New Pulp Sub-Genre

Four diverse book covers, each showcasing a different type of New Pulp hero: A Detective and fantasy cover are display prominently
Image Source: https://thepulp.net/the-hunt/new-pulp/

I just submitted an entry to a new directory that will be coming out that lists creators (writers, artists, editors, reviews, and publishers) of New Pulp stories. I didn’t really know that I was one until I published in Storyhack, but after researching more into this fairly new sub-genre, I think that many of my stories have, at least at their core, a New Pulp aesthetic that I may try to emphasize more.

So, What is New Pulp?

Great question that–to be honest, I had to do some digging on the web to really figure it out myself. I guess the easiest way to define it would be to give you a definition of “Old” Pulp and then tell how “New” Pulp is different.

Basically, these are the stories from the 1930s – 1950s that you hear so much about. These are sci-fi and adventure stories that cared far more for the flavor and zest of the story than actual realism or verisimilitude. These are the stories in which rocket-ships have fins, aliens live on Mars without vacuum suits, and hidden civilizations hide under the earth or in deep forests. Pulp was no so much interested in the “real world” effects of science, so long as the authors could use their imaginations and create stories that illustrated conflict.

New Pulp are stories that take the same action and adventure element, but which do not necessarily throw away realism or verisimilitude to achieve that adventure aesthetic. These are stories that have the adventure/action element at their core. Essentially, this is the “Action Movie” genre for fiction.

This is What I Like To Read

One of the reasons that I’m not as invested in Sci-Fi and Fantasy (in fiction) as much as I used to be is that the concept of a “hero” has pretty been dumped and the new concept is either “morally ambiguous” (aka “gray” characters) which basically just means the protagonist is either a “badass” that does things for his/her own self-interest (Pitch Black) or “mean people doing mean things to each other (Game of Thrones) or the idea of “literary” sci-fi (which is “character-driven”) which means little-to-no action. It’s all about the dialogue and the internal conflict.

I love characters and characterization, but I love characters doing something meaningful. That’s the type of fiction I like to read and write: characters who are engaged in an action or problem and seeing how that character will succeed or fail based on his/her personality traits or flaws. What happens when you’re an “ace” pilot, but the ship you’re piloting is a piece of junk? How do you survive on an alien world with just an umbrella when it’s raining lava, but you’ve seen Fred Astaire’s Singing in the Rain since you were two years old and know it by heart? New Pulp (or at least what I understand it to be) comes closest to this, and while I won’t always be writing/publishing in the New Pulp sub-genre, I can tell you that the aesthetic will always be there–I want my stories to be fun, adventurous, and exciting, which are (as I understand it) the very hallmarks of the New Pulp sub-genre.

Now, when I write, am I thinking about writing a “New Pulp” story? No, I’m thinking about writing a Science Fiction story or a Fantasy story, but I do so with a lot of action, and knowing about the New Pulp sub-genre gives me more places and opportunities to market my work. Hopefully, there will be fewer rejections than from tradition/literary markets who (by and large) don’t give a flip about the things that I like about the Sci-Fi and Fantasy genres, rich characterization AND really cool plot/action.

How Can I Find Out More About New Pulp?

Well here are a couple of websites that can help you out:

https://thepulp.net/the-hunt/new-pulp/

https://www.writermag.com/get-published/the-publishing-industry/pulp-fiction/

Also, here is a good publisher of Pulp/New Pulp (and full disclosure: the place where I sent my entry to be included in a directory of New Pulp creators that I mentioned in my introduction.)

