Mini-Blog: May Update

May 2022 Calendar of the month
Image Source: https://www.wiki-calendar.com/may-calendars.html

So, this is just a quick blog to let everyone know that I’m still blogging. I just found that the between commuting, writing my dissertation, grading, and general everyday living, that I couldn’t keep up with the blog with any real consistency. I’ve just “trashed” a post that I was going to write last week about my writing. It wasn’t relevant anymore as I’ve actually managed to do some slight bit of writing now that I’ve finished teaching for this semester. I’m going to update everyone on where I am for the month of May 2022 and what my goals are–and hopefully, this will become a monthly feature of the blog.

Creative Writing

So, I’ve done very little on the creative writing front for the past 6 months (since about January) or so. That is, until the past week. I’ve done a fair bit in the past couple of days now that the stress of grading/teaching this past semester is over. One thing I have done is a fair bit of planning. I hope that all this planning will pay off over the course of this summer. I’ve also tried to come up with realistic goals/expectations. Yes, I have far more ideas than I have time, yet I want to do them all. I’m hopeful that working on 1 short story per semester will be a solid, achievable goal. Longer works may be included in the semesters that I’m “off” (summer breaks/winter breaks) and they may be worked on if I finish my story “early” (before the end of the semester), but right now, until I get some more stability (in terms of not having to commute so much), I don’t feel like I can commit to anything more and reasonably accomplish it as a goal. Some projects that I’m working towards for Summer Semester 2022:

  • Citizen X (Short Story_Alternate Timeline_Sci-Fi)
  • “Project Ranger” (Screenplay_Sci-Fi)
  • WarLight (Graphic Novel_Sci-Fi)

While there might be others, might primary goal is to finish Citizen X (1st), then WarLight (2nd), and “Project Ranger” (3rd). Most of my creative writing time this summer will go to the 1st and 2nd projects with the 3rd project only getting my time whenever I feel too emotionally drained to work on the other two. I also plan to use the Summer semester to plan for other upcoming projects that I want to work on in the future (character sketches, rough drafts, outlines, etc.–basically things that can be completed in an afternoon or two of work).

Dissertation

This is where I plan to devote the majority of my writing time this summer. While I wrote this semester, I found that the chapter that I’m working on was much longer and more complicated that I originally envisioned (it is already at 10,000 words and will probably be closer to 13-15K words when I finish it. As such, this what I will be working on for large stretches of my summer until it is finished. I’m going to be working on it as soon as I finish this blog entry, which is going to serve as a warm-up to it.

Work-Life Balance

So, my work-life balance has been out of whack for the past semester. I hope that now it will be better over the summer as I don’t have the long commute on multiple days. There are still some challenges that I have at the moment (which I’ll talk about next month–if there’s a resolution), but right now, I still don’t have my days fully back to where I can just focus on my writing (scholarly or creative). I still have some things that I need to take care of as I transition to 1) finishing out my PhD studies and 2) transitioning to my new job.

Publications

While I’ll likely do a full blog entry on this one, I wanted update readers who may not know:

The Independent is NOW published!

It is published in Mythic Magazine (February 2022). I only found about it about a week ago or I would have let everyone know sooner. I will update my “Signature line” to make it easy to find should you like to purchase a copy.

Please remember, while I don’t see any “direct” benefit from your purchase (i.e., I don’t get a royalty or anything like that), purchasing from these small presses help to keep them solvent and available to purchase and publish work from neophyte/journeyman writers like myself.

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




Currently Working On (April 2022):

  • The Runner (Fantasy Story–4000 words)
    2022 RevisionOut to Market.
  • Unhallowed (Weird Western Story–4100 words)
    2022 Revision: Completed; Out to Market.

Hawke and Moon: The Characters of HawkeMoon

Image Source: https://findtattoodesign.net/designs/884-hawk-and-celtic-moon

In celebration of HawkeMoon’s publication and “cover story” status in Storyhack, Issue 4, I’m delving deeply into the story, its characters, my process, and generally doing blowout coverage through the entire week. If you want to read the original Author’s Note for HawkeMoon written when I had just finished writing the story, here is the original blog post.

