7 Games that Influenced Me: Golden Axe

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Okay, so this blog post was inspired by a video on Playstation Access that talks about 7 different games that inspired the staff at Playstation Access.  Gaming, along with reading and writing, and watching movies and television shows, make up a large part of my free time, so I thought that I would also do a blog post that covers seven influential games for me.  I will revisit this post several different times, each time updating it with a new game.

Here are mine are in no particular order:

Golden Axe

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So, I puzzled and puzzed until my puzzler was sore for what I should do for my last game for this post.  I have so many games that I’ve played that have had an influence of on me.  I had to really think about a game that affected me and I finally settled on Golden Axe.  As a beat’em-up much like Double Dragon and Streets of Rage, where you take control of a character and use the controller to “beat up” your opponents.  While inevitably violent, most of these were never really bloody in the way a “slasher” film might be–the violence (to me) was always cartoony (a la Tom & Jerry).  Essentially, Golden Axe is a side-scrolling game you move from right to left defeating monsters and creatures.  You choose from one of three characters and you can play it alone or cooperatively with a 2nd player.  In the late 1980s, Golden Axe was the closest thing to fantasy movies like Conan the Barbarian and fantasy novels like The Lord of the Rings.  There is even a magic system using gnomes and jars that added variety to the game.  I cannot tell you how many times that I’ve played this game or how many times that I’ve enjoyed going all the way though it, either by myself or with my uncle.  This game is one that I played all through my teenaga years.

Street Fighter 2

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Street Fighter 2 is a game that I discovered while I was in college.  It became super popular  during my second year at UT Knoxville.  As a fighting game, it allowed one player to challenge the computer or 2 players to challenge each other.  It became all of the craze at the Gameroom at the University Center and in the “arcades” that lingered on “The Strip” (the road just off of campus that divided the campus from the off-campus apartments and led into downtown Knoxville).  The game was intense and even though there were only 8 characters at the time, they were so different that it was easy to pick a favorite and learn all their moves and then challenge others (strangers or friends).  I remember that my best friend from high school came up to UT Knoxville during my 2nd year there and we used to have epic battles on this game.  My main character was Chun Li because I loved her speed and agility and her move set (especially the Lightning Kick and the Spinning Bird Kick).  My friend played Bison (aka M Bison) because of his power and powerful moves.  I was so in love with the game, that I asked for a Super Nintendo just to get an arcade perfect port of the game (I didn’t need to because a later edition also came to the Sega Genesis a little later on with the ability to fight against the same character that you were playing).  This is one that my uncle and I had loads of fun playing, although I think he was a little disappointed that it was just a “fighter” and didn’t have more depth.  For me, however, I was enraptured.  Once I learned Chun Li’s moves, it became a mini-game to see how I could beat opponents with as many of the different moves as possible.  This game to this day, still is one that when the latest iteration comes out, I will at least give it a look/play, even when it steps away from the core gameplay.  SFII as it is affectionately known by fans is a game that truly had an effect on me as a gamer.

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The Bard’s Tale II: The Destiny Knight

So this game is one that I played religiously during my childhood.  I got into D&D through the boardgame Dungeon! and bought quite a few D&D and AD&D rulebooks and supplements.  I saw an ad for this in a magazine (I think) and I got it for a birthday (or Christmas) present.  Rolling a character and creating a party was immensely fun for me as was adventuring in the town of Skara Brae.  I, along with my uncle, scouraded the land and the dungeons.  I seem to remember that there were seven dungeons (not including the “starter” dungeon in the world.  We managed to map out and beat the first two dungeons (if I remember correctly), but not the “starter” dungeon, weirdly enough.  I think we might have gotten one finished, but I’m not really sure at this point.  I remember the puzzle that stopped us, “What is No. 9’s favorite wine?”  I’m assuming there was a clue that we missed somewhere because I think this was in Dungeon 4 (???), but where ever, it stopped our progress.  Even though we didn’t technically finish/beat the game, we spent hours and hours on the game, and even invested in graph paper to map out the dungeons and the game world (before “automapping” was a thing.  Even without finishing, the experience of the playing the game and creating characters still helps to inform me as a writer today and that’s why this game is one of the influential games of my childhood.