Airship 27: http://www.airship27.com/

Well, that’s all I have time for today. Sorry this post is late, but between work and watching the Playstation 5 Reveal event, I’m behind in getting this one out. See you the next blog post.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




Currently Working On (6/2020):

  • The Independent  (Sci-Fi Short-Story)–
    Editing: Revision 1
  • “Project Arizona” (Weird Western Story)
    Drafting: First Draft
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2

“Project Arizona”: The Research

A woman whose face is hidden in shadow of a wide-brimmed had wearing a long flowing duster, with a gun in a brown holster and various throwing knives on her belt.  Her hands are down at her sides.  She is standing on a desert-like landscape with the sun shining above her head.
Image Source: https://www.wattpad.com/296700758-fantasy-sub-genre-guide-weird-west

I don’t want to jinx it, but I’m closing in on finishing the First Draft of “Project Arizona,” my Weird Western (Fantasy Western) story. I thought I’d just quickly highlight a few of the websites that I came across while doing research for this project. This by no means an exhaustive list, but I found out several interesting things and found several unique websites while doing the research.

There Were Black Cowboys

Smithsonian Magazine: https://www.smithsonianmag.com/history/lesser-known-history-african-american-cowboys-180962144/

Here’s something they don’t teach you in traditional American History classes: not only were there black cowboys in the time of the Old West, but they were fairly prevalent. According to the article, 1 out of every 4 cowboys in the Wild West was black. A side note here: that means, Hollywood, that every Western movie made in the 1950s and 1960s (the heyday of the cowboy movie) that had 4 or more cowboys featured should have had at least 1 black actor. Did that happen, Hollywood? No, it didn’t, you say? Well, just some food for thought, Hollywood.

I digress, however. I wanted an African American female protagonist for “Project Arizona,” but I wasn’t sure if African Americans were even a part of the Old West outside of the “Buffalo Soldiers,” but with this source, I was able to find out that not only were they a part of the Old West, but racism was blunted due to the nature of the West being a dangerous place and cowboys (of all colors) had to depend on each other to survive and couldn’t afford to let racism get in the way of survival.

Black Cowboys Existed into Modern Times

AZCentral Website: https://www.azcentral.com/story/news/local/arizona-history/2019/03/17/black-cowboys-were-common-old-west/3180296002/

True West: History of the Western Frontier: https://truewestmagazine.com/the-racial-frontier/

Here’s where I found some more information about black cowboys and how the change from the Old West into “modern society” affected them. This site talks about how Hollywood changed the depiction of the Old West from what it was to how it is perceived in America today. More importantly, for my story, this is where it showed modern interpretations of African Americans (in the 1960s and 1970s) competing in contests such as roping and riding. While there’s not a lot of that in my story (well, none at the moment), it did give me a good sense of how African Americans could contribute in an Old West Setting.

The True West website gave me some good context for where the black cowboy tradition began and also some ideas for period specific clothing and gear for my story.

Wild West Prisons

True West: History of the Western Frontier: https://truewestmagazine.com/old-west-prisons-were-no-place-for-sissies/

A significant portion of the story takes place in an Old West prison (not a jail like you see in traditional western movies), so I needed to find out what prisons looked like in the Old West looked like and how they operated. I like this site from True West because it has the rules that one prison operated under. While I didn’t actually need to use these rules for this story, it gave me the “flavor” of the prison setting, and who knows, maybe on the next iteration of the story, I might need those rules. I’ve already done a little research into Civil War prisons due to an interest from the way they were depicted in another movie–The Outlaw Josie Wales? Glory? I can’t remember exactly–but the point is, I knew there were prisons earlier than the Old West, but I didn’t know how they changed.

Well, that’s all I have for today. Just wanted to highlight some of my research as I’m slowly wrapping up the first draft of “Project Arizona.” Expect to hear more about it in the coming weeks as I finish it up.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




Currently Working On (6/2020):

  • The Independent  (Sci-Fi Short-Story)–
    Editing: Revision 1
  • “Project Arizona” (Weird Western Story)
    Drafting: First Draft
  • Ship of Shadows Graphic Novel 
    Finished: Script, Issue #1
    Next: Script, Issue #2

HawkeMoon is the “Cover Story” for Storyhack and is Available Now!