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Hawke

So, in the issue, Hawke isn’t actually depicted anywhere that I could see–which is okay–but he is very much the protagonist of the story (at least, in my mind). He is the first viewpoint character and it is his motivation to find the King’s killer that drives the story along initially. Hawke is a strange character as he is the fantasy equivalent of an “African American” in a predominately “European” fantasy world. While I don’t delve into Hawke’s backstory at all in the story, he is described as having dark skin. I would imagine in this world that there is a southern region that functions much like Africa/The Middle East (hot, arid, and the sun beats down on the land increasing the melanin of the inhabitants). The two lands probably rarely interact so I’m not quite sure how Hawke would have come into “The Lands” (the European part of the world). I doubt it would have been slavery or any real world amalgam as that concept is foreign to this world, but he was “cast out” by his tribe, so perhaps he was taken in and expected to work for his meals? Not really sure at this moment to be honest. I do know that he is doggedly determined and highly moral and this has allowed him to rise through the ranks to become Captain of the King’s Guard, which is where we find him at the beginning of the story.

Moon

Moon is the character that has really caught the attention of the editor and the artists, I think. Having read The Assassin’s Apprentice by Robin Hobb and playing (& finishing) pretty much every Assassin’s Creed game from the beginning of the franchise (except for the smaller 2D offshoots), I knew assassins as an organized group were still pretty popular, but I almost made her a thief instead of an assassin due to the moral implications of killing for money. What I finally decided was the Moon needed to be an assassin as only an assassin would risk an attempt on the King’s life (especially with a feared Captain of the Guard like Hawke protecting him), so I gave her a moral code. She only accepted contracts for those she felt embodied “evil.” While I don’t explicitly get into this in the story, you do get an implication that she doesn’t kill indiscriminately. She is more of a surgical tool and works to make The Lands better through judicious use of her skill set. However, making her an assassin came with an added benefit: she became more than a match for Hawke. Moon doesn’t play “second fiddle” to anyone and her skills put Hawke to the test–again, great for tension and challenging the protagonist. Moon would be considered a “European” (i.e., white) in this world, which is where the artists take her. I personally envisioned her as extremely pale (as in “no sun”), but the artists have made her much less pale and more normalized. Again, this is fine–I’m just noting some of the differences between the way I envisioned her and how others envisioned her. Her crescent blades are also different, but I knew they would be–that mental image was very hard to describe in words. I’m no artist by any means, but I had to draw out what I was envisioning–to my knowledge, there is no real world weapon that is analogous to the crescent blades that Moon wields.

Setting

This story takes place in The Lands. In my mind it is a loose confederation of nations ruled by a King. The level of technology is about mid 1500s to early 1600s society–with burghers and the like from Amsterdam and that area. Again, none of this is explicit in the story, but I wanted to give readers of the blog a peek into what I was thinking when I wrote the story. The Lands have older medieval civilizations, but are much more modern and moving towards more enlightened society. I don’t think there will ever be a full-on renaissance in this world, but I could be wrong.

As mentioned earlier, The Lands represent a “European”-like society, but there is also a Southern area that has people of darker colors. This society and The Lands trade with one another and do not have any animosities towards one another. I haven’t really nailed this part down, though. This would be the first thing that I would work on if I choose to expand this out into a longer work (graphic novel/novel/screenplay).

Well, that’s all that I have for now! I hope you enjoyed this deeper look at the characters and setting of HawkeMoon.

Storyhack, Issue 4 (Print): https://www.amazon.com/gp/product/1686240082

ebook version: https://books2read.com/storyhack4

Sidney


Please consider supporting these fine small press publishers where my work has appeared:




  • The Independent  (Sci-Fi Short-Story)–
    3rd Draft of 3 Drafts 
    Drafting Section 1 (of 3)
    Mythic Mag. Deadline = January 31, 2020
  • I, Mage (Fantasy Short Story)
    Pre-Production Phase (Planning)
    Pre-Writing on Rough Draft & Character Sketch
    Mythic Mag. Deadline = July 31, 2020
  • Current Longer Work-in-Progress: Ship of Shadows Graphic Novel 
    (Sci-Fi) Issue # 2, Currently on Script Page 32
    Personal Deadline = December 30, 2019

Characters Lead The Way

So I’m probably doing what I always do, which is obsess over the details way too much, but after not really caring about characters over the last few years–well, that’s not really true as I cared about them, but cared about the plot and the action far more. However, now that I’m looking for ideas on creating better and more fully fleshed out characters, I’m finding inspiration everywhere.

