HawkeMoon is the “Cover Story” for Storyhack and is Available Now!

Storyhack, Issue 4.  HawkeMoon by Sidney Blaylock, Jr. in stylized font.  A picture of a scarecrow like monster in a hooded cowl menacing an Assassin (Moon) who is holding her trademark scythe-like blade with a dead brown tree in the background.
Image Source: https://www.amazon.com/gp/product/1686240082

Wow! Just Wow! I honestly cannot believe it. If you’ve been a long-time reader of the blog, or even if you’ve just joined, you’ll know that I’m a “semi-pro” writer. I write (and hopefully, receive payment & get published), but I’ve not yet written any long works, such as novels, so I don’t yet consider myself a true “pro.” The blog was my way of both promoting my work and talking about things I like (in the interim when I had nothing currently in print), but I am also using it as a motivation/springboard to “level up,” so to speak, to get comfortable writing longer, more intricate works. While I’ve been published before (and every time is an awesome feeling!), this time my story is the cover story for Storyhack, Issue 4! This is the 1st time that I’ve ever had a “cover story!”

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Cover Story

What I can’t believe is that the editor chose my story as the cover/featured story! I knew it was first (based on the galleys), but I never once considered that it would be the cover story! Wow! I almost can’t express myself. I never expected that one of my stories would be chosen as a cover story/featured story. Not only is the cover sweet and presents a really cool and dynamic imagining of Moon, but the story also includes a interior image of Moon as well.

And it isn’t just my own work that’s cool! The whole issue looks really nice and the artwork for the other stores looks awesome. I can’t wait to read the other stories by the other authors who were selected based on the intriguing and awesome artwork included. I can say that this is truly a quality magazine and I am so happy that the editor, Bryce Beattie, selected my work for his magazine.

A Week of HawkeMoon

I hope I don’t wear out my welcome, but I’m so giddy at being selected as the cover story that I thought I’d do a week’s worth of coverage on the story. Specifically, I want to talk about the inspiration for the story, the characters, where I see it going in the future (any sequels, etc.). I’ve pushed back a couple of blog entries that I’ve already done to next week, so (fingers crossed), you might actually get two whole weeks of blog content from me this time, even though school is starting soon. I’ve actually already done an “Author’s Note” blog on HawkeMoon when I finished the initial story, but I intend to go more in-depth about the creation process and the finished product, now that it is available.

Please, please, pleasseee, consider purchasing either the print or the eBook edition–not for me, but to show support to the publisher. This is how we reward quality work and make it possible for people like me to continue to have opportunities to publish. Large corporate publishers are only interested in authors like Stephen King or J. K. Rowling who can reliably deliver large returns of investment, and so they’ll never even look at me, or someone like me, no matter how good our work is because we can’t give them huge audiences. However, if we support small presses like Storyhack, then we give opportunities to good and talented writers to find their voices and get publishing experience to perhaps become the “next” big-name writers–and I’m not talking about just me, but for all those like me who are suffering rejection after rejection for the one Acceptance/Publication that makes their dreams of being a published writer a reality.

Please feel free to reblog this post as/where necessary! Have a great week!

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = September 30, 2019

Year of the Shadow

Arched Shadows on Italian Wall
Image Source: https://pixabay.com/photos/shadows-arch-urban-city-sunshade-1456887/

This has been an idea kicking around for a while now, but I haven’t really been able to decide how to make it work until this year. I wanted to start it earlier this year, but was so focused on my preliminary tests that I didn’t really give it the time it deserved, but I finally figured out a way of making this “Year of the Shadow” work, so I’m going to work at it on the weekends and we’ll see what comes of it.

What the heck am I prattling about?

I’m talking about “The Year of the Shadow.”

Year of the Shadow

So what is the “Year of the Shadow.” Well, the short version is that is where I develop a character that I’ve already published in a story somewhere into multiple projects throughout the year. The long version is that when I was talking with Toni, a fellow Graduate Student and a Writing Consultant at the MTSU Writing Center, I felt that the stories that I’d already published meant that there was something there that intrigued editors enough to buy them and publish them and I should probably use those stories as starting points to help me create longer works with those same characters. She agreed and thought that would be a great idea. I started with Tana from my short story “Ship of Shadows.” This is where the idea for the Graphic Novel came from. However, I got stuck shortly afterwards because I didn’t really know where to go with. I thought I was “unstuck” a couple of weeks ago, but when I tried to write it, I found I still didn’t know what the purpose of the story truly was and discovered that I still felt lost in the story.