Storyhack, Issue 4.  HawkeMoon by Sidney Blaylock, Jr. in stylized font.  A picture of a scarecrow like monster in a hooded cowl menacing an Assassin (Moon) who is holding her trademark scythe-like blade with a dead brown tree in the background.
Image Source: https://www.amazon.com/gp/product/1686240082

Wow! Just Wow! I honestly cannot believe it. If you’ve been a long-time reader of the blog, or even if you’ve just joined, you’ll know that I’m a “semi-pro” writer. I write (and hopefully, receive payment & get published), but I’ve not yet written any long works, such as novels, so I don’t yet consider myself a true “pro.” The blog was my way of both promoting my work and talking about things I like (in the interim when I had nothing currently in print), but I am also using it as a motivation/springboard to “level up,” so to speak, to get comfortable writing longer, more intricate works. While I’ve been published before (and every time is an awesome feeling!), this time my story is the cover story for Storyhack, Issue 4! This is the 1st time that I’ve ever had a “cover story!”

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Cover Story

What I can’t believe is that the editor chose my story as the cover/featured story! I knew it was first (based on the galleys), but I never once considered that it would be the cover story! Wow! I almost can’t express myself. I never expected that one of my stories would be chosen as a cover story/featured story. Not only is the cover sweet and presents a really cool and dynamic imagining of Moon, but the story also includes a interior image of Moon as well.

And it isn’t just my own work that’s cool! The whole issue looks really nice and the artwork for the other stores looks awesome. I can’t wait to read the other stories by the other authors who were selected based on the intriguing and awesome artwork included. I can say that this is truly a quality magazine and I am so happy that the editor, Bryce Beattie, selected my work for his magazine.

A Week of HawkeMoon

I hope I don’t wear out my welcome, but I’m so giddy at being selected as the cover story that I thought I’d do a week’s worth of coverage on the story. Specifically, I want to talk about the inspiration for the story, the characters, where I see it going in the future (any sequels, etc.). I’ve pushed back a couple of blog entries that I’ve already done to next week, so (fingers crossed), you might actually get two whole weeks of blog content from me this time, even though school is starting soon. I’ve actually already done an “Author’s Note” blog on HawkeMoon when I finished the initial story, but I intend to go more in-depth about the creation process and the finished product, now that it is available.

Please, please, pleasseee, consider purchasing either the print or the eBook edition–not for me, but to show support to the publisher. This is how we reward quality work and make it possible for people like me to continue to have opportunities to publish. Large corporate publishers are only interested in authors like Stephen King or J. K. Rowling who can reliably deliver large returns of investment, and so they’ll never even look at me, or someone like me, no matter how good our work is because we can’t give them huge audiences. However, if we support small presses like Storyhack, then we give opportunities to good and talented writers to find their voices and get publishing experience to perhaps become the “next” big-name writers–and I’m not talking about just me, but for all those like me who are suffering rejection after rejection for the one Acceptance/Publication that makes their dreams of being a published writer a reality.

Please feel free to reblog this post as/where necessary! Have a great week!

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019

Writing: Sprints and Marathons

Images of Marathoners and Sprinters
Image Source: http://upandhumming.com/2014/05/marathoners-vs-sprinters/

So, in many writing manuals over the year, I’ve heard/read that writing short-stories is akin to sprinting while writing novels is akin to running a marathon. I never really paid much attention to it until I started really reading the feedback to some of my recent submissions. Now, to be honest, I love reading novels and have been since my earliest days. There is something about Tolkien’s formulation of the “secondary world,” an imaginary world where I can lose myself, that simply appeals to me as a reader, writer, and a human being.

Sprinting for the (Short-Story) Win

So, the feedback on my stories is that they usually start interesting, but veer off into, let’s face it, “boring-town.” Why? Because, after the initial hot start, I want to then engross myself into the world and the action and the description, but not necessarily the characters. In effect, I’m treating the short story form like a novel.

A short story is different. Poe, the creator of the form, argued that a short story is something that can be read in one sitting. It doesn’t have the time to be detailed, lush, and description heavy. It is a sprint from start to finish that should leave the reader (& writer) breathless with wonder, characterization, and emotion. This is what my goal will be this year–to work on getting my short-stories to resemble the best sprinters ever.