I’m very close to finishing Babylon 5’s entire run (I think I have about 2 or 3 more episodes), so imagine my surprise when I saw a slew of writing based suggestion videos on YouTube dealing featuring J. Michael Straczynski describing his process on writing, especially characters and characterization.

Writing Excuses Podcast

So there’s a podcast that I listen to called Writing Excuses and they just finished a whole “season” (most of the year) dealing with characters and characterization. I’ve not listened to the whole season yet–you’d think a hour and forty-five minute drive would allow me to stay current, especially when the episodes are only 20 minutes once a week, but when the other podcasts I follow are 45 minutes – 1 1/2 hours, then it is easy to get behind. However, one of the contributors is Brandon Sanderson, one of my current favorite authors, so I really try to listen whenever I can for advice, tips, and “tricks” to help me become a better writer.

The Character “Sketch”

I’ve mentioned it before, but I’m using a “Character Sketch” worksheet from Scrivener to help me create better, more fully fleshed out characters. It has several questions that one answers including occupation, mannerisms, etc., that should help be create better characters. Here, I think actual artists would have an advantage as they can draw their characters in order to express the characteristics they want to show, but I have to use words to create an image or “picture” of who my character is in the story.

Still, even a basic character sketch seems to be helping me create better and more fully fleshed out characters.

Sidney




  • Current Work-in-Progress–February 2019: Project Dog  (Sci-Fi Short-Story – 1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue # 2, Currently on Script Page 32)

Character Sketch: The Independent (Ryn)

Ginger-Howard-Professional-Golfer-Young-Gifted-Talented
Ginger Howard. Image Source: https://washingtoninformer.com/youngest-african-american-female-professional-golfer-at-18/ 

Authors Note: My character is NOT based on Ginger Howard–my character is African American, female, and wears a “baseball cap.”  That is the ONLY similarity to the above image (still, I thought it would be cool to highlight Ginger Howard’s accomplishments!)

So, today I finished the character sketch for my 2nd Draft of my short story, The Independent.  I won’t go into too much detail here, but I do want to tell a little bit about the process.  I’m trying to create a character that resembles a real life person (who is larger than life).

Family Heirlooms

One of the things that I decided was that I wanted to make sure that I did was to give Ryn a “history.”  I’ve tried to do that by creating a link between her and the past generations of her family by giving her a family heirloom that she uses in the story that gives her  an emotional hook to both her past and her present.  I’ve done that by giving her a “baseball cap” that is her father’s and is really important to her and her father.

Space Story grounded in “Reality”

In Star Wars, Mark Hamill is said to have been concerned about the unreality of the story, but Alec Guinness was supposed to have helped him by reminding him that even in fantasy, their has to be a link to reality.  That’s one of things that I tried to do with this character sketch by making sure that I gave Ryn a true “reality.”  I hope that it is a not a trite reality, but I wanted to try to create something that is more “realistic” than what I normally write.

One Surprising Thing

One thing that surprised me as I was doing this character sketch was the background section.  The background for Ryn came together in a surprising way and I was surprised that I came up with this particular background for her.  I don’t know that it will stick (ie that I will keep it or use it for the story), but I really think that it us both unique and quite strange (for me).

Anyway, I found that Ryn was a great character to come up with a Character Sketch for my 1st (well, 2nd time) out in a while.  I intend to make this step something that I do for my 2nd drafts and hopefully this will making my stories better.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1, Currently on Script Page 25)

 

 

 

1st Try

Screen Shot 2013-03-16 at 8.22.29 PM
Scrivener Character Sheet.  Image Source: http://thinkingtoinking.blogspot.com/2013/03/writers-resource-character-templates.html

So far, I have only sold one story on the first try: Dragonhawk One of the reasons why I believe that it was so successful is that even though I had the plot for the story in mind when writing the story, I also used (for the only time time since I restarted my writing “career” by buying Storymill and then later Scrivener) the Character Sketch Template Sheets provided by Scrivener.  One of the things that the character sheets forced me to do was to think about my characters from the external and the internal

External

So, on the Character Sheets, there is a place to fill out all of the external characteristics of the character.  What do they look like, what is their background, etc.  All of the things you might ask yourself when filling out a biography for a character.  Sure, it isn’t much, just spaces where you can write a paragraph or so, but I did that for both of the main characters in the story: Kelfryn (the young man who was a Hawkrider, but wanted to be a Dragonrider), and Scryfe (his mind-bonded hawk, who didn’t understand his rider’s obsession with dragons and dragon eggs).  It really didn’t take that long to write out each one–maybe half an hour to one full hour for each one.  However, when it came to describing the characters and knowing the history, my mind was able to weave a narrative around them that made them seem (to the editor who bought the story, and hopefully his readers), well, alive in some undefinable way.  It also made it easier, for me, to come up with a reason why  he was doing what he was doing that seemed both rational and in keeping with the character.