Call of Duty 4: Modern Warfare

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So, Call of Duty was a franchise that I knew a lot about, but didn’t actually pick up until Treyarch’s World War II game, Call of Duty 3, and I really liked the game, but shortly thereafter Infinity Ward announced that they were moving out of the WWII arena and moving the game into the modern era.  I really found this to be provocative and I followed the development with considerable interest.  When the game released, the campaign just blew my mind.  It was tense, fun, and graphically well done and I found it to be one of the best stories that I’ve experienced in any medium.  The online component also sucked me in after I finished main campaign several times.  It extended my enjoyment of the game and I played the online portion religiously for the better part of two years.  Modern Warfare is a game that not just influenced me, but also influenced the entire gaming industry for the better part of 8-10 years.

 

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Galaga/Galaxian

Okay, so I’m cheating a little bit on this entry as technically, Galaga and Galaxian are two separate games.  However, they came out at about the same time, they play so similar, and they are ones where I played either of them no matter what, depending on the location–some places would have one, other places would have the other, and I personally had no preference between the two.  Basically, these two games are what’s known in the gamer community as “top down shooters.”  You shoot aliens as they move though space, but your view is from the top as if you were looking down on your own ship and the aliens.  Much like the classic game Space Invaders you find your ship confined to the bottom of the screen, but instead of aliens coming down in straight lines, they swirl around the play area, making your job of hitting them, much harder.  On Galaga,  there is an extra wrinkle in that some ships are able to send out a tractor beam and capture your ship.  If it was your last ship, then the game is over, but if you have another ship and can hit the alien that has captured your ship, you have the chance of getting it back and doubling your firepower.  It has a great risk/reward system in place with that mechanic.  Galaxian is essentially the exact same game minus the alien ship with its tractor beam.  These two games were favorites of mine and earned my quarters every time I saw them in an arcade, or where ever they might have been located.

Tomb Raider 2

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This is probably the most influential game for me in the “modern” era of gaming in that it was the one game that I played when I still had my entire family available to me (my uncle, my grandmother, and my grandfather), so there is a nostalgia factor with this game.  Most people, scholars/journalists will cite the rise of Lara Croft as this feminist icon in video games, and while this is true, TRII is most notable to me because of its proto-narrative structure.  From the introductory cutscene, all through the in-game dialogue, you can see a narrative trying to be told by the game designers.  While not nearly as polished as a movie, you can see early attempts at dramatic irony, a sarcastic heroine, and a narrative structure (exposition, rising action, climax, falling action and resolution), all wrapped around a larger-than-life character in Lara Croft.  There was also an element of “world-hopping” similar to the best adventure movies with the game taking place in various real-world settings–from Venice, to Nepal, to other exotic locals.  However, what I remember most about the game were the puzzles.  The puzzles were clever and inventive.  I remember, up until that point, I hated games with heavy puzzle elements because I felt that I just wasn’t very good with them–however, TR II, helped to change that for me.  With help from my uncle, I began to be more patient with puzzles and began to really enjoy the challenge of trying to figure them out.  We had the “cluebook,” and used it early on in the game, but later in the game, it became a secondary challenge, a mark of distinction, and a badge of honor, to see if we could figure out the puzzle without the cluebook.  I credit this game with helping me become a better “library assistant” as it came out during the first two years of my time at the CPL.  This game had a profound effect on me during my mid-20s and is still one of my favorite games of all time.