Year of Tana

I could have almost entitled this the Year of Tana because my goal is now to focus on the character Tana from Ship of Shadows. In the short story, Tana is a “pilot” of a DSRV. My graphic novel will (hopefully) show how Tana goes from a pilot to a captain. The novel that I’m planning for her will show how navigates being captain and being her own independent contractor/small business owner as she struggles with both crew issues, finding ways to make money, and external issues. I intend to branch off and do a “variant” version of Tana for a screenplay where we see an alternate version of Tana and see her parents for the first time. Finally, I hope to finish off the year with a Pilot for a TV show going back to the novel and using Tana’s adventures there as my guide.

52 Weeks

I’m already 16-17 weeks behind schedule, but I didn’t really have plan earlier (or rather, I had a very nebulous plan), so I can’t really worry about the time lost. All I can do is work hard to make sure that now that I have a plan in mind, to devote time each weekend to making the plan work to the best of my ability. So, while I’m about 17 weeks behind, “The Year of the Shadow” has now commenced.

Something Old and Something New

Image Source: https://resoundcollective.org/something-old-something-new/

While last weekend wasn’t as restful as I’d hoped–more on that in a different blog post–I did manage to turn a major milestone for myself this semester (although pretty much most of my professors–not all, just most of them–would be pretty unimpressed). For me, however, it represent a sort of moral victory after the absolutely crudey week that had.

Something Old

So, rather than beating around the bush, I just want to let readers of the blog know that I “finished” the short story “Starlight, Starbright,” and sent it off to the first market in its long trek to get published. I was not able to get it finished in time to send to the market that only opens for 1 week every four months (Cosmic Roots and Eldritch Shores). Small digression here: I really wish they would change that to the entire month as trying to keep track of the one week they are open every quarter is very hard when you have work, school, and all the responsibilities that I do. I’ve had to set a repeating “appointment” on my phone’s calendar just so that I have a hope managing to catch at least one of their open periods throughout the year. Anyway, I had a friend at the Writing Center (thanks Toni!) read over it to for polishing and to catch my biggest writing nemesis: “dropped out words.” Afterwards, I found a market that does Fantasy and Science Fiction (Deep Magic) to start it on its journey. While I won’t necessarily update the blog with every place it goes, I will definitely update you all on where it ultimately winds up–and I’d love for it to be Deep Magic as it seems like a quality market (but that’s not up to me–I only write the piece as best I can and then hope for the best).

Something New

So, I’ve now switched my focus to my new story, Project Dog. I finished writing the character sketch for the main character and I’ve written out the rough draft (most of it–I need to go back and finish the ending). I’ll keep everyone appraised of its progress. I’ve discovered that I simply can’t work on multiple things at a time. I have to finish one or two things and then move on to the next. I’ve toyed with the idea of “long” and “short” projects for a while now and now I feel I just need to commit to it. I just need to work on 1 “short project” (essentially a short story or maybe an academic essay) that is less than 25 total pages. I then have enough brain cells to spare for 1 “long project” (essentially a graphic novel, novel, screenplay, dissertation, etc.) that is over 25 pages in length. No matter how engaging another project may be, I’m simply going to have to limit myself because I just don’t have the time/ability to do more than this. So work will continue on DSRV Outrider until I finish it and send it off and then I can work on something else. I just don’t have time to do more than this, so as long as I get them to be the best I can, I’ll hopefully be satisfied with the quality of the work if not the quantity of production.

Anyway, that’s all I have for now. Have a great day and thanks for reading!

Sidney

Please consider supporting these fine small press publishers where my work has appeared:




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft — Character Draft “Finished”)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

HawkeMoon Acceptance!

Falconry--falcon landing man's gloved hand.
Image Source: https://www.usatoday.com/videos/travel/2018/11/12/celebrate-world-falconry-day-historic-hotel/1977581002/

So, sometime ago, I wrote an Author’s Note that covered the genesis of my short story, HawkeMoon. While I thought it was an awesome story, I despaired of every getting published as it is an action story. And it features an ending that is not the typical “GrimDark” fare that you see these days in Fantasy based on the successful of Game of Thrones (and its many imitators). Well, after 21 tries, #22 turned out to be the right market! HawkeMoon was accepted for publication by StoryHack Action and Adventure! While I’m not sure what issue it will be in yet, you can be sure that I’ll be keeping readers know when it is available.

