Rough Draft vs. Working Draft

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Image Source: WikiHow

Rough Draft = Present Tense (Visualizing the story)

When I write the Rough Draft for my stories, I’ve discovered that I tend to write in the present tense in order tell myself the story.  This where I “Tell, don’t show.” When I write my rough drafts, I could almost call these “discovery” drafts because I’m discovering the story and figuring out what works and what doesn’t.  I’m trying to accurately put on paper the visuals that I see in my head and that means that I’m not worrying about the audience.  I’m trying to make sure that my plot makes sense (what’s happening in the story), the characters make sense (their motivations and why they do the things I envision), and the setting makes sense (where everything’s happening).  This is where all the notes that I’ve taken/written down about the story get put into the structure of a story (Exposition, Opening Incident, Rising Action, Climax, Falling Action/Resolution) to see if they work correctly as a story.  I’m simply relating to myself what I “see” in my mind and trying to accurately form/shape it into a story.

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Image Source: CUCSA cucsa.org.uk

Working Draft = Past Tense (Dramatizing the story)

The Working Draft is sort of my shortened name for a “Work-in-Progress Draft.”  This is where I do the REAL work for the audience.  This is where characters names get finalized, this is where dialogue becomes more than a place holder and is what I believe that the characters really would say.  This is where vivid details and description comes into play, this is where I really begin to try to “Show, don’t tell.”  I try to find places to show emotions, to appeal to the five senses, and to foreshadow events crucial to the rising action and the climax.  This is where my goals as the creator meets the needs of the audience.  How can I best tell my story (that I came up with in the Rough Draft) that engages and exhilarates the audience?  What techniques or effects can I use to maximum effect?  This is where I do the “hard work” of writing.  And the cool thing is that it isn’t set in stone–if I’m happy with the draft, I can stop and move onto the editing and submission phases, but if I’m not happy, I can go back and fix what isn’t working (which I did for the ending of Silence Will Fall) or I can start all over and re-draft the whole thing again from scratch–which I plan to do for Rocket-Man.)

I believe that a lot of my trouble (& I would suspect other writers as well) comes from the fact that for stories where I don’t lay the groundwork and do the rough draft (or the outline, or any of the other myriad words for prewriting), I find that the Working Draft RARELY (if ever) matches the vision that I had in my head for the story.  And the opposite is true, I find that the more I use rough drafts and the more I use prewriting strategies, the more confident I am in the writing process and the more enjoyable the Working Draft stage becomes.

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Keeping it Simple

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Image Source: iTunes (Apple.com)

When I write rough drafts for my stories, I’ve discovered that almost anything will work for me–notebook paper, notepads, scraps of paper that are around, the computer, the Notes App on my phone–pretty much anything that will allow me to get the idea into a fixed form.

However, once I’m ready to start drafting the “Working Draft,” I try whenever possible (for fiction) to move to SimpleNote.  I like SimpleNote because it is free (at least it was for me when I signed up at simplenote.com), but even more than that, I like it and use it because it allows me to quickly and easily sync between all my devices and as well as wherever I may be.  It has a website that you can use and log into, or an app that you can download.  I personally use the website on my laptop and the app on my phone and tablet.

For instance, I started Project OPaK on my phone at Walgreens Pharmacy while waiting on a prescription to be filled.  I hadn’t intended on waiting for the prescription, but since the pharmacist said that it wouldn’t take that long, I waited and in that time, I was able to write 3 basic paragraphs on my phone.  I can now log into my SimpleNote account on my computer and expand those paragraphs more.  Also, if I want to, as long as I log into my account and bring up the story beforehand, I disconnect from the internet while I’m writing to give myself a distraction free writing session and then when I reconnect to the internet, I only need to hit the little “save” button on the screen and my changes are uploaded to the server.

For me, SimpleNote gives me the flexibility to work on the working draft of the story pretty much anywhere even if the conditions aren’t ideal.  If I were ever to have enough time when school starts (which is doubtful) and I wanted to work on my story, I could log into my account on the school’s library computers or the writing center ones and use them to work on Project OPaK or any other story that I’m writing (so at least I know the capability is there should there be any downtime).  Now, before this starts to sound like an ad, there are many other apps that do the same thing/similar things (EverNote and OneNote are two that come to mind immediately), but in my quest to work “smarter, not harder,” I’ve found that SimpleNote helps to increase my productivity by allowing me to access my stories everywhere I go and it helps my writing process because I know that I always have access to the most current version of my story available for editing on SimpleNote’s servers.

Summer Inspiration & Writing Projects

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Now that E3 is over, I find myself turning my attention back to my creative writing.  I found that I’ve been very inspired to create new projects over the last few weeks and I’ve been brainstorming several.  On Friday afternoon, I actually just took a moment and sat at the kitchen table and wrote the “rough draft” of a new short-story (fantasy) that I want to write.  I wrote it from the outline I’d written earlier in the year and the drafting process was super easy as well as very rewarding creatively.

Now comes the much more difficult part, drafting a “Working Draft,” which is my terminology for the draft that “shows, don’t tell.”  The Working Draft forms the basis of the story that people will be reading.  Now, don’t get me wrong, it’s still fun to write it, but the as many creative people will tell, the true joy is in the initial creation of the work.  The rough draft was pure creativity, but the Working Draft is about evolution and refinement.  Often, the success of the project hinges on how well I can translate the passion of the rough draft into the refinement of the Working Draft.  This is where characterization, sensory details, imagery, dialogue, setting, etc., all get “set” into place.

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Image Source: RenaissanceClothingCostumes.com

Project OPaK

So this is my new naming convention for stories that I’m working on.  In most cases, I already know what the title is.  Project OPaK is just the first letters of the title.  I’ve divided the story into three parts (Beginning, Middle, and End) and I will update you when I’ve finished each of the main parts, with a beginning update letting you know when I’ve actually started writing the project.  At the end, when I’ve finished Project OPaK, I will continue to do an Author’s Note and give a detailed breakdown of the genesis of the work (how it came into being, what my writing process was for it, etc.).  If it gets published in a hardcopy form, I will also try to remember to take pictures of the work and post those pics on the blog (like I did for The Last GunKnight, but forgot to do for other projects). The above picture, while not representative of the actual characters in the story, gives a good idea of the time period and themes that I’m aiming for within Project OPaK.

Here’s to a successful writing project–and a successful summer of developing many more!