Recapturing the FUN of Writing

A picture of a bridge in London over the Thames river with Big Ben in the distance at night time with cars going over the bridge. A caption is at the top of the image.  The caption says: "I'm doing it MY WAY."
Image Source: https://www.youtube.com/watch?v=nkmU9tp8dN8

So, I was able to publish one piece last year, HawkeMoon, and it was published in the magazine StoryHack. You can find the link to it in the signature field down below. I was only able to finish one other short story last year, Starlight, Starbright, and it is out to a publisher (and has been out for well over 3 months to that one publisher–this is looking more and more like a 5-6 month “monstrosity” of submission period).

Essentially then, my output consisted of 1 publication and 1 finished story/submission. Not great. Add that to my abysmal blogging record (especially the latter half of the year) and you can see that my writing output really took a nosedive. Why might that be you ask? Well, obviously school had a huge impact, along with work during the first 6 months of the year. Add to that, I was sicker in 2019 than I was in 2018 with various illnesses and you can easily see where a lot of my writing time went.

Or can you?

How One Set of Writing Guidelines Ruined My Love For Writing

Yes, it’s true. Reading just one set of (what I now know) dismissive guidelines really affected my writing last year and helped to produce a writing slump that I’ve not had in years. Yes, all the reasons above contributed, but when I think back to 2019, one set of writing guidelines that I read sticks out as the single most destructive thing that I’ve read that made me change the way I write (in a negative way).

The guidelines, from a market that will remain nameless, stated in unequivocal terms that this editor is seeing a distressing trend of writers of short fiction using scene headings for short stories in the same way novel writers use chapter headings and that he (yes, it was a he) found it a bad practice in general, and something that he would not publish in his magazine specifically.

But, I Like Scene Headings

No story that I’ve written (and that has been published) doesn’t have some sort of scene headings. I like them, but more importantly, it is the way that I tell my stories. It makes sense to me and helps me to organize my narrative in such a way that it helps me build the story structure that editors and readers want. To me, a “title” implies an image or theme, and then the actual draft/text/writing is just how I chose to articulate that image/theme. Without it, I tend to get lost or just meander and not actually tell a story. The title, scene headings, etc., are a “mental promise” that my prose/text fulfills.

That’s one of the reason why I’m having such issues finishing my “space truckers” story (Project Independence) for the Jan 31st, 2020 deadline. There are no “scene headings” in the story–because while I didn’t write it for this market–I did read the guidelines about the time I started the new draft and had the admonitions of this particular editor ringing in my mind.

Writing MY Way (& No One Else’s)

This is why I’m so resistant to following the crowd and other people’s ideas–when I do so, they tend to lead me down the primrose path to ruin. When I follow what I want to do, it doesn’t always work out, but at least I know that the work is something that is fun for me and represents the best that I was capable of at that particular time.

Project Independence isn’t fun–it’s a chore to slog through. I’m hopeful that I’ll finish it on time, I already feel that I’m going to have to go back in and revise it again (with scene headings) and more “connective tissue” to get it like I really want it. Had I ignored the editor’s snooty, holier-than-thou attitude about scene headings and written it the way I wanted to, then I would have enjoyed writing the story more and would have less revisions to do even once I finish it.

Will I ever submit to that editor again? I’m not sure–he’s already rejected every story that I’ve sent him (5-6), so that may mean that our tastes in speculative fiction aren’t compatible. However, I do know this: any story that I send to this editor in the future will be written with scene headings.

I’ll just create a “clean” copy without them expressly for his market. I’ve learned my lesson (I hope). From now on, I’m writing not only what I want, but the way I want to as well.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 3 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • Project Arizona (Fantasy Short Story–Weird West))
    Finished: Story Outline
    Next: Character Sketch
  • I, Mage (Fantasy Short Story)
    Mythic Mag. Deadline = July 31, 2020
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2
  • Ship of Shadows: Screenplay
    Finished: Script Outline (Rough Draft)
    Next: Script Outline (1st Draft)

Project Arizona: 1st New Writing Project of 2020

Image of a female gunslinger with long flowing duster, guns, throwing knives, and hands out to her sides, ready to draw.
Image Source: https://8tracks.com/orsonleigh/the-weird-weird-west

Now that I’ve finally gotten both my financial aid and car situation fixed, I can finally concentrate on other things, like writing! Wait, you might be saying, what do you mean, car situation? In the last post, you only mentioned your financial aid woes. Well you, perceptive reader, would be correct–there were indeed additional complications to my life last week that I may get around to blogging about this week (or maybe not, as I have a slew of posts that I’d like to write), so my excessive navel gazing might not be captured into words (or maybe it will, who knows at this point?). Suffice to say that, as of now, both issues are fixed (as far as I’m aware) and I just finished the “story outline” for my next story, the first of 2020.