Marathoning the Long Way Round

I’ve long wanted to write a novel, but every time I’ve tried to do so, I’ve found one block after another. However, after completing a game that I’ve played pretty much every weekend for an entire year, I see how a novel can be written. I requires diligence and hard work, but I have those in spades (not being braggadocios), but I need to simply find something that I’m interested in and apply the necessary discipline to see it through even when it seems like I’m not making progress. There was a time in March/April/May of last year when I thought I’d never see the game through to completion as it seemed too long and too arduous to complete, but here I am, in January 2019, having completely finished the game and earned the maximum reward for it (a Platinum Trophy for those PS4 gamers out there), so I know it can be done–now I just have to do it and that’s my goal.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

1st Try

Screen Shot 2013-03-16 at 8.22.29 PM
Scrivener Character Sheet.  Image Source: http://thinkingtoinking.blogspot.com/2013/03/writers-resource-character-templates.html

So far, I have only sold one story on the first try: Dragonhawk One of the reasons why I believe that it was so successful is that even though I had the plot for the story in mind when writing the story, I also used (for the only time time since I restarted my writing “career” by buying Storymill and then later Scrivener) the Character Sketch Template Sheets provided by Scrivener.  One of the things that the character sheets forced me to do was to think about my characters from the external and the internal

External

So, on the Character Sheets, there is a place to fill out all of the external characteristics of the character.  What do they look like, what is their background, etc.  All of the things you might ask yourself when filling out a biography for a character.  Sure, it isn’t much, just spaces where you can write a paragraph or so, but I did that for both of the main characters in the story: Kelfryn (the young man who was a Hawkrider, but wanted to be a Dragonrider), and Scryfe (his mind-bonded hawk, who didn’t understand his rider’s obsession with dragons and dragon eggs).  It really didn’t take that long to write out each one–maybe half an hour to one full hour for each one.  However, when it came to describing the characters and knowing the history, my mind was able to weave a narrative around them that made them seem (to the editor who bought the story, and hopefully his readers), well, alive in some undefinable way.  It also made it easier, for me, to come up with a reason why  he was doing what he was doing that seemed both rational and in keeping with the character.

Internal

Perhaps the most important point is the fact that the character sheet provided a place for internal conflicts–i.e., what is the character struggling with internally.  For Kelfryn, he wanted so much to be a Dragonrider of old and to have the status of a Dragonrider.  His great grandfather had been one as had countless generations before that and in the world I created, even though there were no more Dragonriders, there was still an air of mystique about them and a reverence.  Even though he knew it was forbidden in his culture, his desire to bring them back trumped his good sense and he (pardon he pun) “hatched” a plan to steal an egg, thus setting the story in motion.

Concluding Thoughts

As I said earlier, this is the only story which has sold on the first try–and I didn’t even like the story all that much (the kid learns his lesson while I wanted a fun adventure story).  While I may never have another story accepted on the first try, this incident is trying to tell me something: good characters need both internal and external conflicts.  To help me, I printed out several character sheets.  My goal, of course, is to use them for each of my projects to help get at the inner conflicts and to create well-rounded and dynamic characters. I’m starting this with The Independent.  I’m working on the 2nd Draft now and I’m hopeful that a Character Sketch Sheet will help me to create Ryn (the protagonist) into a round and dynamic character.

Perhaps, one day, I can even reach the rarefied heights of getting back to getting a publication on the first try.  It’s something to shoot for anyway.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1)

(Unintended) Story Research: “The Independent”

SpaceX-Trucking-696x465[1]
Truck carrying oversized load (SpaceX rocket). Image Source: https://cdllife.com/2018/video-trucking-spacex-rockets/

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Revision Month (i.e., “2nd Draft” Central)
    I have stories that I’d like to revise during this month, but I’ve not tried to do multiple projects inside of a single month before and I’m not sure that’s going to work, but I can’t think of any other way. Projects currently awaiting revision include: “Whale Song,” “The Independent” (subject of today’s blog post), “Project Skye,”
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    The Belgariad David Eddings
    Last week was NOT a good week, so I needed some “comfort food” for reading and my go to book for “comfort food” is the Belgariad (followed closely by Diane Duane’s So You Want To Be a Wizard.)
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Stumbling Upon Research for a Story