Pacman (Arcade and Atari 2600 editions)

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So, Pacman had a profound effect on me.  While it was the most popular of the 1980s “first wave” of video games, it was also influential on me in that it was a game that helped to cement my  love of video games at that particular time period.  It wasn’t the first video game I played (no, that honor goes to Galaga), but it was the game (along with Galaga, Galaxian, Donkey Kong, Asteroids, Turbo, Spyhunter, and Missle Command) that set me firmly in the camp of a gamer.  While I was never really very good at the game–I never wanted to memorize patterns–I always just wanted to “play” it, it still was something that I would always gravitate to and want to play.  If I (or my parents) ever had spare quarters, they would end up in the cabinet at some point before the night was over.  When the game came home, I was a bit disappointed that it didn’t exactly match the arcade version, but I can still remember hearing the “dun-na-na-dunm” of the start-up screen as Santa’s elves set it up on Christmas Eve.   For a game version that I was mildly disappointed with initially, I have to say I spent an inordinate amount of time playing it.  I really liked the game and it was very influential for me as both a child and a gamer.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 28)

 

 

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Game Mode On–Costume Quest 2

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Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 12
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)

Goal = 3 Pages a week.  Working on Rough Drafting a Graphic Novel Page on one day and then writing the page on an alternate day.
Actual = Finished page 13 on Ship of Shadows.  
I didn’t really feel like working on the rough draft for page 14.  I just added in page 13 from the rough draft–expanding and clarifying the dialogue and description before calling it a night (sorry, but I was tired).  Still, so far I completed 2 of the 3 pages I had as a goal for this week.  

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    Traveller RPG: I started this a while ago as a book that I was reading just before bedtime, but I didn’t really make much headway.  I restarted it and I’ve just finished the introductory character generation section and I’m now moving on to the skills section and will be soon moving into the “lore” section.  This is a revamp (rules 2.0) of an old school British RPG from the 1980s.  Updated for modern times, this fairly short book still gives a great set of rules, game system, and lore that I hope will serve as inspiration for new sci-fi works in my own writing life.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Do You Like Candy?

So this post was originally going to be something far different (a bit of a rant about oligopolies), but I decided that it would be more far more fun to talk about games–I can always do a mini-rant another day 🙂

No, today I wanted to talk about candy–virtual candy, yes–but candy nonetheless.  There is a smaller game that I played over the past weekend called Costume Quest 2 that I really enjoyed.  In many ways, it is a really simple game that is both quite enjoyable and deeper than one might expect on first blush.

Don’t Rot Your Teeth

What happens when you mix a Dentist who hates Halloween and who has monsters and machines to outlaw the holiday with a light RPG with hero characters who derive their power from their Halloween costumes.  While it is a sequel, it is a game that one can pick up and play without having played the previous entry in the series.

One of the reasons that I like the series (having played both games) is the sense of whimsy that the game exhibits in both its game-play and its narrative.  The game is at once laugh out loud funny and sublimely droll at the same time.  For instance, one of the choices of “costumes” for the children’s powers is the “Candy Corn” costume, a costume based on that ignoble staple of Halloween candies.  I never much cared for “Candy Corn” as it was way too sweet and saccharine for my taste buds, but the game play mechanic of the costume is sublime.  Essentially, any of the kids that have the “Candy Corn” costume equipped is forbidden from attacking and instead of attacking, the attack “phrase” is replaced by some snarky comment, such as “Candy Corn has nothing to prove,” or “Candy Corn doesn’t get paid enough,” or “Candy Corn doesn’t listen to the haters.”  Even if I’ve seen the phrase before, whatever phrase that gets used never fails to bring a smile to my face.  Here is a listing of “Candy Corn Phrases”–one word of warning, however, try not to drink water while reading these!

Candy, Candy, Candy, Candy, CANDY, CANDY, CANDY

So the above line is taken from an old Garfield Halloween special that only aired a few times in the late 80s at the height of the Garfield’s popularity.  This game has that same feel to it in that it starts slow, but once you understand the simple game play mechanics, it is very addictive and makes you want to finish it just to see how the narrative will rap up.  Again, this story isn’t amazing or anything, but the fact that the game play is simple, attack, defend, or use a “special ability” and exploration along with (very) light puzzle-solving makes it an fun game for children and an eye-rollingly droll game for teens/adults.