Weird West

So, Project Arizona is “fantasy” story set in the time of the Old West. There’s a subgenre name for it: Weird West. This won’t be the first Weird West story that I’ve done–I actually published a Weird West story entitled, “Wylde West” some time ago (actually, within the first year of the blog’s creation). I even did a post where I took a picture with my phone of the front and back covers of the journal where it was published. At some point, I will probably add that to the blog as the rights have long expired and it was published in a limited edition run of a journal that cannot be ordered anywhere anymore.

What if . . . a Fantasy Story meets the Western

This is essentially the conceit of what a Weird West story is: fantasy stories set in the Western (American) frontier. I think that I’ve come up with both a unique premise as well as a pretty cool character in Arizona, the protagonist of the story (of course, I thought that with my story, Silence Will Fall, only to have the trailer A Quiet Place to be released a few months later and now, since that movie has become such a central icon, I can’t even send out my story as it looks like I’m blatantly copying their movie and “ripping” them off. I hope I’m not in for the same aggravation as there is a game publisher also working on a Weird West game (just called Weird West) and I can but hope that mine is distinctive enough that I don’t get called to the carpet as someone who is just “ripping off” other properties–again, this one has been kicking around in my mind for a while, but I only set it down on paper as a tangible idea recently (around Thanksgiving of last year–yes, that predates the game’s “official” announcement, but :rolling eyes: we all know what that means these days).

Story Outline Completed

As I type these words, I’ve completed the favorite part of the writing process and will add it to my “Signature” at the bottom of the post. I’ve completed the “story outline,” which just means that I know where the story will go from beginning to end. In the old days, I would have just stopped there and called it a day, but as I’m working with character to integrate characterization more fully into my stories, I also added in my character’s (Arizona’s) FLAW. I made sure that the third act put her in a situation in which her flaw was exposed and that she has to make a choice, either give in to her flaw or not. This is where the INTERNAL CONFLICT of the story will happen. My the very nature of the setting (fantasy version of the Old West), I have plenty of EXTERNAL CONFLICT (which is what I’m good at creating), but I’m specifically trying to build in more in terms of characterization. I do know Arizona’s “backstory” (although it is in my head and not yet set down on paper) and that I think will be the next component to the story–putting down a character sketch of Arizona.

I will let you all know what happens whenever I revisit this project (which will hopefully be a weekly endeavor, but I’m not putting any time limits/deadlines on it–I work better when I can just write without putting undue pressure on myself. So, here’s to a 2020 that’s filled with loads of writing (for school, yes), but also for me creatively.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 3 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • Project Arizona (Fantasy Short Story–Weird West))
    Finished: Story Outline
    Next: Character Sketch
  • I, Mage (Fantasy Short Story)
    Mythic Mag. Deadline = July 31, 2020
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2

NaNoWriMo 2019

NaNoWriMo Calendar--Calendar with checkboxes and word count.
Image Source: https://writerswrite.co.za/perennial-nanowrimo-calendar/

So, I’ve discussed National Novel Writing Month (NaNoWriMo) on the blog before, so I won’t belabor the point too much. For those who might not have heard about it, it is a way of tracking your progress through the month (in terms of Word Count) for a novel. I believe that the Word Count is 50,000 words produced in the month of November in order to count towards getting recognition that you’ve completed NaNoWriMo for that year.

While admirable, I’ll likely never “complete” NaNoWriMo because, as I’ve pointed it out in previous blogs on the subject–November is the exact wrong month for me to try to accomplish such a lofty goal (at least while I’m in school). I have far too many school-related activities to do to even begin to work on a 50,000 word draft. Just this week, in addition to prepping a class, I need to grade 38 Annotated Bibliographies and Daily Writings, I need to research and write my own Final Project Proposal and Annotated Bibliography for the class I’m taking to turn in by Nov. 3, and I need to take care of the several school-related things (like applying for an Honor Society by deadline) that I’ve slacked on doing while prepping for Friday’s exam.

