release of the stand alone game Uncharted The Lost Legacy which featured two former supporting characters Chole Frazer and Nadine Ross as the lead characters in a new adventure. I thought the pain in which Black exhibited towards her father in some of the more emotionally charges scenes were outstanding and gave true insight into the character.

Stargate SG-1

One of my favorite characters on SG-1 was Vala, introduced as a “foil” to Daniel. While Vala is played as a far more humorous character than Aeryn, she can also have moments of seriousness, and even cold-blooded calculation, although Vala’s overriding conception is “fun.” Again, I really liked the way Claudia Black uses a “grin” to emphasize Vala’s playful demeanor which is reminscent of the way my own family used humor and sarcasm in a playful way, using our facial features and body language to diffuse/disarm any attempt to harm. I think this is why I don’t find “teasing” funny in real life because, in real life, “teasing” is really meant to cause harm to the person–whereas in Vala’s paradigm (and mine), teasing is just a way of playing and being fun without being stupid/doing stupid things. Without the correct gestures and body language, sarcasm and glib comments can do more harm than good.

While Claudia Black may not be a “household name” in many homes, I really think she should be as her ability to play both fun and playful characters along with characters with an emotional edge or more depth make her an actor that I enjoy watching (or listening to for her voice work) everytime I encounter something that she’s starring in.

A handclap of praise to Claudia Black for such wonderfully diverse characters–and for bringing a sense of “fun” and “wonder” back to adventure and science fiction.


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Weekend Round Up, February 25, 2019

Image Source: https://oscar.go.com/news/winners/oscar-winners-2019-live-updates-to-come

So, here (in no particular order) are some of the things that I’ve done over the weekend.


  • Finished the “Opening Incident” section of my 2nd Draft of “Starlight, Starbright.” (2 of 5 sections). It looks like I’m not going to make my deadline of finishing by the Feb. 28th for the deadline of the anthology where I was hoping to send it. Still, it looks (& feels) far better than it did under the old story of “The Rocketman.” Even if it doesn’t “light up the world” (pardon the pun–starlight, starbright), it is still a fun story with a character that I understand.
  • Re-outlined my graphic novel which has been at a stand-still for about a month. I realized that, while the first issue, was supposed to be an adaptation of the short-story, I didn’t really have a clue of what I wanted to do or where I wanted to go after I finished with that section, so I finally sat down and wrote out a beginning, middle, and end for the story. Now I just need to do the breakdown again for each individual issue and then I’ll start working on it again.


  • Didn’t really do a whole lot of gaming this week, but here are the highlights:
  • Cancelled my preorder for Anthem and moved the money over to Days Gone. I won’t reiterate my disdain for EA’s current “slash and burn” strategy towards its core audience, but I vote with my wallet, rather than just continually talking about it. I said it before and I’ll say it again: “fool me once (Mass Effect Andromeda), shame on you, fool me twice (Anthem), shame on me.”


  • This is where the majority of my time went this weekend:
  • We had an assignment (class/group) that was due at 11:30 pm last night. Trying to coordinate this while this was Oscar Sunday was very difficult. We got it done, but it was pretty stressful–I won’t lie.
  • I still have a Biography project due for class (in addition to the above assignment), so these next two days are going to be very “fun.” Yeah, not so much.


  • So, since I’m taking a test in film this year, I felt obligated to watch the Oscars (which I have a love-hate relationship with) this past Sunday. I loved the Oscars during the George Burns (1970s/1980s era) and (Billy Crystal (1990s) era, but have disliked it recently due to its continued snubbing of popular films (I was shocked that Lord of the Rings: Return of the King won (& won big) and I guessed that would be the last popular film for a long while to win (and with the rise of “comic book movies,” it turns out that my fears were well founded). I watched last night pretty much out of deference to The Black Panther, but I knew it wouldn’t win (neither Chadwick Boseman nor Michael B. Jordan were nominated in their respective Actor/Supporting Actor Roles which is nearly always a bad sign of things to come for a picture’s Best Picture hopes). Still, I wanted to at least get a sense of the filmic landscape for this year just in case a question came up on the test.

Well, I think that’s all for today. Not sure if I’ll be able to blog tomorrow because of my assignment, but we’ll see and I’ll play it by ear.


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Series Review: Babylon 5

Babylon 5 Cast Photo
Image Source: https://www.syfy.com/syfywire/an-oral-history-of-babylon-5-the-beloved-tv-novel-that-showed-a-different-way-to-tell-sci

Over the weekend, I finished the entire run (all five seasons) of Babylon 5. I thought I’d take a moment and give my impressions of the series as a whole and how I feel it fits into the Sci-Fi TV landscape. There are some light spoilers–basically, just plot arcs across the series, not individual episodes. I couldn’t avoid them in order to give a thorough review of the series, but I still tried to be as spoiler free as possible. Those wanting to go into the series completely fresh, should probably stop reading now, bookmark this page, go watch the show for yourself (as of this writing, it is streaming on Amazon Prime), and then come back. If you’re not bothered by knowing season arcs, then read on.