Action and Adventure

So, this market is exactly the type of market that I wish there were more of in the Fantasy and Science Fiction field. Most of the markets are more for “social” sci-fi where they look at a trend and extrapolate on that trend for near future/far future and then that becomes the author’s world. Fantasy is a lot more fluid, but thanks to George R. R. Martin’s success with his “GrimDark” Game of Thrones series, it is very hard to interest editors of markets to get behind anything that is not “GrimDark,” or has elements of that sub-genre in work. I make no bones about despising the “GrimDark” sub-genre, hence my despair at finding a publisher for HawkeMoon.

One of the things that I like about this market–in addition to the awesome system of keep authors in the loop about the submission process–is that the editor understands that “action” and “adventure” are not dirty words, but are elements that are integral to the story. Yes, characterization is the most important (see, I’m learning), but just because characters don’t have “bad things” happen to them and then they turn around and do “bad things” to others (take a guess to which Fantasy series I’m referring to), doesn’t make the story nonpunishable. Action/Adventure, when used appropriately, can heighten the suspense for the reader and make the character “change” by putting him or her under extraordinary circumstances from which they must escape. So, they don’t “change” via a soliloquy or deep intense reflection–that’s okay. They still change–whether its deciding to kill (or not kill) that Troll guarding the bridge, or whether or not to pull the trigger on those starfighter controls that will, in effect, kill his mother and yet, all the girls go gushy over because of his long black and emo personality (guess which popular space opera movie I’m referring to here), still these are choices that the character makes and these choices define the character (for good or ill) and are just as appropriate as deep navel gazing (reflection) or long dramatic speeches (soliloquy) in defining the character.

Celebration

So, I haven’t decided what to do quite yet to celebrate HawkeMoon’s acceptance. My birthday’s coming up soon, so I may just roll the celebration into my birthday and call it a day. At the very least, getting an Acceptance for HawkeMoon is an awesome birthday present!

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Writing: Sprints and Marathons

Images of Marathoners and Sprinters
Image Source: http://upandhumming.com/2014/05/marathoners-vs-sprinters/

So, in many writing manuals over the year, I’ve heard/read that writing short-stories is akin to sprinting while writing novels is akin to running a marathon. I never really paid much attention to it until I started really reading the feedback to some of my recent submissions. Now, to be honest, I love reading novels and have been since my earliest days. There is something about Tolkien’s formulation of the “secondary world,” an imaginary world where I can lose myself, that simply appeals to me as a reader, writer, and a human being.

Sprinting for the (Short-Story) Win

So, the feedback on my stories is that they usually start interesting, but veer off into, let’s face it, “boring-town.” Why? Because, after the initial hot start, I want to then engross myself into the world and the action and the description, but not necessarily the characters. In effect, I’m treating the short story form like a novel.

A short story is different. Poe, the creator of the form, argued that a short story is something that can be read in one sitting. It doesn’t have the time to be detailed, lush, and description heavy. It is a sprint from start to finish that should leave the reader (& writer) breathless with wonder, characterization, and emotion. This is what my goal will be this year–to work on getting my short-stories to resemble the best sprinters ever.

Marathoning the Long Way Round

I’ve long wanted to write a novel, but every time I’ve tried to do so, I’ve found one block after another. However, after completing a game that I’ve played pretty much every weekend for an entire year, I see how a novel can be written. I requires diligence and hard work, but I have those in spades (not being braggadocios), but I need to simply find something that I’m interested in and apply the necessary discipline to see it through even when it seems like I’m not making progress. There was a time in March/April/May of last year when I thought I’d never see the game through to completion as it seemed too long and too arduous to complete, but here I am, in January 2019, having completely finished the game and earned the maximum reward for it (a Platinum Trophy for those PS4 gamers out there), so I know it can be done–now I just have to do it and that’s my goal.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

1st Try

Screen Shot 2013-03-16 at 8.22.29 PM
Scrivener Character Sheet.  Image Source: http://thinkingtoinking.blogspot.com/2013/03/writers-resource-character-templates.html