So I don’t have time to do NaNoWriMo, right?

NaNoWriMo 2019–Well, Sort Of . . .

While I don’t have time to really invest in writing the full draft of a novel, I do have time to sit down and jot down a handwritten “rough draft” of a novel. As this is, for me, “Year of the Shadow” where I write long projects based on my short story, “Ship of Shadows,” I have a strong idea for a novel featuring many of the characters from the short story. I began writing out the skeletal form of the story, but stopped at Chapter 5. I was just jotting down 2-3 sentences per paragraph, but I wanted something more substantial. What I didn’t realize is that what I was doing was developing a “plot outline” where I was emphasizing the events, but I was also creating character “hooks” that I could use to start discussing the characters.

In beginning of November, I plan to write out this plot outline again, this time going all the way to the finish of the novel. Then I plan to do the same for the Screenplay and the Graphic Novel. As a matter of fact, I think that’s why I’ve stalled on the Graphic Novel. I really want to get Tana’s “backstory” in the graphic novel, but I didn’t structure it that way and now I think I need to go back to issue #2 and rewrite it, so that it is a flashback scene, so that when she actually tries to save a fellow crewperson, we see the motivations behind the actions rather than me trying to tell it through “captions” above the panel.

Summertime and the Writing is Easy

The perfect time for NaNoWriMo, for me, would be the summer. In the summer, I have much more “free” time and I can use that for writing (even if it is in shorter bursts than I’d like). Even though NaNoWriMo doesn’t work so much for me in November, I can use it to get a “Rough Draft” of the novel together (and the same for a screenplay and the graphic novel).

Even though in January, I plan to “switch” to a different project for my “Year of . . .,” that only means that I plan to start thinking about a new story that I’ve published and how I might be able to expand them out and touch on the backstory of characters and figuring out the sequel for the story. However, that doesn’t mean that I can’t actually be working on a 1st draft for the longer pieces. My mind is good at doing “2 things” really well. As I mentioned in the gaming post, I can really do well in manipulating two different modes/registers at the same time. Any more than that, then my mind says too much, don’t want to do it.

This is what I want to avoid–getting too many projects going at any one time (& not finishing any of them). It would be awesome if I can get to next November and have what NaNoWriMo promises: a finished 1st Draft of a novel (and other projects). Once there’s a 1st draft, then 1) I’m invested and am much more likely to see the project to the end and 2) it is far easier to critique a product rather than an idea. Write now, all my longer projects have been just “ideas,” and you can’t critique ideas because you can always change it to make better–to match your vision.

So, to sum up, my goal for this NaNoWriMo is to, instead of using it as month for novel (and other longer writing projects), it is a time to “plan” out those projects and set those plans down on paper and to use the next 12 months, until next November to get those 50,000 words written.

So this is MY 2019 NaNoWriMo Challenge: 1) Rough Draft of Novel “Ship of Shadows,” 2) Rough Draft of Graphic Novel “Ship of Shadows,” and 3) Rough Draft of Screenplay of “Ship of Shadows.” If, at the end of the month, I’m able to get these done, then I’ll report back on the progress. If you never hear anything else about this until next year, then you’ll know that I didn’t get it done.

Hey, at least I’m honest! 😉

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

I Would Rather Be a Reader, But . . .

Bookshelf in the MTSU Graduate Office_Oct. 2019 (Sidney Blaylock, Jr.)
Image Source: Bookshelf in the MTSU Graduate Office_Oct. 2019 (Sidney Blaylock, Jr.)

I would rather be a reader, but you can’t earn money from reading. Well, that’s not exactly true. There are “Readers,” people who earn money (salary) in Hollywood by reading scripts and passing them on (along with notes) to Hollywood executives who actually decide whether or not to purchase the scripts in question. There are also “Readers” who get paid to read stories on the “slush pile” (you know, those who aren’t written and submitted by “named” writers like Stephen King or George R.R. Martin–in other words, everyone else). Depending on the magazine, journal, or digital platform they may earn a salary, commission are paid by story (rarely), or may even volunteer their time.

