DSRV OUTRIDER–Finished the Script for Issue #1 (of 4)

“Ship of Shadows” Graphic Novel = DSRV OUTRIDER

So, a couple of nights ago, I finished the first issue of the Ship of Shadows Graphic Novel.  It is 28 pages long (so far) and is the first part of 4 stories.  I’ve decided on a name for the overall series–DSRV OUTRIDER. The DSRV stands for “Deep Space Recovery Vehicle” which is the type of the vehicle that the main character, Tana, pilots.  Outrider is the name of the ship.  This is important because I hope that I’ll be able to write more stories/have more adventures with Tana as a character (my ultimate goal is to have her become captain of the Outrider) and I want to focus more on the ship and its adventures rather than the one story that is SF Horror.

Artist or Go It Alone?

I think I may have to go it alone.  I discovered my artist last year, but it took my all year to figure out a system that works for me in terms of writing and creatively.  The artist was very interested at first, but has lost interest over time–which, I don’t guess I blame him–as it should have taken a year for the whole graphic novel, not just issue one.  I really have tried to refine my writing processes over the past year to be more effective and I’m slowly getting there, but slowly doesn’t seem to be good enough for others.  I don’t mind going it alone–it’s just that many of the publishers for graphic novels want to have a “team” in place (art and writing).

What’s Next? The Art of Adaptation

I need to figure out Issue #2, so I’m going to move it off the “front burner” and work on rough drafting Issue #2 (major plot points).  I had great success with actually writing a rough draft for the story and then writing the second draft on the next “rotation.”  The thing is, in the short-story, one of the characters saves themselves off-screen, while for issue #2, Tana will save her on-screen.  I have an idea of how this happens, but I want to write it down in rough draft first before I actually try to write it in the next draft.  I’m adapting the short-story, but that doesn’t mean that I want to make it exactly like the short-story as the graphic novel affords more pages to go into more detail.  In the story, it wasn’t necessary for Tana to actually save the other character–just to make the attempt.  However, in this story, to show Tana’s attachment to her “mother” figure, she would have to save her to make her character believable.  I’ll probably start to write issue 2 in November (maybe sooner depending on whether or not the proposals that I hope to send out are successful).

Anyway, that’ all I have for now.  Have a great day!

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)
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Cosmic Roots and Eldritch Shores, Part Deux

So, I just wanted to say that I did send a story to Cosmic Roots and Eldritch Shores for this submission period.  I doubt seriously that they will accept it, but I really wanted to have something out to them as I have missed three or four submission periods.

Citizen X

I sent them one of the stories that I finished a while back–Citizen X.  I don’t expect them to take the story as it is an Alternate History story with Sci-Fi elements.  The story has caught the eye of several “slush” readers and been passed up to market editors (at least three separate times), but in each case, the editors decided to pass on it.  However, it was the only story that I haven’t sent them that I’ve worked on recently.  All of the other stories, HawkeMoon, Silence Will Fall, and Here Be Monsters, among others, they didn’t really like (although they did suggest changes to HawkeMoon and asked for a resubmission of it, but I chose not to do that because I felt the changes would have impacted the story that I was trying to tell.  Perhaps that was wrong, but I really try to follow a “hero’s journey” for my stories, but I remember that the changes would have impacted this journey negatively.  Unfortunately, Cosmic Roots and Landscapes allows you to “clear” you feedback and once its gone, its gone.

Compelling Science Fiction

The next major market that I’m writing for currently is a smaller market that’s been closed for the past year (maybe longer) and its called Compelling Science Fiction.  They are actually opening again from October 1st – December 1st (at least, that’s what the email said when I signed up for email notices of their next opening date).  I’m currently working on the Independent and that’s the story that I intend to submit there first.  I’m going to have to do a 3rd draft of the story–I’m concentrating on character for this pass, but I”m already over 1,000 words in and I’ve not yet even hit the inciting incident (which should probably happen in the first 500 words).  So this draft will be the longest draft and the 3rd draft will be me finding places to cut the story down and adding in a little more setting/description (not a lot, but I feel that it is a little bare bones at the moment).

Rotating Projects

The reason why I’m not finishing projects as fast as I was over the summer is that I’m trying out rotating my projects.  I’m working on 3 projects at the moment: Ship of Shadows Graphic NovelThe Independent (2nd Draft), and Project Star (Rough Draft).  Once I finish one of these, I’ll move onto another.  This ensures that I’m never bored and the projects never grow stale, but it also means that it takes much longer for me to actually “finish” a project.  Still, this seems to be working and a lesson that I’m constantly having to re-learn is “if it isn’t broke, don’t fix it.”

Well, that’s all for now/  Have a great day!