So far, I have only sold one story on the first try: Dragonhawk One of the reasons why I believe that it was so successful is that even though I had the plot for the story in mind when writing the story, I also used (for the only time time since I restarted my writing “career” by buying Storymill and then later Scrivener) the Character Sketch Template Sheets provided by Scrivener.  One of the things that the character sheets forced me to do was to think about my characters from the external and the internal

External

So, on the Character Sheets, there is a place to fill out all of the external characteristics of the character.  What do they look like, what is their background, etc.  All of the things you might ask yourself when filling out a biography for a character.  Sure, it isn’t much, just spaces where you can write a paragraph or so, but I did that for both of the main characters in the story: Kelfryn (the young man who was a Hawkrider, but wanted to be a Dragonrider), and Scryfe (his mind-bonded hawk, who didn’t understand his rider’s obsession with dragons and dragon eggs).  It really didn’t take that long to write out each one–maybe half an hour to one full hour for each one.  However, when it came to describing the characters and knowing the history, my mind was able to weave a narrative around them that made them seem (to the editor who bought the story, and hopefully his readers), well, alive in some undefinable way.  It also made it easier, for me, to come up with a reason why  he was doing what he was doing that seemed both rational and in keeping with the character.

Internal

Perhaps the most important point is the fact that the character sheet provided a place for internal conflicts–i.e., what is the character struggling with internally.  For Kelfryn, he wanted so much to be a Dragonrider of old and to have the status of a Dragonrider.  His great grandfather had been one as had countless generations before that and in the world I created, even though there were no more Dragonriders, there was still an air of mystique about them and a reverence.  Even though he knew it was forbidden in his culture, his desire to bring them back trumped his good sense and he (pardon he pun) “hatched” a plan to steal an egg, thus setting the story in motion.

Concluding Thoughts

As I said earlier, this is the only story which has sold on the first try–and I didn’t even like the story all that much (the kid learns his lesson while I wanted a fun adventure story).  While I may never have another story accepted on the first try, this incident is trying to tell me something: good characters need both internal and external conflicts.  To help me, I printed out several character sheets.  My goal, of course, is to use them for each of my projects to help get at the inner conflicts and to create well-rounded and dynamic characters. I’m starting this with The Independent.  I’m working on the 2nd Draft now and I’m hopeful that a Character Sketch Sheet will help me to create Ryn (the protagonist) into a round and dynamic character.

Perhaps, one day, I can even reach the rarefied heights of getting back to getting a publication on the first try.  It’s something to shoot for anyway.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1)

(Unintended) Story Research: “The Independent”

SpaceX-Trucking-696x465[1]
Truck carrying oversized load (SpaceX rocket). Image Source: https://cdllife.com/2018/video-trucking-spacex-rockets/

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Revision Month (i.e., “2nd Draft” Central)
    I have stories that I’d like to revise during this month, but I’ve not tried to do multiple projects inside of a single month before and I’m not sure that’s going to work, but I can’t think of any other way. Projects currently awaiting revision include: “Whale Song,” “The Independent” (subject of today’s blog post), “Project Skye,”
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    The Belgariad David Eddings
    Last week was NOT a good week, so I needed some “comfort food” for reading and my go to book for “comfort food” is the Belgariad (followed closely by Diane Duane’s So You Want To Be a Wizard.)
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Stumbling Upon Research for a Story

As I was watching YouTube videos over the weekend (to decompress from a fairly hard week last week), I stumbled upon a set off “trucking” videos on the site. Now, I’d actually found one earlier in July and watched it for details regarding living in a cab and the “realities” of being in such a small space for trips across country hauling freight. YouTube’s algorithms must have finally caught up with that particular viewing because it started offering other trucking videos over the weekend. One YouTuber, in particular, by the handle of indianajacktrucker caught my eye and I watched one of his videos. That one video gave quite a bit of insight into the trucking profession, covering trucking etiquette, truck stops, parking, why truckers are using their trucks instead of truck stops, food, and even a poignant moment discussing the murder of another trucker who parked in an abandoned parking lot because a “big box” store wouldn’t allow him to park on their parking lot.

The Independent = Project Independence= “Space Truckers” = Real Truckers = Story Research

So, readers of the blog over the past year have heard quite a bit about the story that I wrote entitled, “The Independent.”  It was referred to under the name Project Independence & Space Truckers on the blog. It was my attempt to “futurize” the profession of the “trucker” (i.e., what would freight hauling/haulers look like in the future)? Now, this isn’t unique–it remember games like Starflight and Elite (& and from what I hear, Elite Dangerous) were doing something similar as far back as the mid 1980s. However, I’ve not seen it done in fiction in a way that I personally like, so I wrote this story (with hopefully a larger story in mind).