As I was watching YouTube videos over the weekend (to decompress from a fairly hard week last week), I stumbled upon a set off “trucking” videos on the site. Now, I’d actually found one earlier in July and watched it for details regarding living in a cab and the “realities” of being in such a small space for trips across country hauling freight. YouTube’s algorithms must have finally caught up with that particular viewing because it started offering other trucking videos over the weekend. One YouTuber, in particular, by the handle of indianajacktrucker caught my eye and I watched one of his videos. That one video gave quite a bit of insight into the trucking profession, covering trucking etiquette, truck stops, parking, why truckers are using their trucks instead of truck stops, food, and even a poignant moment discussing the murder of another trucker who parked in an abandoned parking lot because a “big box” store wouldn’t allow him to park on their parking lot.

The Independent = Project Independence= “Space Truckers” = Real Truckers = Story Research

So, readers of the blog over the past year have heard quite a bit about the story that I wrote entitled, “The Independent.”  It was referred to under the name Project Independence & Space Truckers on the blog. It was my attempt to “futurize” the profession of the “trucker” (i.e., what would freight hauling/haulers look like in the future)? Now, this isn’t unique–it remember games like Starflight and Elite (& and from what I hear, Elite Dangerous) were doing something similar as far back as the mid 1980s. However, I’ve not seen it done in fiction in a way that I personally like, so I wrote this story (with hopefully a larger story in mind).

2nd Draft–Focusing on Characters

I’m planning on rewriting the story and focusing more on the characters. Hopefully, now that I have all of the “events” of the story locked down in more or less the way that I want them, I’m hoping to create “Larger Than Life” characters who are at once memorable and realistic. Just by watching this one video (and I’m hopefully going to watch more next weekend when I have more time), I have quite a few ideas for the two main characters and the secondary characters, especially in regards to character traits. Now, I feel like my major task should be to try to come up with Internal Conflicts for the two main characters that they can be struggling with in regards to the story. I feel that this is where I’m weakest at the moment (more on this to come in a future blog post), but now that I’ve written the 1st draft and spent some time away from it, I can see the problems with it more objectively and hopefully work on fixing them to the best of my ability in this new 2nd draft.

Well, that’s all I have time for at the moment. Here’s hoping you have a great day!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

The Independent = Project Independence (aka Space Truckers)–Finished a First Draft of the Story

BOATS

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 12
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)

Goal = 3 Pages a week.  Working on Rough Drafting a Graphic Novel Page on one day and then writing the page on an alternate day.  250 Words a day on the Whale Song Revision–focusing on the characters this time.
Actual =

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    Traveller RPG: I started this a while ago as a book that I was reading just before bedtime, but I didn’t really make much headway.  I restarted it and I’ve just finished the introductory character generation section and I’m now moving on to the skills section and will be soon moving into the “lore” section.  This is a revamp (rules 2.0) of an old school British RPG from the 1980s.  Updated for modern times, this fairly short book still gives a great set of rules, game system, and lore that I hope will serve as inspiration for new sci-fi works in my own writing life.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

The Independent = Project Independence (aka Space Truckers)!

So I finished a First Draft of a story!  I finished Project Skye earlier this year and I thought I was out of the wood in terms of creating new stories.  However, when I tried to finished Project Poet (the First Draft), it fell apart.  I think I know what happened (a fantasy story with NO magic–just lost interest in it), but the 250 words goal and the “gamification” of Scrivener’s Writing Goals, I finished the story on Friday (July 6th) and t is out to my “alpha” readers.  While I intend to do an in-depth project notes (Author’s Note) posting sometime after the 3rd Draft, I feel that it was huge WIN for me to finish this story by my own “self-imposed” deadline.