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 28)

 

 

Find a Reading/Writing Buddy

Reading /Writing Buddies are Cool especially for Deadlines

Deadlines are a pain–they are a necessary evil, but they are also a cause for major stress.  One thing that I’ve found that has helped me over the past year was to find a “buddy” who I could give my work to at a specific time.  It plays on your “guilt” in that you’ve made a “promise” to someone else and when you don’t follow through, you feel bad for letting them down, so you try to stick to a goal and, even if you don’t meet the goal, you try to have “something” for them.  Now, if you have a “guilty” nature and you feel inordinate pressure from owing people something or letting them down, this may not be the technique to use.  Still, I find it extremely useful to actually get things done.

1st Saturday of Every Month

I try very hard (doesn’t always work with school) to get something done by the first Saturday of the month.  Actually, I think that I’ve mentioned this before, but in case I haven’t, I have a couple of reader/responders at the Public Library (Chattanooga), who have agreed to read my work.  So, to get things to them, I’ve tried very hard to get things to them by the first Saturday of the month.

Make It Managable

The key, I think, is to make it manageable.  Realistically, it means what can you do within a month?  As a graduate student and a part-time worker, my time is extremely limited.  I can’t take two or three hours every day to devote to my writing (personal writing).  However, if I write a little every day and take what I’ve written over the month, that usually adds up to enough material for a whole story that I can send to the people to get feedback on.

I hope this helps other writers out there who are struggling with completing material for deadlines.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

 

 

Cosmic Roots and Eldritch Shores Submission Period Begins — I’m Planning on Submitting

CREScoverpageWP

Submissions Open

So, later this week, the submissions open for Cosmic Roots and Eldritch Shores, an online magazine that I’ve submitted to in the past.  My very first submission was one that the editors wanted me to revise and resubmit.  While I wasn’t adverse to do that, some of the suggestions that were made to make the story better, while well-meaning, seemed to take the story in a different direction than what I envisioned, so I didn’t actually make the edits.  I’ve submitter 2 or 3 other stories, but they’ve pretty much declined all my other stories.  However, since they are going to open, I need to resubscribe to Duotrope (I’ve let my subscription lapse) and see what stories I haven’t submitted and try one of them.

Getting Back on the Wagon

I’ve submitted perhaps 1 or 2 stories in the past six months.  One the thing about the drafting process is that I’m slow at it.  Right now, I’m just on the 2nd Draft for The Independent so that one won’t be ready in time.  I still have the 1st Draft of Project Skye and I’m just now working on the 1st Draft of Project Star, so, again, these will not be ready in time, so I’ll have to go with work that I’ve already completed (which I don’t think is my best).  Still, while there’s very little chance that the stories I send in will be taken, there is 0% chance they’ll be taken if I don’t submit, so I’m going to have to get back on the wagon and get back to submitting, even if I’m not confident in the story’s chances.

Writing With Confidence (or, Fake it Until You Make It)

Technically, I HAVE made it as I’m published and received money for my works.  There are so many writers who don’t make it that far.  However, I’ve not yet reached my own personal goal of full time writing/novelist.  I get 2-3 publications in a year and then spend another 2-3 years waiting on the next “set” of publications.  No one can build a career that way.  However, not submitting is a SURE-FIRE way of NOT getting my writing career off the ground.  So, regardless of what I think of the quality of my stories, until I have a better idea to revise it, I need to make sure that I have a story out at all times.  In my case, fake it until you make it again.  Hopefully, next week I can update you on which story I sent out.  Have a great day!

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

Character Sketch: The Independent (Ryn)

Authors Note: My character is NOT based on Ginger Howard–my character is African American, female, and wears a “baseball cap.”  That is the ONLY similarity to the above image (still, I thought it would be cool to highlight Ginger Howard’s accomplishments!)

So, today I finished the character sketch for my 2nd Draft of my short story, The Independent.  I won’t go into too much detail here, but I do want to tell a little bit about the process.  I’m trying to create a character that resembles a real life person (who is larger than life).

Family Heirlooms

One of the things that I decided was that I wanted to make sure that I did was to give Ryn a “history.”  I’ve tried to do that by creating a link between her and the past generations of her family by giving her a family heirloom that she uses in the story that gives her  an emotional hook to both her past and her present.  I’ve done that by giving her a “baseball cap” that is her father’s and is really important to her and her father.

Space Story grounded in “Reality”

In Star Wars, Mark Hamill is said to have been concerned about the unreality of the story, but Alec Guinness was supposed to have helped him by reminding him that even in fantasy, their has to be a link to reality.  That’s one of things that I tried to do with this character sketch by making sure that I gave Ryn a true “reality.”  I hope that it is a not a trite reality, but I wanted to try to create something that is more “realistic” than what I normally write.

One Surprising Thing

One thing that surprised me as I was doing this character sketch was the background section.  The background for Ryn came together in a surprising way and I was surprised that I came up with this particular background for her.  I don’t know that it will stick (ie that I will keep it or use it for the story), but I really think that it us both unique and quite strange (for me).