2nd Draft–Focusing on Characters

I’m planning on rewriting the story and focusing more on the characters. Hopefully, now that I have all of the “events” of the story locked down in more or less the way that I want them, I’m hoping to create “Larger Than Life” characters who are at once memorable and realistic. Just by watching this one video (and I’m hopefully going to watch more next weekend when I have more time), I have quite a few ideas for the two main characters and the secondary characters, especially in regards to character traits. Now, I feel like my major task should be to try to come up with Internal Conflicts for the two main characters that they can be struggling with in regards to the story. I feel that this is where I’m weakest at the moment (more on this to come in a future blog post), but now that I’ve written the 1st draft and spent some time away from it, I can see the problems with it more objectively and hopefully work on fixing them to the best of my ability in this new 2nd draft.

Well, that’s all I have time for at the moment. Here’s hoping you have a great day!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

The Independent = Project Independence (aka Space Truckers)–Finished a First Draft of the Story

BOATS

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 12
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)

Goal = 3 Pages a week.  Working on Rough Drafting a Graphic Novel Page on one day and then writing the page on an alternate day.  250 Words a day on the Whale Song Revision–focusing on the characters this time.
Actual =

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    Traveller RPG: I started this a while ago as a book that I was reading just before bedtime, but I didn’t really make much headway.  I restarted it and I’ve just finished the introductory character generation section and I’m now moving on to the skills section and will be soon moving into the “lore” section.  This is a revamp (rules 2.0) of an old school British RPG from the 1980s.  Updated for modern times, this fairly short book still gives a great set of rules, game system, and lore that I hope will serve as inspiration for new sci-fi works in my own writing life.
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

The Independent = Project Independence (aka Space Truckers)!

So I finished a First Draft of a story!  I finished Project Skye earlier this year and I thought I was out of the wood in terms of creating new stories.  However, when I tried to finished Project Poet (the First Draft), it fell apart.  I think I know what happened (a fantasy story with NO magic–just lost interest in it), but the 250 words goal and the “gamification” of Scrivener’s Writing Goals, I finished the story on Friday (July 6th) and t is out to my “alpha” readers.  While I intend to do an in-depth project notes (Author’s Note) posting sometime after the 3rd Draft, I feel that it was huge WIN for me to finish this story by my own “self-imposed” deadline.

250 Words a Day (Mostly)

So, I mostly wrote and stuck to the 250 Words a Day goal that I set for mysef.  Actually, before school started in June and a little into the first week of June, I wrote more than 250 Words a Day.  I discovered that I could write about 650 words in a writing session before I started to get “fatigued.”  As I’d written so much earlier, when I finally got behind in school work and couldn’t do the full 250 words, the Scrivener goal system was only requiring about 150-175 words, which worked out just fine.  I did miss a few days, but never more than 2-3 days in a row.  I also discovered that I don’t write on Saturday nights or Sunday nights, just on weekday nights, but I do tend to brainstorm new ideas on Saturday afternoons/nights, so there is that.  So, it looks like drafting will happen on weekdays and brainstorming/creating will happen on the weekends.

What’s Next?

I’m working on creating some sort of schedule–drafting a new story and revising old stories.  Apple used to work on a “Tick-Tock” cycle.  Tick = new product, while Tock = Revision.  That’s sort of the methodology that I’m working with right now.  This month will be a “Tock” cycle where I revise two works: Ship of Shadows Graphic Novels and Whale Song Revision (which I work-shopped last year at the University’s Writing Center and have been meaning to revise for a while).  This will be a Second Draft, so I will try to apply the lessons that I learned with The Independent to finish this new draft and I will be focusing on characterization of the main characters.   This is where editorial feedback was pretty consistent–the main character just didn’t resonate for most readers so I will be radically changing that character (fingers crossed).

That’s all I have for now!  Have a good day.