Internal

Perhaps the most important point is the fact that the character sheet provided a place for internal conflicts–i.e., what is the character struggling with internally.  For Kelfryn, he wanted so much to be a Dragonrider of old and to have the status of a Dragonrider.  His great grandfather had been one as had countless generations before that and in the world I created, even though there were no more Dragonriders, there was still an air of mystique about them and a reverence.  Even though he knew it was forbidden in his culture, his desire to bring them back trumped his good sense and he (pardon he pun) “hatched” a plan to steal an egg, thus setting the story in motion.

Concluding Thoughts

As I said earlier, this is the only story which has sold on the first try–and I didn’t even like the story all that much (the kid learns his lesson while I wanted a fun adventure story).  While I may never have another story accepted on the first try, this incident is trying to tell me something: good characters need both internal and external conflicts.  To help me, I printed out several character sheets.  My goal, of course, is to use them for each of my projects to help get at the inner conflicts and to create well-rounded and dynamic characters. I’m starting this with The Independent.  I’m working on the 2nd Draft now and I’m hopeful that a Character Sketch Sheet will help me to create Ryn (the protagonist) into a round and dynamic character.

Perhaps, one day, I can even reach the rarefied heights of getting back to getting a publication on the first try.  It’s something to shoot for anyway.

Sidney




  • Current Work-in-Progress: The Independent (Sci-Fi Short-Story – 2nd Draft)
  • Current Work-in-Progress: Project Star (Sci-Fi Short-Story -1st Draft)
  • Current Work-in-Progress: Ship of Shadows (Sci-Fi Graphic Novel – Script, Issue #1)

Inhabiting Characters

character-poster-elements-of-literature-round-flat-characterization
PowerPoint Slide showing various types of characters and topics in characterization. Image Source: The Cutest Blog on the Block (http://beccab8.blogspot.com/2015/06/characters.html)

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Revision Month (i.e., “2nd Draft” Central)
    Trying to figure this month out as I was sick and exhausted yesterday, so I worked on the rough draft of a new project, “Project Captain.” At home, I have two 1st Drafts I’d like to work on, “Project Dog,” and “Project Paradise”, in addition to three 2nd Drafts I’d like to focus on “Whale Song”, “Project Sky,” and “The Independent.” I have to decide how I’m going to proceed as there’s no way that I’m going to be able to get through all of those in one month.
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    The Belgariad David Eddings
    Last week was NOT a good week, so I needed some “comfort food” for reading and my go to book for “comfort food” is the Belgariad (followed closely by Diane Duane’s So You Want To Be a Wizard.)
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Librarians Lead the Way

So, on the first Saturday of the month, I stopped off at the Chattanooga Public Library to talk to some of the librarians who I once worked with for a few moments. I happened to talk with another librarian who also writes fiction and I was reminded about why I write and the importance of character in stories.

Swapping Stories

When I dropped off my Graphic Novel script, she happened to mention a story that she was working on that, while not genre (Fantasy/Sci-Fi), was still quite intriguing and would be something that I’m sure readers will enjoy when she writes it and gets it published.  However, I was struck by her focus on characters and characterization.  Even at the idea stage, she was really focused on how characters acted in the story, their motivations behind their actions, and the interactions between the characters. This blew my mind! And, I made sure that I told her so–her conceptions of characters and characterizations at the planning stage were light-years beyond what I seem to be able to do, so I learned from her and I’m really going to double down on characters and characterization from now on.

Developing Characters

One of the things that my librarian friend was really good at was drawing characteristics and traits from real life people and then applying them to her characters in a way that made sense for her story. She is really good at figuring out the motivations for what people do and the history involved in their lives and then applying that to highlighting what she needs to for the plot. For the rest of this year, this going to be something that I practice–looking at people in real-life and seeing if I can figure out a possible history for them and motivations of the traits that I see them exhibit. I used to be fairly good at that, but I don’t think I really applied them to characters. So, you’ll probably see lots of posts on characterization as I try to improve and get better at it.