However, the closest one can really come to getting paid for being a “Reader” is what I’m trying to do now which is earn a PhD and teach. Even that isn’t truly reading because, although you read and integrate the knowledge, you must then synthesize it and be able to successfully articulate what you’ve read (learned) back to the students in your class. Traditional lecture no longer works (if it ever did) and so not only must you find a way to articulate it back, you now have to find ever-more creative ways of getting that information back to the students (acting as a translator of sorts between the text and the students). Yet, it is only one of the truly acceptable ways in which one can make a living in which the majority of one’s “work” involves reading.

And So I Write . . .

I write because no one, at the moment, is writing what I want to read. Well, again, that’s not entirely true. There are still a couple (in this case three to five) authors that still write in the modes that I like to read. Most of the authors of the “older” generation have died or while they are still writing, their books are no longer considered relevant: David Eddings, Anne McCaffrey, and Robert Jordan are three that fall into the deceased categories. Each author’s books were bestsellers and were “big deals” when they were released. Now, however, they are considered “also rans.” The new generation writes in modes that simply don’t interest me as a reader. There’s nothing particularly impressive about George R. R. Martin’s Song of Ice and Fire (especially when you know that it takes its ultimate inspiration from The War of the Roses. Hey, other fantasy authors out there: There’s also the 100 Years War, the 30 Years War, The War of 1812, the two World Wars (obviously), the Norman invasion of 1066, and Napoleanoic wars, and that’s just off the top of my head without any research. There you go, pick one of those, add in quite a bit of sex and a lot of head chopping (among other things), create unlikable characters screwing each other over (among “other” things) and you should be all set with your own (modern) fantasy opus.

The things that I write are simply the things that I like to read. I can’t put it any more plainly and simply than that. I like reading about interesting characters who struggle and overcome. They don’t have to be “heroes” per se, but they do have to actually try to overcome their problems rather than wallowing in them and making themselves and everyone else in the story miserable because of it.

For me, writing is something that I do because I can’t find authors (with the exception of a few select ones) who write fiction–fantasy or science fiction that actually matter. The new generation seems to find things like “dream-boat vampires” or anti-heroes that would spit on you just for daring to look at them as the epitome of characters, while sneering down their noses at characters who actually aspire to values (and stands up for the values even though it costs them to do so).

For me, authors like Brandon Sanderson, Elizabeth Moon, and Tad Williams are ones who write characters that I still enjoy reading about and hope to one day emulate. And I won’t lie, emulating their success would be nice as well. Other authors that I still read, although I haven’t read recently include: Kenneth Oppel and of course, Diane Duane, whose original “wizardly kids/teenagers” books never enjoyed the amazing world wide phenomenon that another “wizarding” series did years later.

I write, not be successful (although, I won’t lie, that is an important sub-goal). Mainly, I write because I can’t find anything to read, or rather, I can’t find anything worthy of reading anymore because everyone else’s definition of “what’s good” has changed.

So now I write to (ultimately) so that I have something good to read as well.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

Game Day: The Confluence of Gaming and Writing

Man typing outside at a table with his laptop, coffee, plant, water, and writing journal
Image Source: https://medium.com/read-watch-write-repeat/pursue-your-writing-projects-on-the-weekend-6fcee00848dc

Fall is here and I’m back. I’m in the midst of a flurry of last minute reading for my test on Friday. I don’t really feel all that confident about it, but it is what it is. I wish that I had perfect recall–at least on names. I really want to mention theorists and scholars as a lot of the test depends on “name dropping,” but, except for the biggest names in the field, most names are gone the moment I close/put down the book. Sigh.

Anyway, I’m back after a nearly two week drought. It isn’t that I haven’t wanted to write, but between grading and reading, I just don’t seem to find an hour in the day anymore to write. However, I get discourage when my favorite YouTubers don’t post on time, or go long periods without putting up new videos, and here I am, doing the same. So, not to be hypocritical, I thought I’d take a quick “study break” and dash out a blog post before reading some more and then going to bed.

Saturday is “Game Day”

So, Americans will get this pun as, I feel, will a lot of Europeans. In both countries, Saturday is a prime “sports day.” For Americans, at this time of year, it is “college football,” which is American football played among various university teams in which there are long-standing rivalries. In Europe, a lot of “football” matches (soccer) takes place, again with long-standing rivalries.