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

Author’s Note: All Tomorrow’s Children

 

telekinesis_3++_net
Man shooting bolt of mind-energy from his hands, Image Source: 3plusplus.net (3++)

I’ve actually already written an Author’s Note on All Tomorrow’s Children, but I probably should have called it more of a “Rough Draft” Author’s Note because it really only discussed the inspiration of the story and some of the genre aspects of the story.  Now that I’ve finished the Working Draft of the story and just need to edit and polish it before I start submitting it to various markets, I wanted to do a full and complete breakdown on just what the story is just as I did for Here Be Monsters and WarLight.

AUTHOR’S NOTE – ALL TOMORROW’S CHILDREN

The Title

So this title has been kicking around in my mind almost sense I joined the Chattanooga Public library way back in 1996.  It was always around connected to a set of people using Psionics (mental powers–telepathy, telekinesis, etc.).  The original conception was around a group of kids who, in the future, were dominated and controlled by a fascist state.  They escaped and rebelled and fought agains the regime.  It was supposed to be a graphic novel, but I could never get it to come together.  A couple of years ago (my third year as a 6th grade teacher) a new idea came to me about a family of Psionics rather than a group of kids.

Theme

So, in the summer of last year, Sky News (British TV station) did a special report on JIHADI BRIDES and how many of them were lured into the camps of Jihadis based on elaborate promises made to them by these organizations.  Yes, super controversial, I know, but this is when the idea for the story finally crystalized.  What if one sister was lured into and recruited by jihadis for the cause of freeing Psionics from being discriminated vs the other sister who only came to lend her psychic talents to heal and make things better?  This is where/when I began the story in earnest.  It has undergone multiple revisions just to get to this point.  I see it as violence vs non-violence (Malcolm X vs Dr. Martin Luther King Jr).

Length

So this story isn’t very long and isn’t filled with a whole lot of details.  Outside of the mental powers, there’s not even a lot of “sci-fi” going on. I wanted to keep it short and simple, but I may have made it too short and not enough sci-fi.  On this final polishing pass, I may look for places where I can add in future technology to help distinguish as a sci-fi story, rather than a modern day story.

Time to Create

This took a long time to write–I’ve been working on it pretty in some form or another after I saw the video.  I’ve working on it in-between working on my school work, working on grading papers and teaching, working on it while doing many other things.  Also, I’ve had a really hard time writing it and a really hard time finding the TIME to write it.  That is why Jesmyn’s Ward’s advice in Elizabeth Flock’s interview Read, Write, Improve was so timely for me because she said: “Persist. Read, write, and improve: tell your stories. Accept rejection until you find acceptance, but don’t become disheartened, stop writing, and remove yourself from the conversation.”  I realized that I’ve simply become to wrapped up in the day-to-day world of living without giving myself space to write, so every day I try to carve out a small slice of time (even if it is only half an hour) to 1) read, 2) write, 3) edit (aka Read, Write, Improve).  Sometimes I can’t do all three, but I try to at least do at least one of the 3 and all three, if at all possible.  I generally wake up earlier now–and that’s what has allowed me to finally finish the Working Draft of this story.

Research–Jihadi Brides

So I’ve mentioned it before, I had an idea, but scrapped it and based the majority of the story, idea, and characters on the YouTube video by Sky New–Jihadi Brides.  There are a couple other videos that Sky News did related to this subject that also informed this story, but by and large, much of impetus for the story comes from that YouTube video.  I hope the story isn’t too derivative, but I tried to capture both the essence of the culture and the “lure” of fanaticism that I saw in the video, just in a world where mental powers exist.  If you want to see the report, I’ve included a link below for context:

 

Characters

 I originally had 4 main characters–Yeva, her sister, Javan (the husband), and a “Spiritual Leader,” of sorts, but I rolled the leader and husband into one for this draft to simplify things for me.  I also originally had planned for Yeva and her sister to be twins with similar names (Yeva and Veya) as twins do, but it became too confusing for me to keep their names straight and if I, the author, couldn’t do it, I realized it would be difficult for readers to do so, so I changed the sister’s name to something more relatable.

Up Next

I am almost finished with the Rough Draft of a short story for the “Project Skye” short story.  I can see the home stretch/finish line with it.  It is very “rough” as I jumped in without planning and boy, does it REALLY show!  The story is all over the place.  I estimate I’ll need AT LEAST two more drafts before it even resembles something which I would be proud to attach my name to on a submission copy.
Well, that’s all I have for now and thanks for reading this long Author’s Note!  Have a great day!

Sidney




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