Have a great day!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

 

(Unintended) Story Research: “The Independent”

SpaceX-Trucking-696x465[1]
Truck carrying oversized load (SpaceX rocket). Image Source: https://cdllife.com/2018/video-trucking-spacex-rockets/

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Revision Month (i.e., “2nd Draft” Central)
    I have stories that I’d like to revise during this month, but I’ve not tried to do multiple projects inside of a single month before and I’m not sure that’s going to work, but I can’t think of any other way. Projects currently awaiting revision include: “Whale Song,” “The Independent” (subject of today’s blog post), “Project Skye,”
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)
    (Researched an article on Whaling, think that I have the two characters–a brother and a sister who are on the opposite sides of the issue.  Still, no Writing so far). Need to find a place to work in revisions–I can draft new material just fine, but I don’t seem to have any time to work on “drafting” revisions.

Currently Reading (What I’m Reading); Updated Weekly (mostly)

  • For Fun:
    Transhuman edited by Mark L. Van Name and T. F. K. Weisskopf
    Just started this anthology – it was given to me at a LibertyCon some years ago, but I’ve just now gotten around to reading it. I may not finish it/read all the stories, but so far, I’ve read the first story and liked it.
    The Belgariad David Eddings
    Last week was NOT a good week, so I needed some “comfort food” for reading and my go to book for “comfort food” is the Belgariad (followed closely by Diane Duane’s So You Want To Be a Wizard.)
  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 5 today and I’m at the beginning of Chapter 6 (this book has 10 chapters).
    Wrote out a fairly extensive list of possible research topics to explore from chapter 5. Really intriguing book.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Stumbling Upon Research for a Story

As I was watching YouTube videos over the weekend (to decompress from a fairly hard week last week), I stumbled upon a set off “trucking” videos on the site. Now, I’d actually found one earlier in July and watched it for details regarding living in a cab and the “realities” of being in such a small space for trips across country hauling freight. YouTube’s algorithms must have finally caught up with that particular viewing because it started offering other trucking videos over the weekend. One YouTuber, in particular, by the handle of indianajacktrucker caught my eye and I watched one of his videos. That one video gave quite a bit of insight into the trucking profession, covering trucking etiquette, truck stops, parking, why truckers are using their trucks instead of truck stops, food, and even a poignant moment discussing the murder of another trucker who parked in an abandoned parking lot because a “big box” store wouldn’t allow him to park on their parking lot.

The Independent = Project Independence= “Space Truckers” = Real Truckers = Story Research

So, readers of the blog over the past year have heard quite a bit about the story that I wrote entitled, “The Independent.”  It was referred to under the name Project Independence & Space Truckers on the blog. It was my attempt to “futurize” the profession of the “trucker” (i.e., what would freight hauling/haulers look like in the future)? Now, this isn’t unique–it remember games like Starflight and Elite (& and from what I hear, Elite Dangerous) were doing something similar as far back as the mid 1980s. However, I’ve not seen it done in fiction in a way that I personally like, so I wrote this story (with hopefully a larger story in mind).

2nd Draft–Focusing on Characters

I’m planning on rewriting the story and focusing more on the characters. Hopefully, now that I have all of the “events” of the story locked down in more or less the way that I want them, I’m hoping to create “Larger Than Life” characters who are at once memorable and realistic. Just by watching this one video (and I’m hopefully going to watch more next weekend when I have more time), I have quite a few ideas for the two main characters and the secondary characters, especially in regards to character traits. Now, I feel like my major task should be to try to come up with Internal Conflicts for the two main characters that they can be struggling with in regards to the story. I feel that this is where I’m weakest at the moment (more on this to come in a future blog post), but now that I’ve written the 1st draft and spent some time away from it, I can see the problems with it more objectively and hopefully work on fixing them to the best of my ability in this new 2nd draft.

Well, that’s all I have time for at the moment. Here’s hoping you have a great day!

Sidney




Amazon Associate Disclaimer:
I earn a small commission on the purchase of these items.