However, for me, Saturdays are my primary “gaming” days. Friday evenings are usually too draining, so I don’t usually start my gaming until Saturdays. While I use to bounce from game to game, what I’ve been doing these past couple of years is really investing in one game every week and really digging into it and making myself a “master” at the game (Assassin’s Creed Origins, Tom Clancy’s Ghost Recon Wildlands, and Gravel are all games in which I earned the maximum achievement for–the Platinum Trophy–in terms of achievement.

My “backlog” of games to be finished, however, continues to grow, so much so that I’ve come to despair of ever finishing them all before the next “generation” of consoles (i.e., the PS5) arrives Holiday 2020. Recently, however, I found myself switching between two games (God of War and Rise of the Tomb Raider, 20th Anniversary Edition) on a biweekly basis–one week I play GoW and the next week I play RotTR. One game is a Physical game and the other is a Digital Game. When I finish either of these two games, my plan is to simply pick another in the respective genre and start playing. In this manner, I hope to bring my “backlog” down to a reasonable size.

Saturday Morning = Needs to be “Writing Game Day”

My goal is to get to where I can do the same on Saturdays for my writing. Usually Saturday mornings are when I’m just starting to recover from the week, and while I don’t feel fully creative (that’s actually Saturday evenings when I’m usually watching a movie), I do feel much more more creative.

While I can “write” during that time (draft), what I’d like to be able to do is to work on Rough Drafts during that time. I feel that I can probably write (draft) on the current story that I’m working on during the week by creating scenic “milestones” to get to for that week. However, like my gaming, I’d like to have a second project in the wings that I could write out (longhand with a pen/pencil) every weekend and then when I finish the “weekday” draft, I’d move the weekend draft to that spot, start writing (drafting) it, and then move in new Rough Draft during the weekend spot.

I wanted to start that this previous weekend, but was enamored with “cleaning,” that I, of course, procrastinated until it was too late. I’m going to try it again this upcoming weekend and I hope by putting it up on the blog, I will be able to hold myself accountable for actually getting it done. I’m pretty sure two projects in writing, just like gaming, is probably going to be my limit, but, just like gaming, my goal is to shrink my “backlog” of games and writing projects down and get them finished, so any strategy that I find that I can use to do that successfully is one that I plan to implement (& hopefully use it to thrive as a writer).

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 2 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

Writing a Novel: DSRV Outrider

Drafts 0-1 with advice for each one on writing novels.
Image Source: https://writingcooperative.com/the-drafts-your-novel-needs-and-why-you-probably-wont-use-a-single-word-of-your-first-draft-c9c84fe0e841

So, one of my colleagues has written a novel and wants help to get it published. Now, I’ve written and published quite a few short stories (I just got a new email from the editor of Storyhack updating me on the progress of HawkMoon), but as long time blog readers know, writing a novel is one of my lifelong goals (one of the items on my “bucket list,” so to speak). Not having actually worked on a novel, I’m giving advice on basic storytelling, but I’m not able to give specifics on novel writing, having never actually completed one.

Those Who Can Do, Do; Those Who Can’t Teach (Not true!)

You don’t know how much this cliche’/idiom burns me up. I hate this sentiment because it ignores the fact that sometimes those who can do, can’t/don’t actually do well). So, knowing full well that movie writers have external pressures (studio notes, etc.), it still rankles that the writer of X-Men: Last Stand got to write Dark Phoenix, and based on the reviews, the latter movie made many of the same mistakes as the former movie (I haven’t seen it yet, so I’ll reserve my judgement). So, this sentiment that people who can’t do things become teachers is so very false–sorry, I’m going off on a tangent here that’s probably better suited for another blog post. My point being is that even people who are allowed to do things (like write screenplays in a closed guild system) aren’t always the greatest at doing things.

I feel that I in order to teach writing a novel, I need to follow the advice in the blog post from a couple of weeks ago: To Begin, Begin. I’ve always wanted to write a novel and a major impetus for coming to grad school was to use the dissertation to get comfortable writing longer 100+ page documents, so I figure this is as good a time as any to try to start (“in the background”) writing a novel.

DSRV Outrider–Writing a Novel to help a Novel Writer

In keeping with my “Year of the Shadows,” the novel will be based on my “Ship of Shadows” short story. I’ve already have a “pre-production” idea of the action and character’s growth. The next task I think will be to actually sit down and write a rough draft of the story that I see so far in my head and continue working on this process until I have the full draft story in mind.