Anyway, I found that Ryn was a great character to come up with a Character Sketch for my 1st (well, 2nd time) out in a while.  I intend to make this step something that I do for my 2nd drafts and hopefully this will making my stories better.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

 

1st Try

So far, I have only sold one story on the first try: Dragonhawk One of the reasons why I believe that it was so successful is that even though I had the plot for the story in mind when writing the story, I also used (for the only time time since I restarted my writing “career” by buying Storymill and then later Scrivener) the Character Sketch Template Sheets provided by Scrivener.  One of the things that the character sheets forced me to do was to think about my characters from the external and the internal

External

So, on the Character Sheets, there is a place to fill out all of the external characteristics of the character.  What do they look like, what is their background, etc.  All of the things you might ask yourself when filling out a biography for a character.  Sure, it isn’t much, just spaces where you can write a paragraph or so, but I did that for both of the main characters in the story: Kelfryn (the young man who was a Hawkrider, but wanted to be a Dragonrider), and Scryfe (his mind-bonded hawk, who didn’t understand his rider’s obsession with dragons and dragon eggs).  It really didn’t take that long to write out each one–maybe half an hour to one full hour for each one.  However, when it came to describing the characters and knowing the history, my mind was able to weave a narrative around them that made them seem (to the editor who bought the story, and hopefully his readers), well, alive in some undefinable way.  It also made it easier, for me, to come up with a reason why  he was doing what he was doing that seemed both rational and in keeping with the character.

Internal

Perhaps the most important point is the fact that the character sheet provided a place for internal conflicts–i.e., what is the character struggling with internally.  For Kelfryn, he wanted so much to be a Dragonrider of old and to have the status of a Dragonrider.  His great grandfather had been one as had countless generations before that and in the world I created, even though there were no more Dragonriders, there was still an air of mystique about them and a reverence.  Even though he knew it was forbidden in his culture, his desire to bring them back trumped his good sense and he (pardon he pun) “hatched” a plan to steal an egg, thus setting the story in motion.

Concluding Thoughts

As I said earlier, this is the only story which has sold on the first try–and I didn’t even like the story all that much (the kid learns his lesson while I wanted a fun adventure story).  While I may never have another story accepted on the first try, this incident is trying to tell me something: good characters need both internal and external conflicts.  To help me, I printed out several character sheets.  My goal, of course, is to use them for each of my projects to help get at the inner conflicts and to create well-rounded and dynamic characters. I’m starting this with The Independent.  I’m working on the 2nd Draft now and I’m hopeful that a Character Sketch Sheet will help me to create Ryn (the protagonist) into a round and dynamic character.

Perhaps, one day, I can even reach the rarefied heights of getting back to getting a publication on the first try.  It’s something to shoot for anyway.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1)

Writing To Learn

So, I’m still learning how to be a good writer AND a good blogger.  I’m not afraid to admit it.  And part of this is admitting that I still make mistakes.  The blog is a great example of that.  It’s not that I haven’t wanted to write it, but rather that the time it takes has overwhelmed the time I had to give it and I did not make allowances for it.  What do I mean by this?  Simple.  I used to get up early and write and blog entry.  However, I found that untenable because it routinely takes an hour to 1 1/2 hours to write an entry because I’m so meticulous.  To me, a blog isn’t a way of expressing your thoughts, but rather it is more of a mini-essay that I craft.  Sometimes these mini-essays go quick, but more often than not, I’m at 500, 750, and 1000 words before I realize it and then I have to cut it short because I’ve run out of time.  When I’m already pressed for time in the mornings, this created some real stress.

Solutions

So, I came up with a way around this by trying to do them all on the weekends.  This way, I get all my entries done for the week and I wouldn’t be so stressed about having to rush to get them done.  That worked, except it ate up the time that I needed for other things such as reading, gaming, and “life” outside of school and work. So, it became harder and harder to get it done during the weekends.  Now, however, I’m trying to simply work in the spare time that I have (which during August was pretty much nil).  I should be reading for class, but I’m going to finish this post and “bank” it so that it shows up on Monday and pretty much do this everyday (or at least 6 days out of the week) so that I can pretty much have content going up daily without all the stress of trying to get it done on the same day.

Short and Sweet

I’m also going to work on shortening the posts and try to keep them in the 250-500 word range by having (like a story) a beginning, middle, and end (or for you non-fiction buffs out there), an Introduction, a Body, and a Conclusion (which is what you’re reading right now).  While I may not be able to go into as much depth and detail as I (personally) would like, it will still help me to get back into writing consistently and ordering my thoughts in a way that will be helpful to get me back to writing creatively which is something I’ve also struggled with during the past month.  Mistakes happen–it’s how you deal with those mistakes and how you get back on the horse after the mistake has been made that helps to define you. I’m hopeful that readers who have stuck with me during this past month will find new and varied content in the coming months to end out the year.

Have a great day!

Word Count: 226 Words (Graphic Novel – Ship of Shadows) — added 1 comic book page to the story for a current total of 24 pages of script.

Sidney