Characters–Now with Faces

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“Torn” by quick-witted on DeviantArt.com (Click for Artist’s Profile)

Word Count (What I’m Writing); Updated every 2-3 Days (mostly)

  • Project Ship of Shadows (Graphic Novel) Page Count: 12
  • Whale Song Revision (Fantasy Short Story) (2nd Draft)

Goal = 5 Pages a week.  Working on Rough Draft for the next 5 pages on Fridays/Over the Weekend.
Actual = 1/5 Pages done.  The writing process went fairly smoothly and I completed the page before going to bed.  It wasn’t particularly hard or easy, but just a basic drafting session.  Four more to go.

  • For School:
    Afrofuturism (by Ytasha Womack): This book describes the academic genre of Afrofuturism (essentially African American Science Fiction that deals with social issues in culture).  I just finished Chapter 3 today and I’m at the beginning of Chapter 4 (this book has 10 chapters).
    Here is a summary from Amazon: “In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas’ will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book’s topics range from the “alien” experience of blacks in America to the “wake up” cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.”
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)
    Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Scrivener’s Character Sketch Feature

So, I’ve known about Scrivener’s Character Sketch Template for a while now.  I’ve actually used it to great effect.  I did a character sketch for Scryfe and Kelfryn years ago and it is (to date) still the only story I’ve ever sold on the first try.  However, I’ve recently discovered a way that other writers are using the template that never occurred to me and I think that it is pretty useful, so I thought I’d share.

Drag and Drop Characters

Scrivener, like many pieces of Mac software, allows you to basically drag and drop images from your computer or the web into the program with just the click of the mouse (or touchpad these days).  While I’ve done that and used the feature for the “Notes” section to help me visualizing places that I wanted to describe in my fiction, I’ve recently seen other writers dragging in images for their characters.  They are sort of “casting” their stories much like a director/casting agent “casts” their movies.  I think this is “aces” (slang for “a bloody brilliant idea”)!  I can’t help but wonder why I didn’t think of that–sure, you might not find that perfect image that is a one-to-one match for the character in your mind, an image that is close would definitely help the writing process.

Giving Credit Where Credit is Due

The only potential problem that I see with this is that if you get your work published, you should find someway to acknowledge the art/photo that helped get you there (if at all possible), especially if it was an artist’s sketch.  That’s why, whenever I use an artist’s image in the cover image for a post, I always try to credit the artist’s name and promote their website in that blog post.  I don’t promote artists as much as I probably could (i.e., use more artwork from artists) because I know what its like to produce your work, but not paid for it.  I’d like to showcase it, but I’m not a gallery and don’t have the resources (aka funds) to license work for extended periods of time, which is why I do it sparingly.  However, as a member of communities like Deviant Art , I can tell that there are some AMAZING artists out there that I would LOVE to work with at some point.  Here is a Pinterst post to prove my point (click to see more images).

So, writers out there.  If your story gets used/picked up by a publisher, how about throwing a few dollars back to the talented artists and photographers that helped to inspire your work by, perhaps, buying some of their work as well?  We may not all be doing the same type of creation, but at the end of the day, we’re all creators together.  Let’s help each other out, shall we?

Sidney




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A “Big Dog” Barks

Bullmastiff-1_Dogsbreedslist
Image Source: Dogsbreedlist.info

Word Count (What I’m Writing); Updated Daily (mostly)

  • Project Independence Word Count: @3700 words (+0 words)
  • Project Ship of Shadows Graphic Novel Page Count: 12

Goal = 168 words (5000 words by July 1).
Actual = Dead tired after that insane 15 hour day.  0 words written last night.  Hopefully, I can do better tonight.

Currently Reading (What I’m Reading); Updated Daily (mostly)

  • For Fun:
    Oathbringer by Brandon Sanderson (Fantasy Novel, Stormlight Archive Book 3) (somewhere in 850s in terms of page count–more than ¾th of the way through .)
  • For School:
    Ancient Rhetorics, Digital Networks: A book that combines New Media (digital rhetorics) and combines them with ideas and theories of the Ancient Rhetorics.
  • For Research/Personal Development:
    Great Aircraft of WWII by Alfred Price and Mike Spick (for Project Skye)

Reading two or three chapters in Oathbringer every day.  I really shouldn’t be, but it is so good, that I generally read it while eating dinner (and then I go back out to the library to do reading for school).   Great Aircraft of WWII is a book that I’ve had in my collection for sometime–I’ve glanced at it periodically, but never read it cover-to-cover.  Now, with Project Skye, I intend to do just that.