The problem with novels is that I (usually) have a beginning and a (sometimes) an ending, but I rarely have all the parts in the middle figured out and I hate writing “with gaps.” I like to know all the pieces/elements of the story before I start writing (its more fun for me that way), but with a novel, I rarely have all the pieces. I’ve been doing research, however, this time around, that I hope will help alleviate some, if not all, of the “gaps” that occur when I try to write a novel.

My collegue is very good with characters, but is (admittedly) less familiar with storytelling conventions. I, on the other hand, am the exact opposite. I know quite a bit about storytelling and the elements that make a good story, but I am still learning how to create compelling characters–ones that others want to read and not just ones that I like and ones that feel real and alive and not simply vehicles for the plot to hang on.

I won’t bore you with details, but I will just say that I hope that I can use the research and the rough drafting for my novel to aid my grad school colleague, who is further along in the process, to give solid and helpful advice so that she can get her novel published, while at the same time, learning new techniques that will help me become a novelist as well.

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = July 31, 2019
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = January 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019
  • HawkeMoon (upcoming) = Edits turned in to editor 5/31/19

Reworking My Writing

Chart of the Writing Process: Prewriting, Drafting, Revising, Editing, Evaluating, Publishing.
Image Source: https://www.dailyinfographic.com/the-writing-process-infographic

If you take a gander at the “What I’m working On” section at the bottom of this post (and all of the following posts after this one, you’ll see a slight change. Previously, I had been doing a poor job of trying to list the many different projects that I was working on to give you an idea of where I was in my (many, perhaps too many) writing projects. However, due to the sporadic nature of me getting to work on my writing, I’ve found it difficult to keep up with the upkeep on keeping my writing projects current.

Brandon Sanderson Effect

I really liked the way Brandon Sanderson does his “updated projects.” Now, Brandon is one of my current favorite writers. I really like how he provides a “status bar” for his projects that “gamify” his progress on his projects. I’m not nearly that savvy in terms of graphics, so I don’t know how to gamify my writing in the same way. I tried to do it in the same way as Brandon’s site (just without the graphics), but its just not working. So I’m going to change the way I’m listing them at the bottom.

The Mythic Magazine Effect

Mythic Magazine, a market that I’ve submitted to frequently in the past two years (but haven’t yet had a sale to them yet). However, they have a submissions period of twice a year. So, what I’ve decided to do is to list the projects that I’m working on for that market and how close I’m to finishing it (especially in terms of deadline). I really only have enough time to work on two projects at a time (a shorter one and a longer one). The longer one will be listed as well, but it will be the one that I’ve been working on for a while. That one I’ll update quarterly, while the other two will be updated monthly (my preferred working time-frame).

I’ll also keep readers of the blog up-to-date on projects that have been accepted and where they are in the production process. I currently have one project, HawkeMoon, that I can sort of update everyone on so far.

Anyway, its getting late, so I’ll wrap it up now. Check out the new listing down below. I hope you like it!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = July 31, 2019
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = January 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019
  • HawkeMoon (upcoming) = Edits turned in to editor 5/31/19

I’ll Let You in on a Little Secret . . . About the Blog

A table set with several dishes of food on a blue and white tablecloth.
Image Source: https://researchinsiders.blog/2017/07/06/moving-beyond-binge-vs-snack-writing/

So, just like the title implies, I’m going to let you in on a little secret in regards to this blog. You know how last week I was able to release 5 blog entries without fail and all of them released at about 8:00 am EST? Yeah well, I did them all on that Sat./Sun. before the week. That’s right, all 5 entries last week were written mostly on those two days (actually, the vast majority of them were written in a single day). I found the process to be actually be kind of enjoyable, especially when I finished the 4th one and I knew that I was going to finish the 5th one in fairly short order.

Binge Writing

Okay, so I’m not really a “binge watcher,” (per se). Unless there’s are run of really good episodes all right in a row, I don’t generally binge watch a show that is on streaming. Rather I “consume” 2-5 (sometimes more, sometimes less) episodes at a time and then I stop for a period of time (which depends on how much time I have that week, how much I’m invested in the show, and how much I like the current storyline). The more I like a particular storyline, the more episodes I watch and vice versa. I am literally 4-5 episodes away from finishing Farscape for the first time (I’ve mentioned previously that this is my 3rd time attempting to complete the series–more on that when I give my review of the series). However, the last episodes in the back half of the 4th Season are really dragging for me–I think I know why, but I want to finish before I give my thoughts.