If you come across this one at any point (either via Steam or on the consoles), I highly suggest giving this one a try, even if it is only for an afternoon.  You’ll be amazed at how quickly it’ll get its hooks into you.

Have a great weekend!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

Game Mode On: Artificial Game Extension

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Tom Clancy Ghost Recon Wildlands Tier 1 Mode. Image Source: Gamespot

Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @4000 words (+203 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 121 words (5000 words by July 1).  Currently at approximately, 4800 words
Actual = 500 words Monday & Wednesday morning/.  So, Monday night I managed to hit my Scrivener goal of 127 words, but didn’t make my 250 word goal.  I was too tired to work on this Tuesday night, but did work on it 4th of July (morning) and got about 

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3)
    Finished this last night.  I’ll write up my impressions of this title and post it for a blog entry next week.  Look out for it.
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
    Lingua FractalA Rhetoric book that details the convergence of Rhetoric and Technology and how they interact in today’s world.  Finished a Book Review for it on Friday for class.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Games Played on June 30th

Hello, and welcome to my inaugural weekly post on the games that I’m playing on the weekend (really Saturdays as I don’t really have time in graduate school to devote the entire weekend to gaming).  I’m going to try to position this as a “bonus” post that goes up on a Saturdays in order to fill out my goal of posting six (6) days a week.  This post will 1) highlight some of the games I’m (currently) working my way through (i.e., playing), 2) offer criticisms and trends that I see based on the actual gameplay and 3) highlight avenues of scholarship that I’m currently pursuing as a rhetoric scholar in video games.  Yes, I know the last one if fairly “nerdy,” but it may spark other rhetoricians to cover games that I’m not going to cover (for instance, while I might get a Switch and cover Nintendo games at some point, I don’t intend to ever own a Microsoft console and will not be covering/featuring Microsoft games (not until they completely overhaul their corporate culture, at any rate, something that I don’t see happening in the near or far future, but I digress).  Most of the games I will be focusing on will be Sony exclusive games or 3rd party games that are on the PlayStation format.

So let’s get started, shall we?

Tom Clancy’s Ghost Recon Wildlands

So, this one is vexing to me.  I like this game, but I feel that it has gone on waaaaayyyy too long.  It is an open world game and it has this conceit that you have to take down Sicarios in the open world to get to the main villain.  However, what it does to extend gameplay is that it has a rating of up to 5 levels for each region and each region is rated 1 to 5.  I’ve worked by way through the game and I’m currently in the last of the ⅘ difficulty regions, and will be moving on to the 5/5 regions soon.  The problem is that not only does the difficulty spike, but the game adds in an external Tier system that forces the game’s difficulty even higher if you want to move up to the highest “level” so not only do the regions become harder, but so too does the game itself.  This slows down progress immensely and makes it difficult to progress through the game.  I’ve been playing this one since February and it has delayed me from getting back to Horizon Zero Dawn, The Witcher 3, and into another Ubisoft game, Watch Dogs 2.  I don’t mind a “meaty” game, but this trend towards extending gameplay just to keep players from playing other games is annoying a best.

Until Dawn

So, let’s establish something right from the outset: I don’t really like horror.  I like tension, I like action, I like drama, but I don’t really like horror.  Yes, I will sometimes dabble in that genre, but usually it has to be fairly mild, the original TV version of Stephen King’s It, and of James Herbert’s novels, some of Dan Simmons novels (specifically the “horror” ones) among others are somethings that I enjoy.  Right now, I’m playing Until Dawn by Supermassive Games for the Playstation 4 (PS4 Exclusive), and it is seriously creeping me out.  It uses ALL of the horror movie “tropes” to try to elicit “jump scares” from the player (and with me it is succeeding big time!).  Stingers, dark environments, limited viewpoints, etc., they’re all there.  If horror is your thing, then you have to try this game.