Game Mode On (What I’m Playing); Updated Weekly (Mondays)

  • Tom Clancy’s Ghost Recon Wildlands (Ubisoft Multi-platform): Open World, Third Person Tactical Shooter–About ¾th of the way through.  Special Ops/Military combat in a fictional Bolivia taken over by a Mexican drug cartel.

    Still working my way through–I’m trying to clear out a province a week, but because I’m catching up from E3 so I only got to clear about ½ of the province I’m currently working on.  I was planning on finishing that province today, but I have far too much to do today, so I’m not going to get to play it next week.
  • Until Dawn (Sony PS4 Exclusive): Third Person, Horror– branching storyline game that features a variety of choices that affect the outcome of the story using a system call the “Butterfly Effect.” I got further along, but now I have a decision to make: do I let the “creepy” best friend die, or do I let the character’s potential girlfriend die.  I decided to stop right there.

Creating a Character

Last week (at least, I think it was last week) I talked a little about the development of a new short story that I’m working on: Project Dog.  Well, I’ve had the plot (events) of the story in my head now for a while (over 2 years).  I’ve written a plot outline for the story (I’ve mapped out what happens from beginning to end), but when I started to write the story, I found that it fell apart after the first few paragraphs.  I created two characters: Etienne and Genevieve, who are Canadian (as the story ostensible takes place in Canada).  However, I’m not Canadian.  I’ve only known one Canadian in my life (from a Creative Writing class, no less), and I only knew him for the one semester, so already I was ignoring a cardinal rule of fiction: write what you know.  So I’m going back to basics and I’m working on a conception of a new set of characters based on characters/people who I do know.

James “Big Dog” Robinson

Just so you know, “James Robinson” is likely a placeholder name.  The nickname “Big Dog” is actually the only thing that is definite.  This character is definitely an African American male (or this universe’s version of it as America, Canada, Mexico, and Central America are no longer individual countries).  As the setting is the future, borders have shifted and James is a product of his world.  I’m working now on creating 1) his backstory–how did he get to the “Canada” environment from the “deep south” environment where he grew up (I think I have an answer for this) and 2) his inner and outer conflicts (I believe I have his outer conflict, but I’m looking for a realistic inner conflict for him).  He is a squad leader, the leader of the “Dog Pack,” a futuristic group (sorry for being so vague here, but I don’t want to give away the mystery of the story.”

Inner vs Outer Conflict

So, I’m sort of obsessing over this element of the character (even more than a simple description of character or completely knowing his history).  Dragonhawk is the ONLY story that I’ve ever had accepted on the first try.  It is ALSO the ONLY story I’ve ever done a true “character sketch” for (Description, History/Bio, Inner vs Outer Conflict).  Being reflective about my writing, I think I’m non being successful in completing stories because of 1) lack of character development (esp. early in the project at the planning stage) and 2) lack of going through the “drafting” process (essentially only doing one or two “drafts” before moving on to the editing/submission process–not dramatizing the story enough/using enough techniques.

Hopefully, this will allow me to be a better “writer” and a better “storyteller.”  Fingers crossed.  Have a great weekend.  🙂

Sidney




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Larger Than Life

Image Source: IZQuotes.com

Reserved by Nature

I am a reserved person by nature. You’ll never find me gadding around being the life of the party. I am quiet and most definitely an introvert. However, as I’m writing Project Poet, I’m finding that maybe my characters really aren’t ciphers, but rather maybe they are too much like me– very quiet and reserved.

Larger Than Life Characters

People want distinctive and memorable characters. I personally am not distinctive or memorable unless I truly want to be–my choice (heck, yes would be hard pressed to find an image of me online) . However, in writing characters who are just extensions of various parts of my psyche, I’ve unwittingly been writing boring characters rather than dynamic and unique ones.

Living La Vita Loca

So, a way to fix this is to give my characters a one-word trait to describe the character’s behavior. For instance, the character for Project Poet just wants to have fun–so “frat-boy”/”party-guy” would get that fun loving personality with a little bit of immaturity & insecurity. Now I just need to characterize (show how these traits manifest themselves in the story) him better and make sure he is larger than life. I also need to make sure his backstory reflects his fun loving outlook on life.

To steal from a popular saying: “go big or go home!”

Sidney



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