All this to say that I have a fairly strong will (especially when I can create a “routine” and stick to that routine without a whole lot of variation to knock me off my routine). I found that I really like writing all of the blog entries on 1-2 days and then schedule them to “pop-up” on WordPress every day. When I did it this way, I was able to get my all my posts done and then used the week to do creative writing on The Independent and the edits for HawkeMoon. I was much more productive with just a little tweak to my “system.”

So What Happened?

This week, well I’ve missed two days so far. In my defense, one was a holiday, but had I done the same system, I could have had a shorter post ready for it that simply wished everyone a happy holiday.

No, this week that system didn’t happen because I was a bit sick this past weekend–an all too common refrain for this year. While I was able to get up and do things, whatever I had lead to a general sense of lethargy (in addition to a slight runny nose), so I basically was in bed for quite a bit of the holiday weekend.

The posts that you’re getting this week are ones that I being created on the day they are released–and as you can see, I’m much more erratic when I write this way.

This is the same with my creative writing. When I can carve out a substantial amount of time (regularly), then I’m able to make significant progress on my stories. However, when I only have a small amount of time–even if it is regular–it is much harder for me to get into the “ficitive dream state” and much harder for me to create writing in which I’m personally satisfied. The blog from which I used an image (https://researchinsiders.blog/2017/07/06/moving-beyond-binge-vs-snack-writing/) mentions an idea that I’ve used before: “The Flow.” If I don’t have enough time to write, then I don’t enter this flow (the ficitive dream I mentioned above) and the writing is very unsatisfying.

So, for me, it is better for both the blog and my own projects, to have a regular, discrete amount of time (45 mins to hour and a half) for me to truly create something that I’m proud of as a writer. If I don’t have that time, then it is much harder for me to write and to write consistently. So now that I’ve defined the problem, my task is to work on the solution: finding ways to binge-write consistently.

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

The Problem With Online Apps . . .

Paper Tablet with Pen with lots of crumpled pieces of paper around.
Image Source: http://www.mktx.com/why-is-writing-content-so-hard/

So, this is going to be a super short blog post, and the length of the blog post is related to the topic. I’m keeping it short because I’m working on the edits to my short-story, HawkeMoon. Or, in this case, “re-edits” as I’ve lost the edits that I worked on earlier last week and I’m having to redo them.

Not Going to Rant, but . . .

I’m not going to turn this into a rant post, but to say that I was disappointed with Google Docs late last week would be an understatement. I normally would do my edits on Pages on my Mac, but as the OS is fairly old now–at least 1 OS update (probably 2 and soon to be 3 later this year), Pages doesn’t do the greatest job of picking up the edits on Word docs. I thought I was going to have to use the school computers (they have Word on them), but then I discovered that hey, Google Docs on my Chromebook also handles Track Changes pretty well–let’s do it on the computer that I always have on me.

Downloading Didn’t Save My Changes

So, as I was working on this–in truth, I did about 15%, but of that small percentage, there was section that I added in specifically to address the editor’s concerns. It was only about a paragraph in total, but it took me about 45 mins – 1 hour to get right. And then I lost it! ARRGH! I had to an update, so I knew I needed to restart the chromebook, so I downloaded the copy to the chromebook and felt fairly safe that if it didn’t restore correctly, then I’d be able to get the changes from the online version. Well, not sure what happened, but the changes in the downloaded copy were gone as were the changes to the online copy. In essence, about an hour to an hour and a half of work down the drain. I put it aside last week and haven’t touched it again until today. Now I’ve reached the section where I need to revise again, and I’m working on this blog post instead. I know what I want to say, but I can’t remember the exact phrasing that I used and its hard to work on it, knowing that I had what I wanted, lost it, and now have to try to replicate it.

ARGH! The trials of being a writer.

Oh, well, if necessary, I’ll skip it and come back to it, but I just had to take a moment to get it off my chest. Writing is fun most of the time, but just like anything else, there are times when it isn’t. And this is definitely one of those times. Oh, well, nothing to do except press on. Here’s to getting the edits done ASAP (this week). Wish me (better) luck!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

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