Basically, the story revolves around these teens who reunite after a tragedy occurred one year ago.  Like an 80’s horror movie, you’re tasked with controlling one or two of the teens and trying to make story decisions that will keep them alive.  Well, I’m not doing so great.  The character that I have just got surprised by a wolf/large dog after having to have his fingers amputated to get out a trap.  I’ve lost at least two teens so far (and if the wolf is any indication, its about to be three!).  The graphics are very well done–while there are times when “uncanny valley” does affect the character models, but only slightly and not enough to take me out of the game (just enough to notice it).

I’d really like to put this game in conversation with Scream.  While older, the Scream series has many of the same tropes, but Scream is self-aware in a way that Until Dawn isn’t, even though UD is a newer game.  I’d really like to examine both how those tropes play out in the two works and why the game’s developer, Supermassive chose to minimize/ignore some of the newer, self-awareness of the conventions of the horror genre.  Right now, horror as a genre, is making a resurgence, and I might even (if I have the courage) to add in more and newer examples in the horror genre (ItGet Out, and even A Quiet Place–as much as I’ve railed against it) to examine the rhetorical nature of UD.

Costume Quest 2

This a smaller title and it is a one that is based on monsters taking over halloween.  It features simplified combat and a fun art style.  The story is also pretty good as well.  It doesn’t look like it will be a very long game, but it does look like it will be a quality game. I’m trying to get through some of the “free” games that I’ve acquired through Playstation Plus.  I’ve got about 30 smaller games that I’ve downloaded over the past three years and I’ve not really played them, so this is my attempt to try to eliminate my backlog of games.  I’m about halfway through (as best I can tell) and I’m having fun with it even though it is starting to get challenging.  Looking forward to seeing how it ends.

Well, that’s all for this week–have a good weekend!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

 

E3 and Me, 2018 Edition: Ghost of Tsushima (Playstation 4 Exclusive)

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Ghosts of Tsushima Cover Image.  Image Source: Gamespot

Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @4000 words (+203 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 121 words (5000 words by July 1).  Currently at approximately, 4800 words
Actual = 500 words Monday & Wednesday morning/.  So, Monday night I managed to hit my Scrivener goal of 127 words, but didn’t make my 250 word goal.  I was too tired to work on this Tuesday night, but did work on it 4th of July (morning) and got about 

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3)
    Finished this last night.  I’ll write up my impressions of this title and post it for a blog entry next week.  Look out for it.
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
    Lingua FractalA Rhetoric book that details the convergence of Rhetoric and Technology and how they interact in today’s world.  Finished a Book Review for it on Friday for class.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

A Ghost in the Machine

So, Ghost of Tsushima debuted at another Sony event about 6-8 months ago, but all that we knew about it was that it was in the form of a trailer, the title of the game, and the studio making it, Sucker Punch, who was known previously as the developers on InFamous, an open world original superhero game (that incidentally taught me how to play open world games–Main Quests and Side Quests and how those two progressions affect the gameplay loop).  Well, they’re back with a new game and GoT (not be confused with Game of Thrones) is an open world game, but features the mongol invasion of Japan.  One samurai fights to save his homeland and you play as that samurai.

Stabby, Stabby Action

One thing that has impressed me about the game was the attention to detail.  I’m just a little bit of a martial arts fan (a huge understatement), so I really like the way that Suckerpunch pulled out all the stops to get their vision of what a martial arts game should be.  I really like the way the world and the system were envisioned in this game.  It is based on a real-world event and there is no magic, no science fiction, no genre elements to this game at all, but what it does do is shows how one person can try to make a difference in the world based on their beliefs and their skill set.  Again, for me this game is an aberration as it has none of the escapism elements that are usually associated with the games that I like to play.  What it does have is great 1) characterization – I feel like I know and understand the character and his motivations for why he is doing what he is doing in the game, 2) the game world – even though based on a real place and a real historical period, it feels fresh and different and new, and crucially, it feels realistic, like some place that had I lived at that time, would have been a place that I could have visited.