250 Words a Day (Mostly)

So, I mostly wrote and stuck to the 250 Words a Day goal that I set for mysef.  Actually, before school started in June and a little into the first week of June, I wrote more than 250 Words a Day.  I discovered that I could write about 650 words in a writing session before I started to get “fatigued.”  As I’d written so much earlier, when I finally got behind in school work and couldn’t do the full 250 words, the Scrivener goal system was only requiring about 150-175 words, which worked out just fine.  I did miss a few days, but never more than 2-3 days in a row.  I also discovered that I don’t write on Saturday nights or Sunday nights, just on weekday nights, but I do tend to brainstorm new ideas on Saturday afternoons/nights, so there is that.  So, it looks like drafting will happen on weekdays and brainstorming/creating will happen on the weekends.

What’s Next?

I’m working on creating some sort of schedule–drafting a new story and revising old stories.  Apple used to work on a “Tick-Tock” cycle.  Tick = new product, while Tock = Revision.  That’s sort of the methodology that I’m working with right now.  This month will be a “Tock” cycle where I revise two works: Ship of Shadows Graphic Novels and Whale Song Revision (which I work-shopped last year at the University’s Writing Center and have been meaning to revise for a while).  This will be a Second Draft, so I will try to apply the lessons that I learned with The Independent to finish this new draft and I will be focusing on characterization of the main characters.   This is where editorial feedback was pretty consistent–the main character just didn’t resonate for most readers so I will be radically changing that character (fingers crossed).

That’s all I have for now!  Have a good day.

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

Author’s Note: All Tomorrow’s Children

 

telekinesis_3++_net
Man shooting bolt of mind-energy from his hands, Image Source: 3plusplus.net (3++)

I’ve actually already written an Author’s Note on All Tomorrow’s Children, but I probably should have called it more of a “Rough Draft” Author’s Note because it really only discussed the inspiration of the story and some of the genre aspects of the story.  Now that I’ve finished the Working Draft of the story and just need to edit and polish it before I start submitting it to various markets, I wanted to do a full and complete breakdown on just what the story is just as I did for Here Be Monsters and WarLight.

AUTHOR’S NOTE – ALL TOMORROW’S CHILDREN

The Title

So this title has been kicking around in my mind almost sense I joined the Chattanooga Public library way back in 1996.  It was always around connected to a set of people using Psionics (mental powers–telepathy, telekinesis, etc.).  The original conception was around a group of kids who, in the future, were dominated and controlled by a fascist state.  They escaped and rebelled and fought agains the regime.  It was supposed to be a graphic novel, but I could never get it to come together.  A couple of years ago (my third year as a 6th grade teacher) a new idea came to me about a family of Psionics rather than a group of kids.

Theme

So, in the summer of last year, Sky News (British TV station) did a special report on JIHADI BRIDES and how many of them were lured into the camps of Jihadis based on elaborate promises made to them by these organizations.  Yes, super controversial, I know, but this is when the idea for the story finally crystalized.  What if one sister was lured into and recruited by jihadis for the cause of freeing Psionics from being discriminated vs the other sister who only came to lend her psychic talents to heal and make things better?  This is where/when I began the story in earnest.  It has undergone multiple revisions just to get to this point.  I see it as violence vs non-violence (Malcolm X vs Dr. Martin Luther King Jr).

Length

So this story isn’t very long and isn’t filled with a whole lot of details.  Outside of the mental powers, there’s not even a lot of “sci-fi” going on. I wanted to keep it short and simple, but I may have made it too short and not enough sci-fi.  On this final polishing pass, I may look for places where I can add in future technology to help distinguish as a sci-fi story, rather than a modern day story.

Time to Create

This took a long time to write–I’ve been working on it pretty in some form or another after I saw the video.  I’ve working on it in-between working on my school work, working on grading papers and teaching, working on it while doing many other things.  Also, I’ve had a really hard time writing it and a really hard time finding the TIME to write it.  That is why Jesmyn’s Ward’s advice in Elizabeth Flock’s interview Read, Write, Improve was so timely for me because she said: “Persist. Read, write, and improve: tell your stories. Accept rejection until you find acceptance, but don’t become disheartened, stop writing, and remove yourself from the conversation.”  I realized that I’ve simply become to wrapped up in the day-to-day world of living without giving myself space to write, so every day I try to carve out a small slice of time (even if it is only half an hour) to 1) read, 2) write, 3) edit (aka Read, Write, Improve).  Sometimes I can’t do all three, but I try to at least do at least one of the 3 and all three, if at all possible.  I generally wake up earlier now–and that’s what has allowed me to finally finish the Working Draft of this story.