Seasons 1 – 4.5 : The Shadow War

I think this is where the show shines–“The Shadow War” storyline shines as an impressive piece of storytelling. While Season 1 isn’t the strongest as I feel much of that season was setting up the characters’ relationships. I liked the character of Sinclair (& initially, during the first run of the show, I was a bit turned off by the introduction of the new B5 commander, Sheridan, upon re-watching the show and understanding the struggle of the actor who played Sinclair, I found it to be fine). What really impresses me about this story arc is the way Season 1 drops little hints that the War is coming (foreshadowing) and Season 2 fully delivers on it. Now, it seems a bit archaic with so many shows having multi-season arcs, but at the time, it was almost revolutionary. I found the whole arc to be quite impressive and filled with drama and tension, with both humor and heart. I honestly liked all the actors and while I didn’t necessarily like each and every episode, I feel this is where the heart of the show is contained. I would rate these as 9 to 9.5.

Season 4.5 – 5: Earth Alliance Civil War

I’m simplifying here–some of these episodes are actually earlier in the season 4 timeline (and hints have been dropped about this upcoming confrontation earlier in the season). This where a bit of the seams come apart in the show. While the actual civil war is handled well and takes the show into a new, interesting territory, the whole Mars/Earth subplot feels forced and a bit strained. I wish that I could say that I enjoyed every episode, but (outside of the space battle scenes between Earth Alliance and the former B5/Mars Colonies), this storyline seemed to drag. There were some great scenes in this part (Delenn facing down the Earth Alliance is a particular highlight), but there are places (especially the Mars sections that drag), but overall, still enjoyable. These I would rate 8.0 to 8.5.

Season 5: Telepath “War”

So, to me, this is where the series grounds to a screeching halt. I didn’t buy the whole Bester/Garabaldi arc wherein (*spoilers*) Bester overrides Garabaldi and makes him act contrary to Garabaldi’s normal persona. Yes, I know that set it up in the show, but it still didn’t ring true for me. However, after the resolution of those episodes, the show seemed to get back on track, only to be hit with the character of Byron. While I have no particular animus towards the actor, I think the character of Byron was probably the worst in the Babylon 5 show and completely undermined what should have been a tense drama. I didn’t believe his “Messiah” complex, nor did I believe his “Malcolm X” switch when he found out about the truth of the true role of Telepaths in the story. That whole arc really took me out of the story. The only reason I didn’t stop watching the show was because of the Lyta Alexander character. While I wanted her arc to go in a different direction, she was still (by far) the most interesting character in the story arc. Once that was done with, the show finished strong by focusing on the “ending” of the show–characters moving on while new characters would ostensibly take their place for the future (which we wouldn’t get to see). The Londo story arc was quite good as was the 2-3 episodes leading to the finale. I also liked the finale as it was a satisfying conclusion to the series (& hearkened back to the themes of the “Shadow War.”


  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Mini-Review: Netflix’s The Dragon Prince (Season 1)

Image Source: https://www.theverge.com/2018/9/7/17826544/the-dragon-prince-review-avatar-last-airbender-netflix

Okay, with the impending release of Season 2, I thought I’d take a moment to come back and talk about my reactions to Season 1 of the show now that I’ve taken I’ve seen the first season all the way through. This will be a shorter entry as I have a packed schedule today, but I’ve been meaning to revisit this series for a while.


So, one of the main reasons that I didn’t initially like the show was that the main character was just too close to their earlier creation–Sokka from The Avatar: The Last Airbender series. Prince Callum (pictured in the above image on the left) is very much in tone, spirit, and vocal inflection a “spiritual successor” to Sokka. While I like Sokka, I can only take him as a “side” character. As the main character, he grates on me (or at least he did until the 4th or 5th episode). I think they toned down his character and gave him a “specialty” which made him seem more in tune with the other “main” characters and less of a walking “joke.” The other main characters were fine and I didn’t really have any problems with them, but Prince Callum really turned me off at first.


I actually liked the way the plot unfolded after say the 4th episode. The main characters find something and must return it to its rightful place — in other words, a quest. This was missing in the early episodes. Once they set out and began their quest, things seemed to fall in place for me with the show and I began to look forward to watching it, rather than it being a chore to get through.

The main villain seems a little off, however. He seems to use the best interests of the Empire as his justification, but his actions are at odds, and much of what he does seems like a “power grab.” I can’t tell if the creators are trying to create a “complicated” villain (and just not reaching it, in my opinion), or if they are trying to show the villain’s “two-faced” nature (i.e., the Palpatine/Emperor duality from Star Wars Prequels).

Final Observations

The show has potential–which Netflix seems to have seen as they greenlit a second season of the show. They’ve added a new “main” character–so I’ll be interested to see how that works out in regards to the characters’ dynamics as they go about their quest. They’ve added several side characters, so I’d like to see how they are going to be used over the upcoming semester as well as I kind of like their side characters as much as the main characters–probably not their intention, but they are still varied and fun.

Overall Grade: B

So, due to the earlier part of the season, I would have rated this as a B-, but based on the stellar last half of the season, I’m raising my grade to a solid B. If you can get past the early humdrum episodes, I think there’s a worth fantasy series that is worth checking out. It’s no Avatar: The Last Airbender, but it isn’t that bad as fantasy series go.


  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

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