This is a game that, while a Sony PS4 exclusive, is a game that really shows what can be done if you “grow” your studios and trust your developers (aka Sony) vs trying to go out and “buy” your way to success (aka Microsoft) and their purchasing of Halo/Gears of War (and now those series have petered out and are also-rans) where this game is an amazing new IP with many stories to tell in its universe if Sony continues to believe in the “narrative” game.

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

 

Anthem: E3 and Me, 2018 Edition

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Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @4000 words (+203 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 167 words (5000 words by July 1).
Actual = Rebounded after a day with no words and was able to hit Scrivener’s goal of 167 words, but fell a bit short of my own 250 word (personal) goal.   203 words written last night. 

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3) (somewhere in 850s in terms of page count–more than ¾th of the way through.  Will post a non-spoiler mini-review when I finish.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
    Lingua Fractal: A Rhetoric book that details the convergence of Rhetoric and Technology and how they interact in today’s world.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Game Mode On (What I’m Playing); Updated Weekly (Mondays)

  • Moving Game Mode On to its own (Mostly) Weekly Post

“Iron Man”: The Game

Anthem was first revealed last year, but got an extended look this year at a truncated game play demo at EA Press Conference.   Attendees to their event got to play the entire demo.  While I enjoyed last year’s demo, this one seemed strangely muted for me.  Perhaps, it was the way EA chose to demo the game with the developers giving a “deep dive” into the game which was really just a way to show concept art and not have to show the entire demo of the game.  While I do appreciate the Q&A format, in this case, it would have been better to have shown us the game and saved the Q&A for after the show.  Also, because the demo was obviously cut, it lost the emotional impact that it could have had.  Its like watching a two hour movie in half an hour by fast forwarding through bits/skipping “chapters”–you can do it, but it loses its ability to create tension.  Still, I’m sort of looking forward to it because players emphasize that it feels a lot like controlling “Iron Man” from the Marvel movies.  You decide when you want to fly, when to land, and the flight component is supposed to add a layer of strategy to the game as you can decide where and when you want to take the battle to your opponent.

Fool Me Once, Shame on You, Fool Me Twice, Shame on Me

So, normally, based on what I’ve seen of the gameplay, I would be super excited to play Anthem, but I have to say, I’m in a wait and see mode for this game.  Mass Effect Andromeda made too many of the same promises, but could not deliver in the end as EA did not want to allow ME:A the additional time it needed to come together.  While this game might make its February 22, 2019 release date, I wouldn’t be surprised if it got pushed back until Mar-early June.  That is as far as I could see EA giving it so that its marketing doesn’t interfere with the marketing of the new Star Wars game that was teased for holiday 2019 as well.  However, I’m waiting on reviews before I go anywhere near Anthem.  ME:A was such a disappointment (for which I paid full price) because I couldn’t believe that EA would be willing to ruin one of its core franchises.  Well, they were–to EA, the ME brand is an also ran, now they want what their competitor Activision has in Destiny and their willing to sacrifice the quality of their games to get it, so no buy for me until reviews hit.

Single Player Story/Multiplayer Open World

The design of Anthem is intriguing.  Apparently, when you’re in “The Hub” (where you get your missions and interact with NPCs), you get traditional storytelling elements, but when you’re out in the open world, you play with your friends in multiplayer.  I’m not sure if I’m going to like that aspect of it, but the devs. did say that one could play the entire game in single player if one wanted to, but it would make the game slightly harder.  While I did have a “crew” that I gamed with on Destiny, I’m not sure how many will move over to Anthem, so that is also something to thing about.  Anyway, those are my thoughts/impressions of the game.

Overall Excitement Level: C

I just don’t trust EA/Bioware to deliver the goods on this one after their poor performance with Mass Effect Andromeda.  While I’m skeptical that they can pull off something magical with this game, perhaps the additional time that they gave to Anthem and not Mass Effect Andromeda will pay dividends to the gamers this time, and not EA’s shareholders.