Research–Jihadi Brides

So I’ve mentioned it before, I had an idea, but scrapped it and based the majority of the story, idea, and characters on the YouTube video by Sky New–Jihadi Brides.  There are a couple other videos that Sky News did related to this subject that also informed this story, but by and large, much of impetus for the story comes from that YouTube video.  I hope the story isn’t too derivative, but I tried to capture both the essence of the culture and the “lure” of fanaticism that I saw in the video, just in a world where mental powers exist.  If you want to see the report, I’ve included a link below for context:

 

Characters

 I originally had 4 main characters–Yeva, her sister, Javan (the husband), and a “Spiritual Leader,” of sorts, but I rolled the leader and husband into one for this draft to simplify things for me.  I also originally had planned for Yeva and her sister to be twins with similar names (Yeva and Veya) as twins do, but it became too confusing for me to keep their names straight and if I, the author, couldn’t do it, I realized it would be difficult for readers to do so, so I changed the sister’s name to something more relatable.

Up Next

I am almost finished with the Rough Draft of a short story for the “Project Skye” short story.  I can see the home stretch/finish line with it.  It is very “rough” as I jumped in without planning and boy, does it REALLY show!  The story is all over the place.  I estimate I’ll need AT LEAST two more drafts before it even resembles something which I would be proud to attach my name to on a submission copy.
Well, that’s all I have for now and thanks for reading this long Author’s Note!  Have a great day!

Sidney




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Two stories Shortlisted–“Citizen X” and “Silence Will Fall”

shortlist_shiksha
Shortlisted Applicants, Image Source: Shiksha.com

I just wanted to let everyone know that I currently have two short stories on the “Short List” at two different publishers.  I should learn of their fate later this month.

Citizen X
Citizen X was a bit of a surprise.  I wrote it around the time of Here Be Monsters, but much like HBM it wasn’t highly regarded as I submitted it.  The ending was also something that seemed a bit controversial, so I pulled it from, intending to rewrite it.  However, I began to feel that I was too harsh towards the story and began submitting it again.  I was fairly surprised that it made it to the “short list” round for a publication–I mean, I wrote it, so of course I liked it, but I didn’t publishers would.  Here’s keeping my fingers crossed for it.  Even if it doesn’t make it for publication, I have to count it as a small victory that it made it to the “short list.”

Silence Will Fall
Silence Will Fall is a story that I’ve chronicled many times on the blog–it even has its own Author’s Note where I talk about the genesis and writing of the story.  It also is a triumph of the MTSU Writing Center, as my Consultant graciously helped with a revision of the piece to make sure that the ending that I “re-wrote” made sense and matched the rest of the tone of the piece.  While I have no control of the process anymore–it is strictly in the editors’ hands–I’d love for this one to get published, if only to give my Writing Center Consultant praise for a job well done!

The Short List
In case there are any who may not know what a “Short List” is: it simply means that the story has passed the first round of initial rejections.  The editors will then make a decision for the stories included in their publication from these stories.  Essentially, stories from this “short list” will make it in.  Making it to the short list is similar to making it to a 2nd interview to get a job, or getting nominated in a category for a prestigious award, like the Oscars.  There’s no guarantee of getting the job, or winning the award, but your chances are better–you haven’t been rejected altogether.  That’s the way it works in publishing as well.  No guarantees–they both could come back with a rejection, but at least those two stories haven’t been rejected outright.

Have a good weekend!
Sidney
Read Skin Deep for Free at Aurora Wolf
Read Childe Roland for Free at Electric Spec

 

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