Sidney




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E3 Upcoming

Word Count (What I’m Writing)

  • Project Paradise Word Count: 357
  • Project Skye Word Count: 1617
  • Project Independence Word Count: 3041 
  • Project Ship of Shadows Graphic Novel Page Count: 12

I didn’t manage any new words on any of my major projects–I didn’t even manage a blog post.  I realize this is where I’m sabotaging my writing, so I’m redoubling my efforts to write at least 250-500 words each day on at least one of these projects.

Currently Reading (What I’m Reading)

  • For Fun: Edgedancer by Brandon Sanderson (Fantasy Novella)
  • For School: Rhetoric in the European Tradition by Thomas Conley (A Book on the History of Rhetoric)
  • For Research/Personal Development: Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

I wanted to read Oathbringer over the summer break before classes started again, but BS said that it might be helpful to read a Novella entitled, Edgedancer, before starting on Oathbringer.  I finally found a copy at MTSU’s library and I’m reading it now.  X gives a history of Rhetoric.  Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Game Mode On (What I’m Playing)

  • Tom Clancy’s Ghost Recon Wildlands (Ubisoft Multi-platform): Open World, Third Person Tactical Shooter–About ¾th of the way through.  Special Ops/Military combat in a fictional Bolivia taken over by a Mexican drug cartel.
  • Until Dawn (Sony PS4 Exclusive): Third Person, Horror– branching storyline game that features a variety of choices that affect the outcome of the story using a system call the “Butterfly Effect.”  My latest choice may have just gotten one of the characters killed.  😦

E3 is Here!

So, next week is E3.  If you don’t know what that is, it stands for the Electronics Entertainment Expo (E3) and is the major venue for video game (& entertainment technologies such as Virtual Reality (VR), and Augmented Reality (AR)) announcements and trailers.  While it used to be things that would be coming in the next 6-8 months, now its more like things that you’ll be playing in the next 1-2 years, although there are some exceptions where publishers will pull the surprise, ” . . . and its coming out in four months, in time for Christmas, but that is very much a rarity these days.

The E3 ship is Leaking

While I’m usually excited for E3, I feel this year (especially), the “leaks” as to what will be shown have been particularly revealing in terms of both the number and the difficulty in avoiding them.  More and more YouTubers are putting the titles of the “leaked” line-ups into their thumbnails, making it nearly impossible to avoid.  Yes, I know they do it to drive up their “traffic” (especially, in light of YouTube’s pronouncement that smaller channels would be “demonetized” if they didn’t meet certain thresholds), but still, just say “leak” so I won’t click on the video; please don’t splash the name all over your thumbnail.  Let’s retain some mystery for the show, if you please.

Shrinking the Backlog

However, there is a downside to being a student vs a worker: I can’t game as often as I just to do.  After work, I would often come home and refresh with an hour or two of gaming each night, making significant progress in whatever game I was playing weekly.  Larger games, while taking more time, were still manageable.  However, now I don’t bring my TV and system to school, so I only get to game on the weekends.  Longer games take forever (I’ve been working through Tom Clancy’s Ghost Recon Wildlands since basically Christmas and here it is June and I probably have at least another month/month-and-half to go before I finish it.  Other games have piled up on my backlog and I’ve just stopped purchasing new games entirely until I work down this pile of games a bit.  So its hard to get super excited for the next new thing coming out when you haven’t played the old new thing from last year because you were loaded down with school work.

Now that I’ve discovered video game rhetoric is a thing, however, I’m actually using my video game time as also research time and I’m investigating writing scholarship around whatever game I’m playing.  I’ll let you know how that works later in the summer.

Well, that’s all for me.  I hope that, despite the leaks, E3 still has some surprises left for me!  Happy Gaming!

Sidney




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I earn a small commission on the purchase of these items.

 

Show Us The Gameplay!

Show-me-the-money_socialsuitenet

Tom Cruise with the dialogue caption: “Show me the money!”  Image Source: The Social C Suite (http://thesocialcsuite.net/show-me-the-money/)

  • Project Paradise Word Count: 357
  • Project Skye Word Count: 1617
  • Project Independence Word Count: 2357 
  • Project Ship of Shadows Graphic Novel Page Count: 12

I haven’t written anything as of yet–I wanted to do the blog post first and get it out before the long holiday weekend (U.S.).  Hopefully, if I don’t write today, I’ll be able to write at least 250 words over the 3 day weekend–that’s my goal, at least.  Let’s see on Tuesday if I can actually make it happen.

Games, Games, Games

Okay, so for the most part, my blog entries for the past two weeks have centered (mostly) around my writing endeavors as I try my best to find the best way to navigate the Work, Life, Writing Balance.  I’m actually going to veer a hard left today and move more into video games and gaming for the next two weeks.  Don’t worry, I’m still going to update the word counts and give a brief description of how the writing is going, but as E3 approaches, I want to shift focus just a bit for a while to cover some aspects of gaming that are intriguing.  Sometimes, like today, the writing and gaming will intersect (at least tangentially), but not always.  Just wanted to give you a head’s-up about where the blog is headed in the next couple of weeks.  Oh, I should mention that sometime in the near future, I’ll (hopefully, *fingers crossed*) be seeing Thor Raganarok in the near future & I’ll post here and update my Favorite Marvel Movies post when I do.

Gamplay is King

So, today I watch a trailer for a game called Earthfall (aha, tricked you, didn’t I.  Gamers are all up in arms about a “little” game called Battlefield V at the moment–I’ll actually cover that at a later date–maybe).  However, as you can see from the trailer below, the game looks to be a 4 person cooperative shooter against aliens.  The problem is that is all I can gather from the trailer.  As there is no actual “gameplay,” it is hard to decide if I should put it on my “radar” or not.  Is it a 1st person or 3rd person shooter, is it online only or is there a single player component (campaign), what does the moment-to-moment gameplay look like, etc.?   Yes, yes, I know that I simply google it and find out all of this information, but the point I’m trying to make is that I shouldn’t have to.  If you want me to purchase your game, show me (in gameplay) why I should do so.

We should be past creating a trailer, but not releasing any information about, especially since the game releases on July 13th, which is less than 2 months away (and knowing that a game goes “gold”–i.e., features “locked in” so that the discs can be pressed and shipped to retailers or downloaded for purchase doesn’t inspire confidence).   At most, show one trailer–the trailer below is the 2nd major one, and then start showing gameplay.  Even if they reveal gameplay at E3 in about two weeks time, I’m going to have to wait on reviews because, like movies, when companies aren’t confident that their product is good, they’ll often hold off releasing detailed information on the product until the last minute, hoping to “trick” consumers into seeing it/purchasing it before the initial waves of bad reviews start to flood in.

How to Do it Right!

So, last year, a racing game called The Crew 2 caught my eye.  It is the sequel to The Crew, a game I loved and sunk hours into over the past two years since its release.  The Crew 2 did have a trailer, but it has also consistently released gameplay elements, showing off the various parts of the game.  They’ve released so much that I’ve had to put it on media “blackout” so that I don’t see too much of the game and spoil the surprises of the new things that they’ve added.

As I know what The Crew 2 is and what its gameplay looks like, I’m all in and willing to invest my hard earned money “sight unseen” in it because I’ve seen enough gameplay of the new game and I’ve played enough of the old game to know that this new game will be right up my ally.  Also, as it comes out June 29th and my classes end on July 3, this will make the perfect “getting through your summer classes” gift to myself.  Earthfall might have also been included in this transaction had they shown more gameplay, but as it stands, I’ll probably pick up God of War instead and (if the reviews are good), pick up Earthfall on sale around Christmas time.

To any developers (or future developers) who may stumble across this blog post, please remember–“Gameplay is King!”

Have a great weekend, and for those in the U.S., have a great and safe Memorial Day Weekend!

Sidney




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I earn a small commission on the purchase of these items.